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The sciences do not try to explain, they hardly even try to interpret, they mainly make models. By a model is meant a mathematical construct which, with the addition of certain verbal interpretations, describes observed phenomena. The justification of such a mathematical construct is solely and precisely that it is expected to work-that is, correctly to describe phenomena from a reasonably wide area.
Bacon not only despised the syllogism, but undervalued mathematics, presumably as insufficiently experimental. He was virulently hostile to Aristotle , but he thought very highly of Democritus , Although he did not deny that the course of nature exemplifies a Divine purpose, he objected to any admixture of teleological explanation in the actual investigation of phenomena; everything, he held, should be explained as following necessarily from efficient causes .
Mathematics alone make us feel the limits of our intelligence. For we can always suppose in the case of an experiment that it is inexplicable because we don't happen to have all the data. In mathematics we have all the data, brought together in the full light of demonstration, and yet we don't understand. We always come back to the contemplation of our human wretchedness. What force is in relation to our will, the impenetrable opacity of mathematics is in relation to our intelligence.
A number of aspects of mathematics are not much talked about in contemporary histories of mathematics. We have in mind business and commerce, war, number mysticism, astrology, and religion. In some instances, writers, hoping to assert for mathematics a noble parentage and a pure scientific experience, have turned away their eyes. Histories have been eager to put the case for science, but the Handmaiden of the Sciences has lived a far more raffish and interesting life than her historians allow.
Mathematics is really an art, not a science. You could say science also is an art. So I would say the difference is something you can't really describe - you can only recognize. You hear somebody playing the violin, and it was Fritz Kreisler or it was somebody else, and you can tell the difference. It is so in almost every art. We just don't understand why it is that there are just a few people who are just completely off the scale and the rest of them are just mediocre. And we don't know why. But I say it's certainly true of mathematics.