Quotes of All Topics . Occasions . Authors
The cloning procedure is similar to IVF. The only difference is that the DNA of sperm and egg would be replaced by DNA from an adult cell. What law or principle - secular, humanist, or religious - says that one combination of genetic material in a flask is OK, but another is not?
We do a lot of science on the space station. Over the course of the year, there'll be 400 to 500 different investigations in all different kinds of disciplines. Some are related to improving life on earth in material science, physics, combustion science, earth sciences, medicine.
People into hard sciences, neurophysiology, often ignore a core philosophical question: 'What is the relationship between our unique, inner experience of conscious awareness and material substance?' The answer is: We don't know, and some people are so terrified to say, 'I don't know.'
The universal utilization of water power and its long-distance transmission will supply every household with cheap power and will dispense with the necessity of burning fuel. The struggle for existence being lessened, there should be development along ideal rather than material lines.
There is no greater power in Heaven or on Earth than pure, unconditional love. The nature of the God force, the unseen intelligence in all things, which causes the material world and is the center of both the spiritual and physical plane, is best described as pure, unconditional love.
I'm proud of 'The Hidden.' I feel like we took a B-movie and kind of turned it into an A-minus action movie. We kind of elevated the material a little bit. It's got a great car-chase scene at the very beginning. It has some terrific moments in it, some funny stuff. It's a great rental.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
My gravity is always towards original material but 'Gerald's Game,' I read it when I was nineteen years old, I got to the end and had gooseflesh up and down my arms and the back of my neck, I put it down and said 'That's one of my favourite Stephen King novels... it's also unfilmable.'
With a father who is a fabulous craftsman, I was raised with the fundamental belief that it is only when you personally work with a material with your hands, that you come to understand its true nature, its characteristics, its attributes, and I think - very importantly - its potential.
Being a harsh, dirty comic, the last person on earth I ever expected to help my career was Jay Leno. I had always thought of performing on 'The Tonight Show' as an unachievable goal, because I bought into the myth that only squeaky clean, family-friendly material would be welcome there.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
The 'Ponyboy' single is coming out next because it's the other bit of the pole of the record. Sort of everything I'm interested in happens on that axis - everything I'm interested in this material happens on that axis, and so I was really excited to tour 'It's Okay to Cry' and 'Ponyboy.'
SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.
The point of theatre is transformation: to make an extraordinary event out of ordinary material right in front of an audience's eyes. Where the germ of the idea came from is pretty much irrelevant. What matters to every theatre maker I know is speaking clearly to the audience 'right now.'
Thanks to postmodernism, we tend to see all facts as meaningless trivia, no one more vital than any other. Yet this disregard for facts qua facts is intellectually crippling. Facts are the raw material of thought, and the knowledge of significant facts makes sophisticated thought possible.
I get very picky. There's sort of a line you have to walk between working and doing something you actually want to be a part of, as opposed to just working for the work. That often puts you in a place where you have to choose whether or not you want to wait for good material to come along.
There's so much free material on the Internet you can learn from, and some people are pure self-starters: they pick up computers and teach themselves everything. Certainly there are millions of people like that. But at the same time, I think it's a pretty small percentage of the population.
There aren't a lot of cover bands that do Boston material or do it well, and the reason for that is that they are hard to play. So we put a lot of work into it. The musicians that I've managed to surround myself with after all of these years are individuals who really excel at what they do.
Some people see life as many steps up and try to forget where they are coming from, you understand? A little step in life on a commercial or a material level is a good step, but a big step does not mean a strong step - you tend to lose your roots - and if you don't be careful, you can fall.
When we were working on 'Taxi to the Dark Side,' we would purposefully not show it to certain people in the cutting room, because we would include a lot of horrible material and would need a fresh pespective. They would look at us and say, 'Are you out of your minds? You can't include that!'
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
We now expect Google, Facebook, Twitter and other companies to police the Internet for dangerous and illegal material - violent, terrorist, criminal - and some democratic governments require them to do so. But what if they did decide to repress material for political reasons? How would we know?
I never appreciated 'positive heroes' in literature. They are almost always cliches, copies of copies, until the model is exhausted. I prefer perplexity, doubt, uncertainty, not just because it provides a more 'productive' literary raw material, but because that is the way we humans really are.
Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
DNA is the master blueprint for life and constitutes the genetic material in all free-living organisms and most viruses. RNA is the genetic material of certain viruses, but it is also found in all living cells, where it plays an important role in certain processes such as the making of proteins.
