Quotes of All Topics . Occasions . Authors
The walls of the Franciscan Church of the Assumption of the Holy Virgin Mary were ruined stucco chipping away from the brick underneath, with ghostly frescoes, concrete-filled niches, and one complete, vivid crucifix painted over the altar.
If I could ever be on a Missy Elliott record, I could then die. Missy Elliott, Mary J. Blige - I love hearing them interviewed, I love the way they talk about their art. They're very self-assured, they're funny, they're inviting. I love it.
We grew up listening to a variety of music, such as Gospel/Christian, R&B old/new school, jazz, blues, Mozart, Mary Poppins, Frank Sinatra, Barbra Streisand, just to name a few. I love opera, too - went to state in high school as a soloist.
Mary Peters. When I was having my sulky, stroppy, bad loser phase I watched her at the Olympics. Sometimes she failed but always with a smile and good grace. She taught me how to win and lose, and I have a photo taken with her in my lounge.
I admired Mary's work very much. From the time someone gave me 'The Liars' Club,' I immediately went into a world where I grew up. And I remember, when I finished the book, I actually thought, 'You know what, I need to write songs with her.'
I was born Pauline Matthews and grew up in Bradford as one of three children - I had an older brother, David, and an older sister, Betty. My father Fred worked in the mills as a textile weaving supervisor, and my mother, Mary, was a housewife.
Allison Janney's character in 'The West Wing' was so rocking! I am a huge fan of Mary Louis Parker and her character in 'Weeds.' My manager says, 'you have to grow into yourself, Allison' because all the characters I want to play are, like, 39.
I've seen fathers criticizing their sons the moment a game's over. Not my dad. It doesn't matter if I threw an interception or a Hail Mary, he always says, 'Good job, son, I'm proud of you.' Then he shakes my hand and gives me a hug. Every time.
My mother was a Bloomsbury figure: a great friend of TS Eliot, Duncan Grant, Vanessa Bell. My grandmother, Mary Hutchinson, gave her life to works of art, being an admirer of Matisse and Giaometti, whom I collected as a young man because of her.
In 'There's Something About Mary' and 'Dumb & Dumber,' I ended up improvising quite a bit of my scenes, and later I didn't even remember what I'd said because I just winged it. When I went and saw the movie, I was as stunned as everyone else was.
I like being a storyteller. I'm bored with myself; I like to write about others. I have a lot of names in my songs: Karen, Margaret, Mary Kay. Even if it's about me, I want to put it through someone else. The music is the soundtrack to the story.
The last game I played in college was in the NIT against St. Mary's. That was the first time I had come to the Oakland area. So, the last game I played in college and the first game of my NBA career were out here in the Bay Area. It's pretty cool.
I started singing backgrounds for Mary Mary and Usher during 'Confessions.' Then I jumped to working with Anthony Hamilton, Jill Scott; jumped again to Kanye West, The Killers. I kept saying, 'OK, this is the last time; then I get to do my music.'
My chief literary influences have been Paul Laurence Dunbar, Carl Sandburg, and Walt Whitman. My favorite public figures include Jimmy Durante, Marlene Dietrich, Mary McLeod Bethune, Mrs. Franklin D. Roosevelt, Marian Anderson, and Henry Armstrong.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
Mary's life was a perfect imitation of Jesus. She was humble, hidden, sorrowful and afflicted, but she also knew joys that never entered the heart of man. She is all things to all men that she might understand their failings, though she failed not.
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
Back on Nov. 23, 1963, I sailed into Manhattan Harbor onboard the Queen Mary and landed with no job and contacts and just $135 in my pocket. My first lodging was in a rundown hotel for $27 a week with the bathroom down the end of a corridor of beds.
I get mad at football coaches who are afraid to call for a big play early in the game, you know, because they want to still be in the game at the end, and then it turns out they have no chance but a Hail Mary or something similar to that at the end.
A long time ago, when all the grandfathers and grandmothers of today were little boys and little girls or very small babies, or perhaps not even born, Pa and Ma and Mary and Laura and Baby Carrie left their little house in the Big Woods of Wisconsin.
I come from a strong matriarchal line. I was raised by Gypsy, her sister, Mary, and my maternal grandmother. The result of not having my father live with us meant that, when it came to understanding the opposite sex, it was like working without a map.
In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.
Don't get me wrong, it's fun when you get cheers for being a little kid. But if I wanted to be babied, I would not have gone pro. I'm welcoming the idea that people will be thinking of me as Mary Cain the professional, not Mary Cain the high schooler.
There's not a day that goes by that I don't bless myself with holy water and then get in my car and rub the medal of the Virgin Mary that she gave me and say a Hail Mary for my mother. And then I kiss her Mass card that's right there on the dashboard.
'What I would give,' I thought, 'to have been present as Elizabeth Keckley measured Mary Lincoln for a new gown, to overhear their conversations on topics significant and ordinary, to observe the Lincoln White House from such an intimate perspective.'
