Quotes of All Topics . Occasions . Authors
I personally always find something really scary about watching little girls learning to manipulate their dads by baby talking. Then they grow up and use the same technique on their boyfriends or husbands. That scares me because it's just so sick on so many levels.
Madonna is a pro. I don't like her and have no respect for her but- I don't think she should be called a musician or a dancer or whatever you know, but I do have, well I do have respect for her ability to completely manipulate the media and have them work for her.
I remember listening to 'Songs In The Key Of Life' as a kid. Stevie Wonder has an ability to manipulate pop into something globally obtainable. Anyone can listen and enjoy it because there's something for everyone. That woke me up to the possibilities of pop music.
We also have the option of scanning in an image from outside the computer... a photo, or a sketch done with traditional tools; and we can then paint, manipulate, process, change, and further develop the image within the computer, watching our progress on the monitor.
It is standard practice for corrupt leaders who are seeking a certain political outcome to hype or manipulate a terror threat or a threat of violent domestic subversion. While sometimes the threat is manufactured, frequently the hyped threat is based on a real danger.
To get high data transfer rates in communicating information, you would love to use optical fibers. The problem is that light is extremely hard to manipulate. So we make a perfect copy of the information carried by the light. We transfer it to matter - the condensate.
The worst thing you can do is try to manipulate or control perceptions. It's impossible, and when you are found out the result is disastrous. Better to be transparent and play well with others so that when bad things happen you have a reservoir of good will to bank on.
I can't control what people think. I'm not trying to manipulate people's thoughts or sentiments. I write all the time. You have to experience life, make observations, and ask questions. It's machine-like how things are run now in hip-hop, and my ambitions are different.
In psychology and behavioral economics, people have shown that if you just describe options in a certain way, or make some features of a situation salient, you can get people to do and even see what you want. You don't have to be a Jedi to manipulate people's attention.
I don't believe that directors need to essentially manipulate actors into doing things. You can suffer for your art, and you can make your own self suffer for your art. You don't need anyone else to do it for you. I work best when there's a safety trampoline of kindness.
Honestly, every person, every individual has a process, and my philosophy, whether it's an actor or an animator, is you try to understand the process that person has so you can get the most out of them, but I think you have to sort of manipulate that process with honesty.
There are many ways to manipulate chip cards. For example, a number of years ago when American Express issued the first chip card, criminals would take a small hammer with a little device and bang the chip to destroy it without hurting the physical appearance of the card.
In Islamic societies, politicians can manipulate almost everything. But thus far, no fundamentalist leader has been able to convince his supporters to renounce Islam's central virtue - the principle of strict equality between human beings, regardless of sex, race, or creed.
The word deepfake has become a generic noun for the use of machine-learning algorithms and facial-mapping technology to digitally manipulate people's voices, bodies and faces. And the technology is increasingly so realistic that the deepfakes are almost impossible to detect.
One would expect that private property taken by eminent domain would become land available for public use such as parks and roads. Unfortunately, this decision creates a loophole for government to manipulate the definition of public use simply to generate greater tax revenue.
I watched a lot of avant-garde films, like Maya Deren's work, and I love film's technical ability to do things that are impossible in real life. It's related to the way collage allows you to manipulate reality and the hierarchies that are inherent in our awful but amazing world.
When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
When I'm writing, I can always play around with tense. I can always make past present. I can always kind of manipulate, and I can always be delusional in a way that's completely self-serving. With film, it's like, the camera can't really lie. It can manipulate to a certain extent.
I'm a science fiction author at heart, and what I like about the Cthulhu Mythos setting is that, at its core, it is horror science fiction. I can take ideas from modern theoretical science, manipulate them in truly bizarre and weird ways, and remain true to the Cthulhu Mythos vision.
Every form of anti-Semitism, every form of xenophobia plays on the fear of the unknown, and unfortunately there are all too many politicians who know how to manipulate that. The dumber people are, the more they feel the need for a broad set of shoulders they can lay their head against.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
The world is full of people with different characters and temperaments. We all have a dark side, a tendency to manipulate, and aggressive desires. The most dangerous types are those who repress their desires or deny the existence of them, often acting them out in the most underhanded ways.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
I always try to manipulate the eye when I'm dressing myself or someone else. I don't have an hourglass figure, so I'm always trying to give the illusion that I have one; bringing the eye to the waistline by adding a belt or having a heavier print at the bottom or at the top helps define your shape.