The failure of national economic policy is costing us more than jobs; it has begun to weaken that uniquely American spirit of risk-taking, large ambition, and optimism about the future. We must rally them now to bold departures that rebuild our national morale as well as our material prosperity.
'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
One term that's used in this industry a lot is this notion of 'feeding the beast.' You've got all of these people whose livelihoods are dependent on it. There are enormous pressures to keep material going into it, and the pressures to feed it are not irrational. They're the basis of your business.
I don't pull punches at all, and I write my material for adults. But if kids like it, they can come watch it. I'll never change anything about what I do for anyone. I kind of think that's why kids like me. If you're a teenager, and there's someone onstage talking to you like an adult, that's good.
For like everyday, just kind of hanging out, I love flannels. Part of my closet, there's a whole section of flannels because I love them so much. Slouchy, oversized hats and fedoras. I just got these 2 amazing hats that I really love, blue and gold trim with woven material by D&Y. I love D&Y hats.
One industrial age belief is that GDP or GNP is a measure of progress. I don't care if you're the President of China or the U.S., if your country doesn't grow, you're in trouble. But we all know that beyond a certain level of material need, further material acquisition doesn't make people happier.
Most beginners who have learned the point system will only consider a sacrifice if it leads directly to checkmate or if the material can be won back by force. A Grandmaster, though, will frequently sacrifice for less tangible compensation, such as a lead in development or a superior pawn structure.
People want to create a space that feels like them - one that's deeply rooted in their personality. That's important. Your space is an opportunity to tell your story and showcase your experiences. That's why I think every material - down to your faucet - needs to serve a function and feel personal.
Everything related to 'SNL,' that was very sudden - from the time I found out I was joining the cast to the time I could read on a blog that someone watching the show thinks I'm fat, that was about 30 days. That blog part, that could've moved a little more slowly. But hey - it's all material, right?
Corporate America limits the world to consumerism. Science can limit it to the material world. Even religion limits it to a lot of theories that can explain everything. I think we need cinema to break that apart and remind us that we're not in control, and we don't understand as much as we think do.
No, you don't have to start your play with a premise. You can start with a character or an incident, or even a simple thought. This thought or incident grows, and the story slowly unfolds itself. You have time to find your premise in the mass of your material later. The important thing is to find it.
The only advice I can give is to surround yourself with people who are friends and people who believe in you and your material and who are going to help you take it to the next level. It doesn't mean you don't listen to criticism, but you listen to it and edit it, and you figure out what you can take.
My agent says that I'm a 'repeat business guy.' If you hire me to come do a movie, I'll be on time, know all my material, be ready to go, have a good attitude. I'm here to work, so I get hired over and over again by the same producers. If you just be a team player on set you can work so much more often.
Voyager found Saturn to be a planet with a complex interior, atmosphere, and magnetosphere. In its rings - a vast, gleaming disk of icy rubble - the mission recorded signs of the same physical mechanisms that were key in configuring the early solar system and similar disks of material around other stars.
I didn't do it for the money. I know a lot of people say that, but if I'd wanted to be rich, I'd have stayed working as a city lawyer. I gave that up eight years ago and took a massive drop in salary, and I didn't mind because I was doing what I loved. There's plenty of material for the other five books.
As a free-speech advocate, I believe that adults should have access to any material they want. As a parent, and a community member, I think people should be able to protect their homes from imagery - much of it violent - that is, I feel, a form of child abuse when adult society inflicts it upon children.
The same thing I did in 2013 is what I'm trying to do in 2014, which is continue to improve, continue to shock people. You know, I have several projects coming up between 2014 and 2015, and hopefully by 2015, I'll have another hour of stand-up material where I'll be able to go on the road and tour again.
No one who passively endures an injustice against himself has the material in him to struggle for the rights of others. The one who patiently forbears becomes an accessory to the injustice done to others. He who resists the injustice which he himself meets can open up the way to a higher right for others.
But as an adult working in the fashion industry, I struggle with materialism. And I'm one of the least materialistic people that exist, because material possessions don't mean much to me. They're beautiful, I enjoy them, they can enhance your life to a certain degree, but they're ultimately not important.
I will never tire of recommending the custom, practiced by the best architects, of preparing not only drawings and sketches, but also models of wood or any other material. These... enable us to examine... the work as a whole... and, before continuing any further, to estimate the likely trouble and expense.
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me is an enthusiasm for the material. I sort of follow the notes to where they want to go.
What is the possible benefit? Can this material save lives? Can it improve the quality of life in Iraq? Can it tend to shape our perceptions of how war should and should not be conducted? Can it shape our perceptions of who should be conducting war and in what manner? And the answer to that is a clear yes.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.