Male Quotes - Page 20

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As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important.

Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.

How did females become 'guys?' How did everyone become 'guys?' Remember, too, that a male guy was something of a scoundrel. And a wise guy was a fresh kid, a whippersnapper. In its most other famous evocation, men in Brooklyn said 'youse guys.' Damon Runyon referred to hustlers, gamblers, and other nefarious types as guys.

Acting feels different. I'm not sure exactly what that is, but it used to mean a lot more. Maybe that sounds like I'm throwing it away and I'm not, I'll still do the best damn job I can, but it doesn't mean the same thing. I'm going to get the answer for myself one of these days. It's the male menopause, that's what it is.

I think men are more adventurous in that they're more likely to take chances. Women play it safe. But now, maybe more of the women that see how it's working for the guys think, 'I can do that, too'. Maybe they'll pick male players, not necessarily female players; it's just whatever that match is that works for that player.

Life for women in rural Scotland is not like anywhere else in the world. We all live very far apart, and you don't just ring your girlfriend up for a cup of coffee. There really is no sense of community, no pubs, no clubs. The golf clubs are male prerogatives, and the women are isolated and have to have their own resources.

We live with a distinct double standard about male and female aggression. Women's aggression isn't considered real. It isn't dangerous; it's only cute. Or it's always self-defense or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster - an 'unnatural' woman.

I was born into the most amazing family an underdog could be born into, and I was born into the LGBTQ community. And what a beautiful community we are. The art, the music, the fashion, the brains, the fight, the survival skills, the diversity, male, female, non-binary, Gender Non Conforming, cis, trans, femme, and all races.

One of the reasons why I created the podcast called the 'The Call-In' that we do through Array - because as a black artist, every time I sit down with mainstream media, I'm asked about issues of race, identity and culture. No one asked what they ask my white male counterparts, which is: 'Where do you like to put the camera?'

It's a vicious circle. If you feel hideous, you convey it to people. A couple of male friends from university have said, 'I quite fancied you, but I wouldn't have dared...' and I was like, 'Oh really?' I was completely amazed that anyone had ever fancied me, and also that I'd obviously given an impression of 'Don't touch me.'

When Donald Trump is in charge, all that counts is ability, effort, and excellence. This has long been the philosophy at the Trump Organization. At my father's company, there are more female than male executives. Women are paid equally for the work that we do, and when a woman becomes a mother, she is supported, not shut out.

I find there's this weird anger thing: Someone will approach me at the bar and say, 'Hey, can I buy you a drink?' And I'll say, 'No, I'm okay.' And then all of a sudden, there's this male anger flip, where they go, 'Oh, you know what? I wasn't even gonna buy you a drink, 'cause you're not even that cute anyway,' and walk away.

That term's definitely got a negative aura to it, because people think a diva is somebody with an attitude who demands things all the time. Of course there is that type of diva, but my idea of a diva has always been a singer - whether male or female - who gets on that stage and captivates you with their presence and their voice.

Whole communities are growing up without fathers or male role models. Bringing up a family in the best of circumstances is not easy. To try to do it by placing the entire burden on women - 91% of single-parent families in Britain are headed by the mother, according to census data - is practically absurd and morally indefensible.

In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.

If you look at most women's writing, women writers will describe women differently from the way male writers describe women. The details that go into a woman writer's description of a female character are, perhaps, a little more judgmental. They're looking for certain things, because they know what women do to look a certain way.

The contentious issue of pay parity between male and female actors is easily resolvable if a number of big actresses decide to put their foot down. But we have to also consider the factors of time and labour. If a female actor has shot only for 40 days and the male actor for 200 days, she cannot expect to be paid the same amount.

For the most part, it's a very male-dominated business. Most executives are male, so it's always sort of their vision of stuff. I'm constantly fighting against that, even when I play the wife or the girlfriend or the best friend. I always try my hardest to bring as much layering in and not make things stereotypical, but it's hard.

