I believe human beings mark a threshold in the development of the planet, of course, but it is only part of the picture. What Big History can do is show us the nature of our complexity and fragility and the dangers that face us, but it can also show us our power, with collective learning.

One of the last books I read was 'Game Change: Obama and the Clintons, McCain and Palin, and the Race of a Lifetime' by John Heilemann and Mark Halperin. It gives a really good behind-the-scenes look at the campaigns. I didn't ask the president how accurate it was. I wouldn't ask him that.

Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.

When I look at founders and CEOs like Mark Zuckerberg at Facebook and Brian Chesky at Airbnb and Sebastian Thrun at Udacity, these are companies that are creating extraordinary social good and extraordinary economic and educational empowerment, all within with context of a for-profit model.

'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a little while. We were standing up for the song.

In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.

The greatness of Mac Rebennack, alias, Dr. John, also known as John Crieux, rests on his command of the musical use of idiomatic expression. Not a technically well-endowed singer, nor a great songwriter, he leaves his mark through the discipline and control he exerts over all that he touches.

The anti-apartheid prisoners on the island, like so many in every age and nation, found that Shakespeare had a peculiar ability to gentle their condition. They used to gather clandestinely to read the plays; on one occasion, the book was passed around for each man to mark his favourite lines.

If Christianity is a mere invention of man, and the Bible is not from God, how can infidels explain Jesus Christ? His existence in history they cannot deny. How is it that without force or bribery, without arms or money, He has made such an immensely deep mark on the world as He certainly has?

I have realized over time that I missed the mark with HyperCard. I grew up in a box-centric culture at Apple. If I'd grown up in a network-centric culture, like Sun, HyperCard might have been the first Web browser. My blind spot at Apple prevented me from making HyperCard the first Web browser.

Well, Mark, I led the charge for five or six years to get reforms for Fannie Mae and Freddie Mac. I was chairman of an organization called 'FM Policy Focus.' What we were saying was, if there was blip in the housing market, Fannie and Freddie would destabilize the greatest economy in the world.

Like every artist that comes out, you want to make a mark; you want to be a household name and you want to be someone that people are going to look back in ten years/fifteen years' time and go, 'I love this guy Olly Murs. He was brilliant back in the day; he was someone I really, really liked.'

I look upon The Animals, they were a great band initially, we left our mark, but thing was it was a band that couldn't live up to its name so I soldiered on. On one level, it was devastating for a while. On another level, maybe I should thank them for helping me make my own way in my own career.

Playing Mark Antony in 'Rome' will always be a favourite of mine because he was such an outrageously big and interesting character to play. Also, the fact that we were able, with that character, to find out and present the public with a biography of that man that had not been really seen before.

People are bringing a lot more of that funk element into their music, you know, with Bruno Mars and Mark Ronson - that's one that you never thought you would hear something like that on the radio again 'cause it just sounds so much like the Back Bay and what they were doing with music back then.

The thing about 'Harry Potter' is it's great fun because of the people - I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you're going to hang around on a set bored, you might as well do it with Julie Walters.

When the Americans see someone like Steve Jobs or Mark Zuckerberg, who made billions thanks to their talent and determination, the first thing they say to themselves is, 'I want to be like him.' This, in many ways, is the engine that drives Western society: The desire to make it like the winners.

The biggest start-up successes - from Henry Ford to Bill Gates to Mark Zuckerberg - were pioneered by people from solidly middle-class backgrounds. These founders were not wealthy when they began. They were hungry for success, but knew they had a solid support system to fall back on if they failed.

I lost my front tooth in rugby league when a fat guy from Bellevue Hill kicked me in the face as I got up from a tackle to mark him. I made this decision not to cap the tooth because I thought it was false. But I didn't make any movies as a teenager, and I had a very hard time with girls and stuff.

The world calls for, and expects from us, simplicity of life, the spirit of prayer, charity towards all, especially towards the lowly and the poor, obedience and humility, detachment, and self-sacrifice. Without this mark of holiness, our word will have difficulty in touching the heart of modern man.

Personal power gives you a sense of accomplishment. It enables you to live fully and zestfully. It provides you with a mature reason for liking yourself better. To state it another way, it is the mark of a healthy and well-adjusted individual to seek self-advancement by mastering his human relations.

It wasn't until my teenage years that a book really left a mark, and that was George Orwell's 'Nineteen Eighty-Four.' It was on the syllabus at school when I was about 16, and I went on to read more of his books. It was the height of the Cold War, so a lot of the messages really resonated at the time.

The day is not far distant when three Stars and Stripes at three equidistant points will mark our territory: one at the North Pole, another at the Panama Canal, and the third at the South Pole. The whole hemisphere will be ours in fact as, by virtue of our superiority of race, it already is ours morally.

We're drawn to making our mark, leaving a record to show we were here, and a journal is a great place to do it. Once you start drawing, writing, and gluing stuff in every day, it can quickly become a habit - addictive, even. Your attitude should be: 'I can do this, but I mustn't make it too intimidating.'

I've been thinking, in an age of Trump where you don't know the direction of the country, the person you need most is a steady conservative hand like Mark Kirk in the Senate to be advising the president, especially on national security topics ... which is my particular expertise after 23 years in the Navy.

