Quotes of All Topics . Occasions . Authors
I try to remember what it was like to be a kid in New York. I lived in different parts of my childhood in Manhattan on the Upper West Side, where 'When You Reach Me' is set, and also in the Midwood section of Brooklyn.
I live in Dublin, God knows why. There are greatly more congenial places I could have settled in - Italy, France, Manhattan - but I like the climate here, and Irish light seems to be essential for me and for my writing.
Those of Manhattan are the brokers on Wall Street and they talk of people who went to the same colleges; those from Queens are margin clerks in the back offices and they speak of friends who live in the same neighborhood.
Trump was able to convey - oddly enough a message from a billionaire who lives in Manhattan - a genuine concern for people who felt kind of left off, who felt offended by all the political correctness they see around them.
Rotgut was, to me, just this way to get into the underground of Manhattan where you have these little pockets a villain could rise from; a rot in the bowels of Manhattan. It led to these stories that were just very creepy.
I grew up in Manhattan. For Manhattanites, Brooklyn was the sticks, a second-rate civilization. My friends and I, we were so snobby. Living in the Bronx or Brooklyn was incredible... for me, that was like a foreign country.
I was born in 1943 and raised in the Bronx, in a high rise apartment complex known as Parkchester, the only child of Max, an accountant who worked in the garment district in Manhattan, and Rose, an elementary school teacher.
Since I do not believe that there should be different recommendations for people living in the Bronx and people living in Manhattan, I am uncomfortable making different recommendations for my patients in Boston and in Haiti.
I've lived most of my life in Manhattan, but I lived in Brooklyn for a while as a kid. I went to junior high school there. Girls in Brooklyn have to be tough - I mean real tough - just to get by. It's life in the combat zone.
The first words Rebecca Lobo ever spoke to me when we met in a Manhattan bar in 2001 were, 'Aren't you the guy who just mocked women's basketball in 'Sports Illustrated'?' I blushed, broke out in a flop sweat and said, 'Yes.'
I took my iPod to the Apple store here in Manhattan and asked them to replace the battery. And they explained to me that Apple does not offer a service to replace the battery in the iPod, and my best bet was to buy a new iPod.
What was new was the symbolic force of the targets struck. The attackers did not just physically cause the highest buildings in Manhattan to collapse; they also destroyed an icon in the household imagery of the American nation.
'Manhattan Love Story' has a very special place in my heart for many reasons. We were very sad to see it go. It brought me to New York, and there's nothing better than getting to go to work and fall for Analeigh Tipton every day.
Our cultural capital has changed tremendously on its way into the twenty-first century. Manhattan has been secured and sanitized; it's smoke- and trans-fat-free. In the boroughs, many of the old jungles have been cleared as well.
'Blackbird' is the only one I've ever wanted to redo. It just haunted me, this play. There was a sense of unfinished business because at the time we did it at Manhattan Theatre Club, there was real momentum to move it to Broadway.
I quickly discovered that trying to go play golf while living in Manhattan was about as easy as trying to grab a taxi while standing out in front of Saks Fifth Avenue in the freezing rain on the last shopping day before Christmas.
When I was running for speaker, people would go out of their way to point out why I wasn't going to win: 'You're a woman, you're too liberal, you're gay, you're from the West Side of Manhattan,' which in that context was an insult.
My favorite elements of 'Start Talkin'' were those man-on-the-street pieces. I love shooting those. I was born in Manhattan, have lived in or around New York my entire life, and I feel like I'm in my element when doing those pieces.
Trans-dating is hardcore, and it's really scary. And that's coming from me, someone who couldn't be dating in a more open-minded Manhattan pool of artsy boys and creative folk. Not saying it all sucks. I'm just saying it's not easy.
The World Trade Center site will forever hold a special place in our city, in our hearts. But we would be untrue to the best part of ourselves and who we are as New Yorkers and Americans if we said no to a mosque in lower Manhattan.
A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention.
During my participation in the Manhattan Project and subsequent research at Los Alamos, encompassing a period of fifteen years, I worked in the company of perhaps the greatest collection of scientific talent the world has ever known.
I don't know if I miss it per se, but I do miss the fact that there just doesn't seem to be any rock 'n' roll out there anyplace. Everything does seem kind of tame. It's even hard in Manhattan to go out and find a good band to go see.
These women were taking over these former manufacturing warehouses in SoHo and figuring out a way to be fashionable and viable without money. It's hard to imagine a life like that in Manhattan now - there's something romantic about it.
All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, "It's very visual, isn't it," and realized it was the key to my whole life since then.
