Quotes of All Topics . Occasions . Authors
Even though the society that Marx foresaw is far from being an historical reality, Marxism has penetrated so deeply in history that we are all Marxists, one way or another, even unknowingly.
It is therefore utterly false to say that Marx revokes the law of value as far as individual commodities are concerned, and maintains it in force solely for the aggregate of these commodities.
And Marx spoke of the fact that socialism will be the kingdom of freedom, where man realizes himself in a way that humankind has never seen before. This was an inspiring body of literature to read.
In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
I'd always heard stories about how Harpo Marx was the most talkative of the Marx brothers. I found it interesting that someone you never got to hear speak in films would never not speak in real life.
I'm excited for Christy Marx taking over 'Birds of Prey'. I adore 'Rachel Rising' by the great Terry Moore. I'm also a stone cold Scott Snyder fan; the guy is a joy to read and a pleasure to work with.
The communism of Marx seeks a strong state centralization, and where this exists, there the parasitic Jewish nation - which speculates upon the labor of people - will always find the means for its existence.
Marx, as we have seen, solved it by declaring capital to be a different thing from product, and maintaining that it belonged to society and should be seized by society and employed for the benefit of all alike.
I think we grew up thinking that the funniest things on TV were the old, serious movies. I always liked the Marx Brothers, but the thing that always made us laugh were movies like Zero Hour. That's what inspired us.
In the 1970s, many intellectuals had become political radicals. Marxism was correct, liberalism was for wimps, and Marx had pronounced that 'the ruling ideas of each age have ever been the ideas of its ruling class.'
Marx and Engels are arguably history's most famous couple. Such was the closeness of their collaboration that it is not always easy to recall which works bore both names, which just that of Marx, and which just Engels.
The Russians are turning east to the Chinese - to the Europeans' surprise. It always seemed to me that the relationship between Russia and China would shift from being based in Marx and Lenin to being based in oil and gas.
I grew up and I was weaned on the Marx Brothers. They were sort of my all-time favorite. My parents showed me their movies when I was very young. And as I got older, I became a Charlie Chaplin fan, and I love Buster Keaton.
When I was a little kid, my parents would show me Marx Brothers' films and westerns and stuff like that. That's where all my desire to be an actor comes from and probably most of my understanding of acting comes from for sure.
Marx, Darwin and Freud are the three most crashing bores of the Western World. Simplistic popularization of their ideas has thrust our world into a mental straitjacket from which we can only escape by the most anarchic violence.
I am still moved by passages of Marx: the 'Critique of Hegel's Philosophy of Right,' for example, where, after the famous line about religion being 'the opium of the people,' he goes on to call it 'the heart of a heartless world.'
People call me a Modi bhakt now. I used to be a Marx bhakt. I was part of what I now call the intellectual mafia. I used to believe in it, and worked for it. My eyes opened up when I began to travel, and meet different kinds of people.
My Dad hated his job. He sold overcoats, but he wanted to make movies. He had a failed career working with the Ritz Brothers - they were like the Marx Brothers, only a tier below. I always had a picture in my mind of him in a straw hat.
I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.
Taken as a whole, the work of Marx, at the same times it shows the thesis of the growing pauperization of the non-propertied classes, relativizes it when contemplating the possibility that the class struggles result in distributive effects.
We entered the 20th century trying to deal with three ideas purporting to define or describe or explain three spheres of action, development and conflict: Darwin on the natural world, Freud on the internal world, Marx on the economic world.
I'm signing on to be an athlete, and it's almost like Karl Marx's theory on capitalism. I am both the worker and the product. I'm choosing to be a part of this system, thus I'm choosing to be part of the conditions that are set in this system.
We say primarily that the priority of this struggle is class. That Marx and Lenin and Che Guevara and Mao Tse-Tung, and anybody else who ever said or knew or practiced anything about revolution, always said that a revolution is a class struggle.
I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.
