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DNA is the master blueprint for life and constitutes the genetic material in all free-living organisms and most viruses. RNA is the genetic material of certain viruses, but it is also found in all living cells, where it plays an important role in certain processes such as the making of proteins.
The best way to promote and protect opportunity is through collaboration, consensus-building, and pragmatic problem-solving. Throughout nearly 30 years in public service, I have approached tough challenges by making room for as many people as possible around the table in search of common ground.
Learning lessons is a little like reaching maturity. You're not suddenly more happy, wealthy, or powerful, but you understand the world around you better, and you're at peace with yourself. Learning life's lessons is not about making your life perfect, but about seeing life as it was meant to be.
In fiction film, there are so many trappings - money, glory, champagne and supermodels - that attract the wolves. But in documentary film, there's none of that, so the wolves stay away. The only people who make docs are people who are curious about other people and just like making documentaries.
I feel that people are basically trying to do their best in the world. Even when you see people making mistakes, you understand why they're making a mistake. Everybody has flaws, everybody has demons, everybody has ghosts, but I think you watch people and you see everybody trying to do their best.
Since we replaced the compulsory military draft with an all-volunteer force in 1973, our nation has been making decisions about wars without worry over who fights them. I sincerely believe that reinstating the draft would compel the American public to have a stake in the wars we fight as a nation.
I created 'Captain Underpants' when I was in the second grade. I was constantly getting in trouble for being the class clown, so my teacher sent me out into the hallway to punish me. It was there in the hall that I began drawing 'Captain Underpants'. Soon I was making my own comic books about him.
Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.
I lived a sloppy life. So I took very small increments in my life. I started making my bed. I started cleaning my room. There were dishes in the sink. It started off with doing small house chores. I saw that the yard needed to be mowed. So instead of being told it needed to be mowed, I would mow it.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
It seems evident that the IMF has learned nothing from its inequality-inducing policies during the 1980s debt crises in Latin America nor from its recession-deepening response to the East Asian crisis of the late 1990s. In both regions, the IMF has become synonymous with making bad situations worse.
I think that nationality has no relation to that which gives rise to manga. Even among the Japanese, manga creators are making their creations everyday reflecting their own individuality, with none being the same. What is important isn't the differences between the creators but their love for manga.
Unlike some, I don't claim to hold the mystic key to the future. But judging from past events, it seems to me that those who want to prophesy the imminent end of America's unique global role have a harder case to make than those who think we will limp on for a while, making a mess of things as usual.
I made a lot of money. I earned a lot of money with CNN and satellite and cable television. And you can't really spend large sums of money, intelligently, on buying things. So I thought the best thing I could do was put some of that money back to work - making an investment in the future of humanity.
There's an awful lot of future out there, and what you got to do, is you go to out and grab it, wrestle it to the ground, accept the challenges, and then decide. You've got the skills. You've got the knowledge. You've got the love, and you're capable of moving forward and making a great life yourself.
Think about it: Venezuela, Cuba, Nicaragua, Vietnam, North Korea, the former Soviet Union - they all start with the intention of leveling the playing field - or making things better for the little guy - and instead, they created misery, poverty, destruction and a permanent ruling class of bureaucrats.
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
It's really about making opportunities for yourself and connecting with people on a more-than-normal level. That opens doors. You never know if the caterer's brother is someone. You don't know who someone is having dinner with that night. So being a nice person and touching people creates opportunity.
We in the Negro leagues felt like we were contributing something to baseball, too, when we were playing. We played with a round ball, and we played with a round bat. And we wore baseball uniforms, and we thought that we were making a contribution to baseball. We loved the game, and we liked to play it.
I have to say, I have to tell you that my kids had a most marvelous time having two moms. When my daughter was at university, she got flu. And both mums rushed to be with her. And we were both looking after her and making soup and tidying up. And one of her friends came in and went, 'Two mums? Not fair.'
It is what the poets of Ireland used to be saying, that every brave man, good at fighting, and every man that could do great deeds and not be making much talk about them, was of the Sons of the Gael; and that every skilled man that had music and that did enchantments secretly, was of the Tuatha de Danaan.
When I decided to be a musician I reckoned that that was going to be the way of less profit, less money. I was sort of giving up the idea of making a lot of money. It was what I loved to do. I would have done it anyway. If I'd had to work at Taco Bell I'd have still been out at night trying to play music.
Everything I do, writing, touring, travelling, it all comes from the punk and hardcore attitude, from that expression - from being open to try things but relying on yourself, taking what you have into the battle and making of it what you will, hoping you can figure it out as you go. Make some sense of it.
Climbing a big wall over several days is like running a giant construction project: constantly making lists, rigging ropes, organising food, figuring out camera angles - but you're in this crazy place with your best friends, and it does take on a party atmosphere sometimes, like a big dudes' camping trip.
