Quotes of All Topics . Occasions . Authors
The impulse for me to want to make sculpture is because I want to make statements, really, on a purely emotional level. And it's also somewhat of a challenge to see how that can be done with materials and objects that really are not emotional, in and of themselves.
When you're writing, in theory, everybody is serving you. When you're directing, you're serving everybody - in the guise of acting like everybody's serving you. But you're really serving the materials. You're serving the actors. You're in charge, but it's not free.
Polymeric materials in the form of wood, bone, skin and fibers have been used by man since prehistoric time. Although organic chemistry as a science dates back to the eighteenth century, polymer science on a molecular basis is a development of the twentieth century.
I started rapping at the age of 12. That's when I wrote my first song, but I was more intrigued on learning how the recording process works: how do you create music and what materials I needed. So I educated myself musically so that I could focus on creating my own.
It has taken a great deal of energy, which has not been so difficult to summon as the necessary patience to wait, simply wait much of the time - until my instincts assured me that I had assembled my materials in proper order for a final welding into their natural form.
We must find new lands from which we can easily obtain raw materials and at the same time exploit the cheap slave labor that is available from the natives of the colonies. The colonies would also provide a dumping ground for the surplus goods produced in our factories.
Basically with everything, I choose my criteria based on what can be easy. If I made the real world the setting, I'd have to draw looking at reference materials for stuff like buildings and vehicles. When you do that, people complain even if it's just a little bit off.
My background is in art. I was a painter and an occasional sculptor, and I really like materials - you know, stuff. Physical objects. The world and the trees and the sunshine and the flowers. And all of that doesn't seem to really exist out in the ether of the Internet.
I'm at this point in my career where I'm trying to step away from the realm of fine arts, because I think it's a very exclusive, very restrictive place to be. What I want to be able to do is to change the lives of people with the same materials they deal with every day.
I write to relieve an intellectual itch. I stumble across a hitherto neglected set of events, transformations, characters, or source materials from the past, and they nag at me until I make sense of them in words. But I also write to seduce and to make my readers think.
When we seed millions of acres of land with these plants, what happens to foraging birds, to insects, to microbes, to the other animals, when they come in contact and digest plants that are producing materials ranging from plastics to vaccines to pharmaceutical products?
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
The laboratory where we stored all our negatives went bankrupt overnight following the Asian economic crisis in 1997. So, on short notice, we had to retrieve all the materials in the middle of the night before the debtor-receiver took over the laboratory the next morning.
Good buildings make and are made by their settings, and they are appropriately different in different locations. Climate, culture, topography and materials have helped create regional architectural languages that seem curiously right for their locations and for all times.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
A concern that produces its own raw materials, and works them up through the various processes until it delivers the manufactured product in the domestic or foreign market, can work on a narrower margin all around, and yet do full justice to its stockholders and employees.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
Enzymes catalyze all the reactions of life. They're what allow you to extract materials and energy from your environment and turn that into muscle and tissue and fat. That's all done by enzymes. They're pretty remarkable chemists - they're even better than Caltech chemists.
Prior to the Industrial Revolution, hand-production methods were abundant. Craft defined everything. The craftsman had an almost phenomenological knowledge of materials and intuited how to vary their properties according to their structural and environmental characteristics.
Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world.
A laborer no longer makes whole articles. He receives raw materials, puts his touch on them, and passes them to another worker in the series. When the articles are quite finished they are carried out of sight by currents of commercial exchange. These currents are untraceable.
Humanity will... be confronted with dangers of unprecedented character unless, in due time, measures can be taken to forestall a disastrous competition in such formidable armaments and to establish an international control of the manufacture and use of the powerful materials.
Gasoline prices are a direct reflection of the cost of the raw materials to produce the gasoline, no different than any other product that you would buy, whether it's a good or some other consumable, or it's a luxury item. It's all a function of what do the raw materials cost.
The two words, in the American lexicon, are never good. Pink slip. The first time I ever heard it when I was young was when Kaiser Steel handed out pink slips to many of my neighbors and relatives. Layoffs were about efficiency, sales figures for raw materials or refrigerators.
Think of the aged and bed-ridden Matisse cutting out strips of coloured paper, much as a child might, and investing them with a more than mortal vitality... Those strips of paper resonate because they prove that our materials don't determine in advance the worth of what we make.
Colleges will try to get the good students. That's the way to go. When I chaired my department of Materials Engineering at the Technion in 1990, we started a program for which we set the bar very high. It was the highest at the Technion, above electrical engineering and medicine.
Every decently-made object, from a house to a lamp post to a bridge, spoon or egg cup, is not just a piece of 'stuff' but a physical embodiment of human energy, testimony to the magical ability of our species to take raw materials and turn them into things of use, value and beauty.
