Material things are not helpful after a certain degree of saturation. So you turn to other products. I think that therapy is a product that can transform you. But why does it need to be packaged as a product? Why can't I work on myself with my friends and family?

There's always those few people that are like, 'Why don't you play any of the material off your first two records?' And I'm like, 'For the same reason that I don't play with G.I. Joe dolls anymore.' It's like, 'I'm a grown-up.' I wrote that music when I was a kid.

As a producer, I think one of the most important decisions you make is not necessarily the material you are working on but the production apparatus that you choose to develop the project with, and that determines what funding you go to, it determines many factors.

Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work.

At the final day, the Savior will not ask about the nature of our callings. He will not inquire about our material possessions or fame. He will ask if we ministered to the sick, gave food and drink to the hungry, visited those in prison, or gave succor to the weak.

Now the interesting thing about the movie is that many of the questions it raised about the Warren Commission and its investigation were all investigated by our committee 13 years ago. We published our findings in 27 volumes of information and evidentiary material.

We await the successsive births in the soul of the child. We give all possible material, that nothing may lack to the groping soul, and then we watch for the perfect faculty to come, safeguarding the child from interruption so that it may carry its efforts through.

The American economic, political, and social organization has given to its citizens the benefits of material prosperity, political liberty, and a wholesome natural equality; and this achievement is a gain, not only to Americans, but to the world and to civilization.

The importance of the egg's non-nuclear material - the cytoplasm - in early development is apparent in the consistent relation that is seen to exist between certain regions in the cytoplasm of a fertilized egg and certain kinds or directions of cell differentiation.

The major material advantage, financial advantage from having a reserve currency is that between 200 and 300 billion dollar bills, that may be twenty, fifty, hundred dollar bills as well as ones, exist in the world - a lot of them in Russia as you all know I'm sure.

Relative to most of the energy and material flows on Earth, the machinations of humankind are puny. The planet's powers are much, much bigger than our own. But in a few sensitive places, we're making an impact on a planetary scale, and that impact is not a good one.

Whenever a new technology is introduced into society, there must be a counterbalancing human response - that is, high touch - or the technology is rejected... We must learn to balance the material wonders of technology with the spiritual demands of our human nature.

I remember an old Singer sewing machine at home that belonged to my grandmother. It had a pedal. My mom taught me how to use it when I was 12 years old. I used to find it so intriguing, how a flat piece of material could be made into an object that had so many uses.

The value and utility of any experiment are determined by the fitness of the material to the purpose for which it is used, and thus in the case before us it cannot be immaterial what plants are subjected to experiment and in what manner such experiment is conducted.

The Islamic State has apparently gained control of several dozen kilograms of radioactive material from research institutions in Mosul, Iraq. It cannot be made into a nuclear bomb, but it could be used in a 'dirty bomb' to contaminate a wide area with radioactivity.

The amount of sensory material stored up or stored down in the brain's and the body's systems is inestimable. It's like a culture at the bottom of a jar, although it doesn't grow, I think, or help anything else to grow unless you find a way to reach it and touch it.

The value of Eric Foner's 'The Fiery Trial' lies in its comprehensive review of mostly familiar material; in its sensible evaluation of the full range of information already available about Abraham Lincoln and slavery; and in the deft thoroughness of its scholarship.

Standardized tests don't care if you're white or black, short or tall, or even the rate at which you learned the course material. At the end of the day, all it cares about is whether you know what you're supposed to know. It can't be cheated, bent, or bargained with.

Agricultural practice served Darwin as the material basis for the elaboration of his theory of Evolution, which explained the natural causation of the adaptation we see in the structure of the organic world. That was a great advance in the knowledge of living nature.

It's not a bad problem to have because a lot of classic acts are known for one or two songs and in their show they basically hold those songs off until the end and you sit through an hour or so of lesser known material but in our case most of the songs are well known.

I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.

The very necessity of bringing our armament up to a certain level as rapidly as possible must place in the foreground the idea of as large returns as possible in foreign exchange and therewith the greatest possible assurance of raw material supplies, through exporting.