Growing up, people are like, 'Mary, we'll see you at the Grammys.' You're like, 'I'll be at the Grammys.' Then, you're actually at the Grammys! That actually is happening; it's not just something people are saying because they like your music. It's real!
From a small child to right now - I mean, when I was five years old, Red Norville, Tal Farlow, Charles Mingus, Les Paul, Mary Ford, people like that were coming over to my house. So I was around professional adult mature musicians who had had big careers.
I'm working on a movie called 'Virgin Mary' with Abigail Breslin. I'm also in 'Ice Age 4: Continental Drift.' And I have a television movie coming on Nickelodeon that I worked on with Nick Cannon. I acted in it, but I am more excited about being a producer!
I saw Tina Turner do 'Proud Mary' on TV, and it was so electrifying and such a unique experience. I remember crying out of excitement, and I knew that I wanted to be a performer and make people feel excited and moved, and that's why I gravitated towards it.
I think the Mary J. Blige persona wouldn't lend itself to the big kid persona, but that's exactly who she is. She has such a serious life and childhood and then such a dramatic one, a successful R&B singer. But she's just stayed this kid for life and stuff.
In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.
In all honesty, I didn't love reading when I was a kid. I'd rather be running around in the woods or doing my best to scare the pants off all the children in the neighborhood by pretending my house was haunted or making them play Bloody Mary in the bathroom.
Some people become passionate readers and fans of science fiction during childhood or adolescence. I picked up on SF somewhat later than that; my escape reading of choice during my youth was historical novels, and one of my favorite writers was Mary Renault.
I'm a pretty avid reader, but I missed feminism in college. I did take an intro course where I read Mary Wollstonecraft, but I didn't read a lot of the seminal writers. Then I had two teenage daughters and was reading books on development and different issues.
I remember I was unsure about doing 'Shameless.' I'd never acted in anything so commercial. I read the script in the garden with my mum, Mary. She said it's filthy dirty, but she said these people have love and sex and nothing else. That made me take the role.
I'm actually the son of Mary Guibert. My mother was born in the Panama Canal zone and came to America when she was five with my grandmother and grandfather, and that was the family I knew. Everybody sang; everybody had songs all the time, and they loved music.
'Middle class' used to mean having two children and sending them to high-quality public schools, or even occasionally to private schools. It meant new brown Stride Rite Mary Janes with little purple and silver flowers when the old shoes were pinching the toes.
Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
Mary Lincoln provided Elizabeth Keckley with opportunities for social and economic advancement she probably had never imagined during her years as a slave, while Elizabeth offered Mary the loyal, steadfast friendship she craved but had always found so elusive.
My mother, Mary, has been a guiding force for as long as I can remember through the examples she's set as a single mother. She demonstrated her confidence and faith in me by investing everything in me and the business at a time when she had just lost everything.
Nothing I had written before 'Mary Poppins' had anything to do with children, and I have always assumed, when I thought about it at all, that she had come out of the same wall of nothingness as the poetry, myth and legend that had absorbed me all my writing life.
Mary Lasker was an entrepreneur; she was a socialite. She was kind of a legendary networker. She became interested in saying, 'Well, you know, if these diseases don't have political support we'll never conquer them.' And she made, really, cancer her special cause.
I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
Mary, my little girl, was confirmed in a Buddhist temple. She saw the Life write up on Buddhism, with pictures of the ceremony, and she said she wanted to be confirmed there because she only liked Jesus as a kid. She was a little disappointed in him when he grew up.
I keep seeing the headline on articles that says something like 'Mary Gauthier Helping Our Veterans.' It's troubling - and it's condescending. Whatever I'm doing as a songwriter to help them tell their stories, they're giving it back to me double, triple, quadruple.
My parents, Mary Agnes Smith and Rowland Smith, both had to work since their early teens, she in the holiday boarding house of her mother and he in his father's market garden in Marton Moss, a village on the south side of Blackpool, just north of Saint Anne's-on-Sea.
When someone comes up to me and says, 'Mary, you helped save my marriage', or, 'Mary, you helped me get out of this abusive relationship', I'm in it, really in their lives. And I'm so passionate about my feelings, but also about showing people the way through theirs.
Were this not Texas, were there not a state where there were no protections at all and where the law was clear on that, I think CBS and Mary Mapes and Dan Rather and all of us had a very good chance of winning. So this is an ongoing battle about an issue of principle.
The videos I put on YouTube have expanded my audience beyond what I could have done at just a Hamburger Mary's. People saw the videos, started booking me, and literally 40-plus countries and thousands of gigs later I can basically say that YouTube has bought me a house.
In the late '90s, we kind of took a sabbatical, and I got an invitation to play with a Japanese band and formed a supergroup called NiNa. It was Yuki from Judy and Mary and Masahide Sakuma from The Plastics, a Japanese equivalent of the B-52s. It went to No. 1 in Japan.