You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
I'm in favor of inequality if it comes about from people making great innovations that make us all better off. And I think those people deserve to be rich. But the people who get rich by lobbying the Congress to give them special protections that come out of the hides of the workers seems to be a bad idea.
Our philosophy is that we want to be an ecosystem. Our philosophy is to empower others to sell, empower others to service, making sure the other people are more powerful than us. With our technology, our innovation, our partners - 10 million small business sellers - they can compete with Microsoft and IBM.
Even though everybody's lives are different, in general we're all human beings, and we go through the same things: disappointments, the pleasures of life, life and death. That's always been a really big part of the show to me, making sure the audience feels connected, and that carries through to the album.
Priyadarshan has directed over 84 films and more than 150 ad films. With every film, he is growing. He knows his job well; he is thorough. His way of making a film and song or choreographing a scene is entirely different from other directors. He knows how to use an actor's talent and how to handle an actor.
Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.
Even with the 'Top Boy' series with Ashley Walters... I've been talking like on the creative direction wave with Drake about the series. Making greatness with it. The whole style of what's going on in London, the sound, is real. It's an actual thing that actually happened. So it deserves to be on the telly.
I'm not obsessed with the idea of doing what you're supposed to be doing when you're a rapper. Walking around with cash that you haven't even provisioned for tax. Spending all of your time in the designer store to create some weird impression. I'm not interested, bro. I just like making music, and that's it.
I feel very lucky to have grown up having interaction with adults who were making change but who were far from perfect beings. That feeling of not being paralyzed by your incredible inadequacy as a human being, which I feel every day, is a part of the legacy that I've gotten from so many of the adult elders.
Greatness comes by doing a few small and smart things each and every day. Comes from taking little steps, consistently. Comes from a making a few small chips against everything in your professional and personal life that is ordinary, so that a day eventually arrives when all that's left is The Extraordinary.
Before you can become a millionaire, you must learn to think like one. You must learn how to motivate yourself to counter fear with courage. Making critical decisions about your career, business, investments and other resources conjures up fear, fear that is part of the process of becoming a financial success.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
I actually had someone say to me, 'Lynn, you're going to have very good days, and you're going to have very bad days. But It's rare that things are as good as they look, and it's rare that things are as bad as they seem.' So having perspective, and challenging perspective, is important to making good decisions.
It is the resolve of the government that none will be allowed to get away with making speeches that can cause sedition or that can cause violence, especially because when we make these kinds of pronouncement and do things that can cause violence or destruction of lives and property, we are no longer in control.
Trust the young people; trust this generation's innovation. They're making things, changing innovation every day. And all the consumers are the same: they want new things, they want cheap things, they want good things, they want unique things. If we can create these kind of things for consumers, they will come.
When men and women, boys and girls, are denied the right to education, the right to own land, the access to basic services like healthcare and clean water, a fair price for the crops they grow, a fair wage for the work they do, or the right to be part of making decisions that affect them, the result is poverty.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that's unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.
I went to jail at 17. While I was there, I discovered that I could write. Once I started making some songs, other inmates wanted to know a little bit more about what I was doing, and they asked me to rap for them. They really liked it, and I made it a goal to come out and try to make something out of the music.
CRISPR-enabled 'gene drives' enable us to make changes to the germ-line of organisms permanent such that changes spread through the entire wild population, including making species extinct on demand. Unlike nuclear weapons such technologies are not complex, expensive, and able to be kept secret for a long time.
I trained in martial arts and wanted to become a UFC fighter. That was my goal. I only really learned how to dance three weeks prior to making 'Step Up Revolution.' Dancing will always be fun, but MMA is something I'll never give up. I will eventually get back in the octagon and be fighting professionally again.
Obviously, there are moments that you look back at and cringe - things in the past involving violence or disrespect to women or disrespect to other people that are so far away from what I want to put out there now. But it's actually a privilege to be able to change and be making records that reflect that change.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
My life used to be like that game of freeze tag we played as kids. Once tagged, you had to freeze in the position you were in. Whenever something happened, I'd freeze like a statue, too afraid of moving the wrong way, of making the wrong decision. The problem is, if you stand still too long, that's your decision.
Move to Italy. I mean it: they know about living in debt; they don't care. I stayed out there for five months while I was making a film called 'Order Of Death,' and they've really got it sussed. Nice cars. Sharp suits. Great food. Stroll into work at 10. Lunch from 12 till three. Leave work at five. That's living!
All my time not devoted to my master's service was spent either in prayer, or in making experiments in casting different things in moulds made of earth, in attempting to make paper, gunpowder, and many other experiments, that, although I could not perfect, yet convinced me of its practicability if I had the means.