You can harvest any data that you want, on anybody. You can infer any data that you like, and you can use it to manipulate them in any way that you choose. And you can roll out an algorithm that genuinely makes massive differences to people's lives, both good and bad, without any checks and balances.
Hillary Clinton and Donald Trump have deep ties to corporate money. They both have a detailed and complexed view of how some on Wall Street manipulate the game. They know where the excesses are and who is to blame. If willing to take on their friends, they both could reform Wall Street from the inside.
I started taking pictures when I was around 10, so I have been inadvertently been training my eye for it for years. Traveling gave me a ton of practice as well, and the ability, once you learn to properly manipulate and capture light and freeze any moment in time for safe keeping, has always fascinated me.
I don't 'handle' people. It's so much easier to manipulate actors than to really have an earnest discussion with them. It's very easy to say whatever's going to appease them and then turn around and do whatever you want to do. It's difficult to be forthright with people, because the job does not lend itself to that.
We wanted to take on social and political and LGBTQ stories which no one at the upper level of the entertainment industry ever really wants to do. So you have to fight, and you have to persuade, and you have to manipulate the studios and the networks. And you have to go back - over and over again - until they say yes.
I went to the library and learned how checks work. I found out that routing numbers are like zip codes: the checks are sent to the bank that correlates to the routing number. If I manipulate those numbers to a bank far away, it would take longer to get back to the bank, which gave me more time to write more bad checks.
I truly believe there is this confidence gap, at least for me. You have to 'manipulate' yourself to get over it,and I do think it has something to do with being a female. If you live in fear or doubt and have that confidence gap, you are simply not going to achieve your full potential and what you know you can achieve.
It's amazing how much of a bodily experience being scared is. It doesn't take very long of hyperventilating to feel like you're going to pass out. It's one of those things where being scared is more of a physiological response that you can pretty easily manipulate. So in those types of scenes, it just takes a lot of energy.
The decentralized nature of online conversations often makes it easier to manipulate public opinion, both domestically and globally. Regimes that once relied on centralized systems of media control can now deliver ideological messages more subtly, with the help of little-known intermediaries like anonymous commenters on websites.
The more the technocrats programme it down to the smallest detail, the more the powerful manipulate it, football continues to be the art of the unforeseeable. When you least expect it, the impossible occurs: the dwarf teaches the giant a lesson, and a scraggy, bow-legged black man makes an athlete sculpted in Greece look ridiculous.
No, I wouldn't direct a movie, no. I couldn't. I don't have the patience for it, I don't have the people skills. You have to be clever. I'm not really clever in that kind of way. And you have to be able to manipulate people, but at the same time allow them to feel like they are manipulating you, to get the kind of movie that you want.
What is the evolutionary value of blushing? It seems not to be to our advantage to do it, to involuntarily reveal our inner emotions. If we're trying to manipulate or lie, actions in furtherance of individual goals as opposed to the goals of others, blushing would not seem to be helpful. And yet everyone blushes, except the psychopath.
A new understanding of power is replacing our old understanding of power as the ability to manipulate and control. The old understanding of power has become counterproductive to our evolution. What used to be good medicine has become poisonous. Pursuit of the ability to manipulate and control now produces only violence and destruction.
I don't think any foreign Internet company can effectively compete against Chinese companies in the Chinese market. The regulatory environment is so difficult that it's almost impossible for foreigners to have an advantage over locals who have better political connections and who can manipulate the regulatory system much more effectively.
To cover politics in Washington allows you to live in the very, very wide gap between what the actual truth is, and how people are trying to manipulate the truth. They speak in the language of spin, obsequiousness, obfuscation. The meta of politics is just this endless source of material that can shed light on the psychology of the process.
I remember as a kid seeing Pong in a pizza place where I grew up in Oxnard, California, and having my mind blown by it. I thought it was a TV. I thought it was just something playing on a television. But then to be able to manipulate the paddle, and the ball with the knob was, in those days, pretty huge to a little kid! It was a simpler time.
What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.
What's really important is the people, first of all. I like working with people who are kind, above all else. I don't really want to work with someone who will manipulate me. The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.
I think most of our eyes are trained to background being completely out of focus, but you can't do that with an iPhone unless you manipulate it quite a lot in post. You have to accept the fact that your film is going to look a little different on the big screen. Even though the resolution holds up, it does have something very different about it.
I have to control my mouth - and that's hard enough - and then I have to manipulate the puppet and make it look real - like, make its interactions look real. And then I have to sing at the same time, and I have to have my facial expressions reacting to the puppet... So it's a lot going on, and I have to focus on every single thing at the same time.