Somehow I got a hold of an address for Vonnegut shortly after making the Marx Brothers film. Vonnegut wrote back, saying that he had seen the Marx brothers film and loved it. That became the foundation of our friendship: old movies and comedies.
I may be wrong, but the essential illustrative nature of most documentary photography, and the worship of the object per se, in our best nature photography, is not enough to satisfy the man of today, compounded as he is of Christ, Freud, and Marx.
Well, Marx is having a comeback. I hear him mentioned a lot in terms of the global financial situation and the general sense of injustice out there. A lot of economic experts in America refer to him without actually using the M word, but he's around.
My personal view is that such total planning by the state is an absolute good and not simply a relative good... I do not myself think of the attitude I take as deriving from Marx - though this undoubtedly will be suggested - but from Fichte and Hegel.
Early in the morning, I fell in love with the girl that later on became my wife. At that time, we were so naive. I wanted to charm her, so I read her Capital by Marx. I thought somehow she would be convinced by the strength of his criticism about capital.
Stalin, Lenin, Marx, Mao, Pol Pot, Antifa, Castro, Che Guevara and the like use power to reduce the sanctity of the individual for the common good of the collective. It is a kind of enslavement that degrades the human spirit and makes us poorer over time.
Simon Bolivar, when history led him - and as Karl Marx said, men can make history, but only as far as history allows us to do so - when history took Bolivar and made him the leader of the independence process in Venezuela, he made that process revolutionary.
Marx and Lenin were ahead of their time. Marx wrote before offshoring of jobs and the financialization of the economy. Lenin presided over a communist revolution that jumped the gun by taking place in a country in which feudal elements still predominated over capitalism.
In an age robbed of religious symbols, going to the shops replaces going to the church. We have a free choice, but at a price. We can win experience, but never achieve innocence. Marx knew that the epic activities of the modern world involve not lance and sword but dry goods.
I always find it actually funny that the analysis is that the characters I play in comedies are the manchild, the adolescent, characters that refuse to grow up. And yet, if you look back in the history of comedy all the way back to the Marx brothers, that's a big part of comedy.
Who made me laugh when I was growing was Chaplin and the Marx Brothers, and then moving on, there were so many that I was a writer for for many years: I was a writer for the Smothers Brothers, Lily Tomlin, then I started on 'Saturday Night Live' as the head writer the first year we started it.
If you're watching comedy movies, go back and check out the Marx Brothers in 'Duck Soup,' or Buster Keaton in 'The General,' or Laurel and Hardy or W.C. Fields or whatever - and see what pure talent really was, so that you can see where it came from, and then you can sort of gauge it from there.
Reactionaries often describe both Marx and Lenin as theorists, without taking into consideration that their utopias inspired Russia and China - the two countries called upon to lead a new world which will allow for human survival if imperialism does not first unleash a criminal, exterminating war.
Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.
Our socialism does not include extreme materialistic concepts, since Indonesia is primarily a God-fearing, God-loving nation. Our socialism is a mixture. We draw political equality from the American Declaration of Independence. We draw spiritual equality from Islam and Christianity. We draw scientific equality from Marx.
The genius of the Marx Brothers is for parody. They never are themselves. They exist too abundantly to be content with being that - they must go on, by the rapidest of transitions, to being something else. Groucho, in my opinion the bright star among the three, is never anything but the thing he is at the moment pretending to be.
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
My closest friend, who died not long ago, is buried near Marx's grave in Highgate cemetery, so I see the gaggle of admirers laying roses at the foot of his tombstone regularly. I have never been tempted to leave flowers there myself. Great theories, shame about the practice. Marx did many things. But inventing class was not one of them.
When those of Jewish blood exhibit moral or intellectual superiority, genius or special talent, we feel pride in them, even if they have abjured the faith like Spinoza, Marx, Disraeli or Heine. Despite the meditations of pundits or the decrees of council, our own instincts and acts, and those of others, have defined for us the term 'Jew.'