Rock stars generally don't last in the Senate, starting with John Kennedy. Too much work, too slow, too little juice. Getting something accomplished takes a remarkable amount of tedious work. Rock stars who become senators either run for something else or retire on the job. They certainly don't make a mark.

As a kid, I watched 'Bugs Bunny' cartoons, and for some reason Pepe Le Pew, the indomitable French skunk pursuing his would-be kitty paramour, left his mark on me: became an instant emblem of odoriferous hubris, hedonistic bad behavior. He was an entry-level Dominique Strauss-Kahn, a rookie Marquis de Sade.

It's important that people are open. Some people say, 'I'm going to be a doctor,' and they're a really good doctor. But for the rest of us, it's a big question mark. Just giving yourself a break, letting yourself try new things, and when something doesn't work out, moving along... it's all we can really do.

I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.

It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process.

I have never fanned out at all, actually. I mean, there's only a few people that I have fanned out about before: Mark Hamill, Harrison Ford, pretty much anyone from 'Star Wars.' But I don't usually fan out at all, just because they're all people just doing their jobs. It's exciting because they do very good work!

The first memory I have in the world is of death and tears. That is how I would mark the beginning of my life: the way people mark the end of one. My family had gathered at Papa Joe's house because Mam' Grace was slipping away, only I didn't register it that way. For some reason I thought that it was her birthday.

When I was diagnosed with bipolar disorder the year I turned 50, it was certainly a shock. But as a journalist, knowing a little bit about a lot of things, I didn't suffer the misconception that depression was all in my head or a mark of poor character. I knew it was a disease, and, like all diseases, was treatable.

The contribution of Anthony William Greig to English cricket has been underestimated because of his allegiance to Kerry Packer and his choice to recruit players for World Series Cricket while still the England captain. His critics hold that as a black mark against him, which rules out anything else he may have done.

I'm a big John Steinbeck fan. Cormac McCarthy. I've always loved the stories of regular people. Mark Twain, too. When you look back at some of the epic writers of our country's history, very rarely do you find upper-class royalty. We seem to delve into the struggle of life and the labor of life much more frequently.

A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.

It's an absolute honor to be taking part in the pageant for the Diamond Jubilee. This is a once-in-a-lifetime opportunity and will be a moment in history that will always be remembered. I'm really looking forward to being out on the river with friends and family. To mark this historic moment will be extremely special.

What is certain about the future is that even the best efforts to predict the conditions of future war will prove erroneous. What is important, however, is to not be so far off the mark that visions of the future run counter to the very nature of war and render American forces unable to adapt to unforeseen challenges.

There are many singers who have got an exceptional talent, but spend their lives singing in local trains or hotels. Does the country even know who they are? Music in India is restricted only to Bollywood. Whoever manages to make a mark there is remembered. The ones who fail to reach and make it big there are forgotten.

One posthumous measure of a person's life is how often you imagine his impossible return to deal with some event he never lived to encounter. You picture his reactions, his advice, his sage commentary and humorous asides. For instance, I think about Mark Twain's hypothetical take on current events several times a week.

I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'

My father and mother are both very smart people and I always felt I was a little short of the mark. So I would compensate with a character like Logan Cale. He's wearing glasses, he's in a wheelchair, he's a computer genius. He's very far away from who I am, but I really wanted to play roles where I'd be taken seriously.

Mark Jackson played 19, 20 years in the NBA. Shouldn't even have probably been in the league, and he's the third-ranked assist guy in the NBA. But you describe his game: Can he jump? No, not really. How's his outside shot? Eh, it's inconsistent. Can he defend? Nah, he can't stay in front of guys. And he played 19 years!

The hardest thing to do in movies is be a day-part player. You have to go in, make your mark, and get out. There's a lot of leading actors who are not good for a lot of a movie, and then suddenly they have good moments, and they're like stepping-stones across a particularly feisty stream. They build careers out of that.

Ambiguity and the horror of possibility play a part in so many of my favorite horror stories: Shirley Jackson's 'We Will Always Live in the Castle,' Mark Danielewski's 'House of Leaves,' Victor LaValle's 'Big Machine,' Charlotte Perkins Gilman's 'The Yellow Wallpaper,' Stewart O'Nan's 'The Speed Queen,' and so many more.

I joined the 'Times' in 1972, and I came with the mark of Cain on me because I was clearly against the war. But my editor, Abe Rosenthal, he hired me because he liked stories. He used to come to the Washington bureau and almost literally pat me on the head and say, 'How is my little Commie today? What do you have for me?'

Did you ever spell a word so bad that your spell check has absolutely no clue what you're trying to spell? What do you end up getting, you end up getting, like, a question mark. You got a million dollars of technology just looking back at you like, 'You got me, buddy. Which is pretty amazing because I have all the words.'

I think, ever since I started doing well commercially, it's always been like, 'Oh, well, you're only where you are because of your dad, and it must be because of Mark Ronson and Greg Kurstin that you do well.' It's just everyone apart from me is responsible for the songs that I've written selling millions around the world.

I want to affect culture. I want to have my mark on everything. I give examples of people like Bill Cosby, Quincy Jones - those are the people who I look up to. The game wouldn't be the same without them. What happens in the course of 5 years isn't really important to me. I care about what they'll say about me in 50 years.

I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.

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