I faced a number of challenges whilst I built Biocon. Initially, I had credibility challenges where I couldn't get banks to fund me; I couldn't recruit people to work for a woman boss. Even in the businesses where I had to procure raw materials, they didn't want to deal with women.
When a wall is slowly covered over by earth, the materials it's made from decay and become part of the soils around and above it, sometimes causing vegetation above and next to the wall to grow faster or slower. Satellite imagery helps archaeologists to pick up these subtle changes.
Chips will continue to shrink, of course. We, along with other semiconductor companies, are continuing to push toward the next goal of 10 nm, but going beyond 10 nm will require the development of new technologies, materials, and manufacturing processes that are still being perfected.
During the Second World War, nobody built any concert halls or theaters. After the war, Lincoln Center was a very brave project because all those architects had never built a theater before. We've learned a lot since then about the nature of materials and the isolation that's required.
I am convinced that a good building must be capable of absorbing the traces of human life and taking on a specific richness... I think of the patina of age on materials, of innumerable small scratches on surfaces, of varnish that has grown dull and brittle, and of edges polished by use.
Sportswear and activewear have been evolving over the years, and what makes it interesting is how you reflect the culture in which we're living in - whether it's creating clothing for a certain sport or creating new materials that we think athletes or people who are physical want to wear.
The Supreme Court has crafted doctrines such as 'fair use,' which permits copying materials for criticism, parody, and transformative uses, and has ruled that abstract ideas are not subject to copyright, because courts will not punish people for merely using an abstract concept in speech.
Education must lead us from the irresponsible opinion to true responsible judgment. It must lead us from chance and arbitrariness to rational clarity and intellectual order. Therefore, let us guide our students over the road of discipline from materials, through function, to creative work.
We rip out a perfectly good kitchen worth thousands of pounds, only to replace it with another costing roughly the same. The old one has to be disposed of, the new one had to be made. From raw materials, factory processes and transportation the extra effort is substantial. Overcomplication.
Well, you know, the original banjos were all handmade instruments. Gourd - it would be made with gourds and whatever, you know, materials would have been around. And, you know, first hundred years of its existence, the banjo's known as a plantation instrument, as a black instrument, you know?
As we know, all sports evolve tremendously, and our sport is no different. It's really not the same thing at all as it was in 1972. It's a different type of horse we're using. The style of riding is quite evolved, the way the courses are built, the materials used... it's virtually unrecognizable.
I've always stood on one fact - that all over the world, there are only two things, the Establishment and the poor people. The poor people are a massive majority and across the world they are exploited in different kinds of ways. The Establishment depends on exploiting raw materials and the poor.
Hillary is the Mitt Romney of 2016, where she has very little in common with the average person. She doesn't drive herself anywhere, she doesn't put on her own makeup, she doesn't cook her own meals, and she doesn't research her own materials. She has very little in common with the average woman.
For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation.
Five centuries from now - barring unimaginable catastrophe - the moon will be developed real estate. There's economic incentive to exploit the moon - the helium-3 will be useful in powering fusion reactors, and the rare earth elements could supplant the limited terrestrial supply of these materials.
The accumulated knowledge of materials, computing, electromagnetism, product design, and all the rest that we've learned over the last several centuries converts a few ounces of raw materials worth mere pennies into a device with more computing power than the entire planet possessed fifty years ago.
It is very possible to have lives that are just as prosperous, and nicer, that use 5 percent of the fossil fuels and virgin materials we do now. But if we're living anything like the average McMansion-ite, SUV-driving suburbanites, there's simply no way that can be powered in a climate-friendly way.
For a lot of people, one of the reasons they don't like to work for founders of startups is that they can be sensitive and protective around what they've built. You have an emotional attachment to the early marketing and technology materials, and you don't want to hear that anything's wrong with them.
You can really have a no-holds-barred relationship to materials with mixed metals and colorful schemes or more controlled palettes that are more tonal or restricted to a single accent color or metal finish. There are really no rules, and that is what makes contemporary design so limitless and enjoyable.
My work is on the one hand laboured, and on the other completely happenstance and intuitive. But that's the swish in the work, I think. It's really important to me that the work isn't just sitting on top of something, that the materials are woven together - that they are recognisable and from the world.
In college, I started to get soaked in the materials. Subsequently, I worked with R.W.B. Lewis, Robert Penn Warren, and Cleanth Brooks on a history of American literature - I did that for seven or eight years. In the course of that work, my interest in Faulkner deepened and has been sustained ever since.
I am passionate about what design can do - how far it can support the new ideas and the new ways of living of this 21st Century. Good design accelerates this exciting future where manufacturing is local, materials and processes are cradle to cradle, business models are both socially and financially driven.
Solar makes electricity expensive for two inherently physical reasons. Sunlight is dilute, requiring 10 to 15 times as much materials and mining, and up to 5,000 times more land, than non-renewables. And sunlight is unreliable, which reduces the value of solar as it becomes a larger part of energy supplies.