As a society, we have this perception that women are emotional. The research, however, tells us that, on trading floors, that poor risk rises and falls with testosterone levels, and these trading floors are 85 percent, 90 percent male, and these gentlemen tend, under periods of stress, to show off for each other. That's dangerous.

I think as men begin to see things that address them, they will feel that they can relate. They can't relate to 'Basketball Wives,' 'Housewives of Atlanta.' I am not judging or criticizing those shows at all; what I am saying is the perspective is not necessarily the male perspective. 'Iyanla: Fix My Life' is inclusive of everyone.

At its essence, 'Groundhog Day' is an existential journey of an unhappy, judgmental, slightly narcissistic, misogynistic, dissatisfied, aspirational, entitled, privileged male who has to learn to be the opposite of all those things to find happiness - to learn that learning is important and that you don't get to control everything.

For a number of years at my public elementary school in rural Maine, I was treated like all the other girls in school. That changed in September 2007 when a male classmate, set on a path by his grandfather, followed me into the girls' restroom. The end result was that I had to use the school's staff bathroom - just me, no one else.

It's interesting having a son. Someone told me that it's good when you have a son first because when you have a daughter first and then a son, you think your son's slow. A lot of parents freak out because they've seen a daughter progress so quickly, and they think their male child is, like, damaged. But boys are just naturally slow.

I carry with me from my male upbringing a sense that femininity is forbidden. So when I appear on YouTube with forty butterflies glued to my body and glitter all over my face, I have a sense that I'm getting away with something I'm not supposed to. I'm being decadent. I'm enjoying a forbidden pleasure. And that's fun, and it's funny.

When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'

Readers tell me that my novels are filled with significant mothers. Do I realize this? Do I do it on purpose? The truth is, I don't. I think of myself as a writer of family stories. I write more often than not from a male point of view, and I usually begin by focusing on siblings, spouses, even fathers, before I think about the mothers.

One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alongside the men; otherwise, it becomes a sausage party, and it's a singular point of view.

I think the mainstream gaming industry has a very narrow focus on the young male audience. There are plenty of other people out there who enjoy playing games, but if you walk into most game stores, there's nothing on the shelf for them. I mean, imagine if you could only buy cheeseburgers and nothing but cheeseburgers in every restaurant?

What happened to me is I gained a little weight so I could be more accessible to people. They're not like, 'Oh my God, he's, like, a male model comedian; yuck, ugh.' It's like, 'Oh, he's a little squishy; He's like me. He's accessible.' And girls are like, 'Look how cuddly he is. I just want to cuddle up in his neck fat and go to sleep.'

I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.

If you don't know about the 'black male code,' you should. It's something black boys learn early, even before adolescence. It goes, in part, like this: Even though you're not a criminal, some people assume you are, especially if you're wearing certain clothes. Never argue with the police, but protect your dignity and take pride in humility.

With The King Center as her base, my mother pressed on to fulfill a role that changed lives and legislation. She was a woman who refused to surrender the reigns of what she knew to be her assignment, even when male civil rights and business leaders tried to convince her that she should leave the work of building her husband's legacy to them.

I'm always thinking about what a black lady would think about what I'm doing, just because I feel like they have such great taste, mostly because as black women, we've spent a lot of time downloading what a white male narrative is, so in my head, I'm like, 'If a black woman likes it, if she responds to it, then it's probably pretty damn great.'

Men's magazines in the period immediately after World War II were almost all outdoor-oriented. They were connected to some extent in the male bonding that came out of a war... And what I tried to create was a magazine for the indoor guy, but focused specifically on the single life: in other words, the period of bachelorhood before you settle down.

I get a stack of scripts, like, once a month, and most of the time, you find these placeholder girls that are there to provide a bounce for the male character. So we know he's funny because she's serious and she's mad at him. We know he's strong because she needs saving. So really, her job is to validate this personality trait of our hero or male.

I didn't have a fraternity-like experience. I mean, I grew up with an older brother and a lot of male cousins and we were very physical with each other. We were very rambunctious when we were kids. But I never thought much - nor did I have reason to think much - about institutionalized hazing. But I think there's a reason young men are drawn to it.

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