The only music we ever listened to out in the piney woods was Roy Acuff and the Grand Ole Opry. That was the only night of the week I was allowed to lay in the middle of the bed with Mama and Daddy, just long enough to hear Roy Acuff sing; then I had to go back to bed.

But, I enjoy music from lots of people. And you also have to also remember that I grew up in a household where people like Fats Domino, Little Richard, Johnny Cash, Jerry Lee Lewis, Earl Scruggs, and so many others were at mama's house. So, I heard everything growing up.

What I've learned, traveling the country and doing book signings, Mama's biscuits - you know, somebody in Montana's got their version of Mama's biscuits, somebody in California's got their version - so it made me realize that we're not as regionalized as we think we are.

The activities of these parasites and degenerates gave rise to Cubism, Fauvism, Futurism, Pointillism, Constructivism, Orphism, Surrealism, Dada, and also Impossibleism, Supersurrealism, Dynamic Double-Dog Realism, Ishkabibbleism, and Mama, which is like Dada only nicer.

It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.

My childhood ambition was to become a Tooth Fairy. And I do talk about that in my book 'Is You Okay.' My mama always told me to say I wanted to be a corporate lawyer, and today I am much closer to being a Tooth Fairy than I ever was a Corporate Lawyer... so hah hah hah hah.

Since I got into the movies, 'Running Scared,' that did $40 million. 'Princess Bride,' I got good reviews for the character Miracle Max. 'Memories of Me' didn't do well. 'Throw Mama from the Train' did $70 million. 'Harry and Sally' did 95 or 96. 'City Slickers' did $120 million.

Women all over this great land are creating spaces just for themselves, most often out of sheds in their backyards. They're fantasy cottages, bespoke bungalows, 'mama maisons,' if you will, for mothers and wives who need a sanctuary - a haven where they can do anything, or nothing.

My Mama Moved Among the Days My Mama moved among the days like a dreamwalker in a field; seemed like what she touched was here seemed like what touched her couldn't hold, she got us almost through the high grass then seemed like she turned around and ran right back in right back on in

Everything I've done in my career is a result of growing up in rural Oklahoma, because if I hadn't had the training from Mama and Daddy to work hard, to do what I'm told, to take directions, to mind and to do a good job at anything I set out to do, then I wouldn't be where I am today.

I've never had a very quiet voice. I tried in choir to make it smaller, and it just didn't work out. And I listened to a lot of soul music when I was growing up on my own accord. But I was mostly into Mama Cass and Gladys Knight, and they all had big voices too; just different than mine.

You play a 'lowdown dirty shame slow and lonesome, my mama dead, my papa across the sea I ain't dead but I'm just supposed to be' blues. You can take that same blues, make it uptempo, a shuffle blues, that's what rock n' roll did with it. So blues ain't going nowhere. Ain't goin' nowhere.

If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?

I was in the orphanage in New Orleans until I was almost a year old. I don't think I ever got held by my mama, so that was completely and utterly traumatic. I think it was trauma from the first breath, and I think I've spent my whole life trying to heal from that trauma. So it shaped my brain.

I think my performance in 'What's Love Got to Do With It' was powerful. I was so unafraid and confident. You know, it was the first mother of black Hollywood. I was Tina Turner's mama. That's what started it all. I had fallen in love right before that movie, and I had absolutely no fear in me.

A lot of street dudes, you know their grandma go to church every Sunday. A lot of people in the pen, a lot of that come from them running away from that. They seen they grandma always going to church, mama always going to church, but they still struggling. This the reality of some peoples' life.

In Mexico, audiences want to see a big discussion around a film - what we expect from Hollywood films worldwide is more of an entertaining show. 'Y Tu Mama Tambien' was a road movie and comedy, but it had a very strong political connotation that sparked a discussion in Mexico that is still going on.

I used to go round to my granddad's house on a Saturday morning, and we'd sit and eat our porridge and watch re-runs of 'Steptoe and Son' on BBC Two. I thought it was hilarious - and Rag 'N' Bone Man sounded like a blues name to me. It reminded me of people like Sonny Boy Williamson and Big Mama Thornton.

My great-grandmama told my grandmama the part she lived through that my grandmama didn't live through and my grandmama told my mama what they both lived through and my mama told me what they all lived through and we were suppose to pass it down like that from generation to generation so we'd never forget.

Mama grizzlies mate later than other bears. They have two cubs instead of four. They wait four years - about twice as long as other bears - between having cubs. And after they're pregnant, if winter is hard or their health is not good or the food supply is uncertain, they re-absorb the embryo into their body.

I fell in love with hip-hop a little bit late; I grew up on Another Bad Creation and Kris Kross. But my mom got me a TV in my room, and I remember seeing Biggie's 'Give Me One More Chance,' and I was like, 'Oh, this is how a house party looks!' I really, really fell in love with it when Tupac created 'Dear Mama.'

I can still picture myself riding in the back of a Bronco to a field party after a rainstorm. My mama will kill me for saying this, but my first beer, I was 15 and I didn't know what to do with it. I thought you were supposed to chug it. So I just downed the whole thing in one gulp. All my friends were like, 'Duuuuuuude!'

Mama never told me, 'Bess, you did good.' She wanted the best for us and she was an incredible administrator. She ran those three kids, that house, the whole bit. But if I looked fine, she'd find something wrong - the color, the hem... I used to tell her, 'Mama, don't worry when you're not with me, because you're with me.'

Momma told me, 'I'm going to town. Don't touch the trash in the backyard,' because we used to burn our trash. So I'm going to do mama a favor. I light the trash and go back inside to watch Ohio State and LSU play. And something said, 'You know what, at halftime, go check on it.' And fire is about 8 feet from the back door.

My wife was born and raised in Italy until she was about 9, and then she came to America, and her mom was a great cook, and they have great recipes, and whenever her mom would come into town, we would have all these friends just randomly showing up at our house, and eventually we figured out why. They wanted Mama's cooking.

I'm just one woman away, my mother, from being the same as Mike Tyson. I would've ended up like him if my mama had not been so tough and strong. A lot of people, including Mike, don't know I came from the ghetto. They think I'm too nice and proper. But that's the way my mama raised me - to look people in the eye and respect them.

I've written out itineraries for baby sitters with years of experience. I've gotten up in the middle of the night and stood over my children's sleeping bodies just to make sure they're breathing, and breathing well. In short, I'm the worst Jewish mother in the world. I make Alexander Portnoy's mother look like a laid-back Earth mama.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song 'Mama Says.'

I was awful my first time. I was so shy eating in front of people. It was so awkward. But my next contest, I brought a bunch of my family out, and I won that one. I remember I almost barfed because my mom, at the end of the contest, she yelled out, 'Do it for Mama!' Everybody laughed. It was one of the closest I've ever been to barfing.

When I was nine years old, living on the south side of Chicago, my father was a minister and my mother used to scrub floors. I had seven brothers and four sisters. I told my mama, 'One of these days I'm going to be big and strong and buy you a beautiful house.' That's all I've ever wanted to do with my life, is to take care of my mother.

My mum died of leukemia when I was in high school - she lost her life at 40. It was very hard, and I didn't do that much in Chicago after that. I actually sat around and didn't do anything for three years. I didn't know what I wanted to do anymore because my everything was gone. I was a mama's boy, and I had to turn into a man real quick.

I was raised by my great-great aunt. I was adopted within our family. My mother had me when she was, I think, 15, 16. They tried to get her to have an abortion and she refused. So, my 'mama' adopted me, which was really her great aunt, which was really my great-great aunt, who was named Viola Dickerson. I was told that my mother was my sister.

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