Quotes of All Topics . Occasions . Authors
a steady diet of mass culture is a form of deprivation.
Television is completely another medium. For me, Lady Gaga and HBO are bringing us to mass culture.
If literature survives at all, it is as retreat for those who refuse to assimilate to American mass culture.
I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
Realize that the banality around us that passes as "hipness" or "mass culture" is as satisfying as "mass food"-only it comes in much more unappetizing portions.
Eight Hours For What We Will is a major contribution to modern American working-class history and to the history of a changing American popular and mass culture.
The art world is now a slave of mass culture. We have a sound-bite culture and so we have sound-bite art. You look at it, you get it - it's as immediate and as superficial as that.
Nobody seriously questions the principle that it is the function of mass culture to maintain public morale, and certainly nobody in the mass audience objects to having his morale maintained.
Art has knowledge and skills, and to come to know them is to be implicitly against a culture that is against knowledge - today's mass culture, which aims to produce a lot of consuming morons.
Often, these downplay the power of cultural imperialism - in that sense, playing the game of US interests - by reassuring us that the global success of American mass culture is not as bad as all that.
At times, the biggest challenge in embracing simplicity will be the vague feeling of isolation that comes with it, since private sacrifice doesn't garner much attention in the frenetic world of mass culture.
The kind of people who can assemble huge crowds into one spot will be the major influences on mass culture in the next decade. The rock enthusiasts have created some of the most exciting theatrical events on the planet.
Modern mass culture, aimed at the "consumer", the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.
Those who know New York City primarily through tourism or mass culture may think of us natives as possessing certain shared characteristics, not all of them flattering. But the true, volatile charisma of New York lies in how balkanised it is.
Reading is one of the true pleasures of life. In our age of mass culture, when so much that we encounter is abridged,adapted, adulterated, shredded, and boiled down, it is mind-easing and mind-inspiring to sit down privately with a congenial book.
The more we retreat from the culture at large the more room we will have to carve out lives of meaning, the more we will be able to wall off the flood of illusions disseminated by mass culture and the more we will retain sanity in an insane world.
Detachment is the prerogative of an elite; and as the dandy is the nineteenth century's surrogate for the aristocrat in matters ofculture, so Camp is the modern dandyism. Camp is the answer to the problem: how to be a dandy in the age of mass culture.
The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.
This film isn't about "white racism", or racism at all. DEAR WHITE PEOPLE is about identity. It's about the difference between how the mass culture responds to a person because of their race and who they understand themselves to truly be. And this societal conflict appears to be one that many share.
Our society offers little in the way of reeducation for those who have been torn away from their traditional culture and suddenly exposed to all the blandishments of mass culture-even the churches which follow the hillbillies to the city often make use of the same "hard sell" that the advertisers and politicians do.
The neo-conservative critics of leftist critics of mass culture ridicule the protest against Bach as background music in the kitchen, against Plato and Hegel, Shelley and Baudelaire, Marx and Freud in the drugstore. Instead, they insist on recognition of the fact that the classics have left the mausoleum and come to life again, that people are just so much more educated. True, but coming to life as classics, they come to life as other than themselves; they are deprived of their antagonistic force, of the estrangement which was the very dimension of their truth.