I sat down and collected all of our eleven sales for the past six months and I added them all together and divided by eleven. I then took that average and presented it as the average price for a Manhattan apartment. The media ate it up.
Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.
I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
I've always loved films, and I always felt like a storyteller. I left Norway after high school and moved to Manhattan and went to film school in Manhattan. That's when I really found out that this was my calling and what I wanted to do.
Apparently Brooklyn needn't always push itself to be something else, something conscious and anxious, something pointed toward Manhattan.... Brooklyn might sometimes also be pleased, as here on Flatbush, to be its grubby, enduring self.
Believe me, I've done my time travelling the world in cramped conditions and carrying my own luggage. Now my leisure is summers in the south of France or the Hamptons, walking in Connemara, and year-round shopping in Manhattan and Paris.
Technology writers are seldom subject to frenzied, Beatlemania-esque paroxysms of public attention. June 29, 2007, was the exception. I was in the wrong place - Apple's Fifth Avenue store in Manhattan - with the right device. The iPhone.
When I started writing my second novel, I decided that one of the characters would have a passion for dollhouses, which allowed me to do hours of guilt-free 'research' online and at the Manhattan Dollhouse boutique inside F. A. O. Schwarz.
L.A. can be pretty insane because there's so much show business here, but I also know a lot of kids who grew up in Manhattan who are some of the most normal, nicest people I know. Casting directors always say Chicago people are just nicer.
In my first book, 'Ghosts Of Manhattan,' the setting was Wall Street, and I explored the predictable nature of a bond trader inside the compensation scheme at Bear Stearns and the government regulations of Wall Street. That was about money.
I don't seem to take vacations, but I must say, a jaunt into Central Park can be mighty transporting. My boy and I can spend hours in the Ramble scaling rocks and sword fighting with sticks. I often forget I'm in Manhattan when I'm in there.
There is a woman who swam around Manhattan, and I asked her, why? She said, it hadn't ever been done before. Well, she didn't have to do that. If she wanted to something no one had ever done before, all she had to do was vacuum my apartment.
I did ride a bike on the streets of Manhattan with four-and-a-half inch heels. Is that fun... or a death wish? You tell me. I was in severe pain, and everyone was laughing at me. That was great. I like when people laugh at me when I'm in pain.
I was an accidental banker. To please my parents, I went for an interview with Chase Manhattan Bank in 1983. They promised to send me into their offices in more than 40 countries and essentially audit the practices. It was an extraordinary job.
Back in the 1980s, state-of-the-nation fictions were all set in Manhattan. Now, they're all in Trump country. Early in 'S-Town,' we're introduced to an actual maze, every branch of which leads to a further junction. This may also be a metaphor.
Ellis Island lies in New York Harbor 1,300 feet from Jersey City, New Jersey, and one mile from the tip of Manhattan. At the time of the first European settlement, it was mostly mud, sand, and oyster shells, which nearly disappeared at high tide.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
Manhattan, after eight years here, still reminds me of Hong Kong. There are parts of Chinatown that are the spit and image of streets in Wan Chai, and I am held in thrall by the Chrysler building as much as I was by I.M. Pei's Bank of China Tower.
Whether a plane to Singapore, a subway in Manhattan, or the streets of Cincinnati, I search for meaningful conversation wherever I may travel. Without it, I believe we lose the ability to not only understand others, but more importantly, ourselves.
Back on Nov. 23, 1963, I sailed into Manhattan Harbor onboard the Queen Mary and landed with no job and contacts and just $135 in my pocket. My first lodging was in a rundown hotel for $27 a week with the bathroom down the end of a corridor of beds.
We live in downtown Manhattan and we have pretty big windows that looked right at the World Trade Center. I was home along with Kai and we watched it all happen. I was holding him in my arms and we were looking out the window when the second plane hit.
Nathaniel Rich wrote 'Odds Against Tomorrow' well before Hurricane Sandy and its surge crashed onto the isle of Manhattan, well before the streets were flooded and the subways drowned, only the Goldman Sachs building sparkling above the darkened avenues.
'Harlem River' is about the Harlem River in uptown Manhattan. I don't know much to say about it. I came upon that river a couple of years ago. I was doing a walk the length of Manhattan, from the top to the bottom, and I had never seen that river before.
When I was 15, my parents left town for a month. They hid the keys to the car, but I found them. That month, I drove my stepdad's Thunderbird Super Coupe into Manhattan every day, and I would crank Cypress Hill as I flew around the city, racing the taxis.
My legislation would cut off all funding for trials of anyone from Guantanamo in any court in the United States of America. This bill would help stop the misguided plan to put Khalid Sheikh Mohammed and other 9/11 terrorists on trial in Downtown Manhattan.