I find it difficult to judge myself, but people say that I have become a bit more socially acceptable over the years in terms of my material; which apparently at the beginning - though I never really intended it to be - was man hating and now is just a bit more cuddly.

As a community organizer who holds a degree in history, I understand the fascination with history. However, there is a tendency for many of us to get engrossed in the recounting of our history, which often amounts to purely intellectual activity without material action.

We have listened here to the delegates who have recalled the terrible human suffering, and the great material destruction of the late war in the Pacific. It is with feelings of sorrow that we recall the part played in that catastrophic human experience by the old Japan.

The source of all the material comes from nothingness, illusion is working more on things you can prove. That's the principle, the essence of life, it is actually an illusion, not immaterial. That's worth pursuing. So illusion is not nothing. In a way, that is the truth.

In the Pentagon Papers case, the government asserted in the Supreme Court that the publication of the material was a threat to national security. It turned out it was not a threat to U.S. security. But even if it had been, that doesn't mean that it couldn't be published.

The art of the bird is to conceal its nest both as to position and as to material, but now and then it is betrayed into weaving into its structure showy and bizarre bits of this or that, which give its secret away and which seem to violate all the traditions of its kind.

In a country of such recent civilization as ours, whose almost limitless treasures of material wealth invite the risks of capital and the industry of labor, it is but natural that material interests should absorb the attention of the people to a degree elsewhere unknown.

When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.

Whatever is on the page is what I'm married to. I'm very prepared. I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens.

You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.

You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.

You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never really knew was there.

My mom was like, 'Get your law degree first, become a lawyer, and then you can tell jokes on the weekends. You can be a lawyer and just throw jokes into your presentations.' Now she's like, 'Listen, you need to come up with new material.' All of a sudden, my mom's a critic.

Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some material from nature, a piano is assembled with wood and iron. Nuclear power uses material from nature, but it's been manipulated by humans, and it produces something unnatural.

First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the character you're playing.

The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.

I found the most difficult thing when you became successful - when I had the record album, it won Album of the Year - that you were cut off from the source of your material. Your material was everyday people, and you were kind of cut off from that, and you had to work at it.

I imagine a future with no waste; material innovations have already become exponentially more vast, and I do think the future needs to be cradle to cradle. If designed properly, one product could be used for many years before needing to be recycled, or its components reused.

When you're coming up with new material, it's not always gonna be good. The only way to learn is for it not to get a laugh, so you can adjust it and come back the next day to see if it's working right. Next time, you might get a different laugh. You're constantly rebuilding.

With 'Light,' I collaborated with a lot of different producers and musicians I respected, and we all wrote and worked on material which I then took to an old-school producer, David Kahne, and we put it all together. The lyrics came first - they were written before the music.

In music, I don't think there's any need to be an all-rounder and do everything yourself. Play to your strengths, and do what you feel. Or do whatever the material itself demands. In this case, I felt like it would benefit from me singing, and I wanted it to have that sound.

I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.

In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.

Despite our very recent appearance on the planet, humanity combines arrogance with increasing material demands, even as we become more numerous. Our toughness is a delusion. Have we the intelligence and discipline to vigilantly guard against our tendency to grow without limit?

There are very important and practical issues raised by following this alternative route which says, let's look to material conditions, to the systems of production, to the needs that human beings have, and to competing alternative solutions to the satisfaction of those needs.

Currently under FCC policy, indecency determinations hinge on two factors. First, material must describe or depict sexual or excretory organs or activities. Second, the material must be patently offensive as measured by contemporary community standards for the broadcast medium.

Any object, whether animate or inanimate, will have a size. Airplanes, boats, or musical string instruments vary in size just like animals and plants, and in all cases, their size and their material construction are totally different matters even though they affect one another.

I'm not a mother of children, but I'm a different type of mother where my approach to design is more in line with nature. It's less about dictating and more about editing and listening and allowing something to grow. So I nourish and let the material express what it wants to be.

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