Quotes of All Topics . Occasions . Authors
One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
Sheet music, recording, radio, television, cassettes, CD burners, and file sharing have all invalidated, to some extent, the old model of making a living making music.
Why isn't it natural for people who have lived and worked at something to want to use the knowledge and capacity in a new way, free from the burden of making a living?
Somebody's always getting me to come lecture to their writing class, and I don't talk about writing at all, I talk about the business of making a living at this racket.
The strength of British theatre should be that these actors in their middle years know what they're doing and are good at it. Not rich, not famous, but making a living.
As far as making a living, if plumbing earned more, I'd probably do it. At least you can leave the job at home once the tools are put away. A writer works in his mind 24/7.
I moved to Chicago when I was 28, and I wasn't completely idealistic about going to Second City and making a living from comedy, but I knew it would be great for the resume.
I used to play flute and clarinet at school, and although I wasn't thinking about making a living or getting a pay cheque, I already knew I was going to play music all my life.
In general in comedy, there are fewer people making a ton of money and a lot more people making a living. For me, the goal is just being able to make exactly the show I wanted to make.
It's not easy making a living as a writer, and for many years I worked at a Waterstones in Dublin. It was a good environment for an aspiring writer, with lots of events and authors appearing.
My own personal goal is I just hope to still write songs and kind of let that sustain me as a job. If I could never have a 9-to-5 job, and making a living doing this, it'd just be incredible.
Poe was plagued and haunted most of all by something pretty banal: poverty. Probably the most eccentric decision in life was to become a writer in an age when making a living at it was nearly impossible.
The economics favour one-man comedy shows: all you need is one person, a microphone and a PA system. But I'm pleased so many people are making a living out of comedy - it's a wonderful business to be in.
Just as infinite access to free music ultimately leads to no one making a living at music anymore, free journalism just doesn't pay for itself - particularly not when a search engine is serving all the ads.
The only people who have control over their careers are the ones you see on the covers of magazines. Everyone else is just plodding along making a living. The key is not to live over your means and overdo it.
Well, we're in show business, and I have been making a living in this business a long time and inevitably it means taking what it is that you've done and hopefully you're showing it to a lot of people who like it.
Right now, at the age of 22, I'm making a living off of this and I'm building, not only just my brand, but I'm also building myself bell-to-bell. I'm building myself when that red light's on and I want to keep doing it.
No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
Most of my stuff hasn't gone viral. I have been successful on YouTube and I'm very proud of the stuff that I've done, but compared to the people who are actual internet stars and making a living off of it, my views are nothing.
I guess my critics say, 'He must be crazy. Nothing can be that beautiful.' But when you think that there are so many people around the world who have nothing, you realize how lucky you are to be making a living in the big leagues.
Through all of this lovely interviewing, and nice things people say, and the rest of it, I have learned that I am an actor. That is my profession. That is my job. That is how I make a living. So I am just out there making a living.
It's like, if I had the luxury of choice, and didn't have to worry about making a living, I would definitely want to get into whatever field it was that allowed me to push further and further comedically. Because that's the joy of it.
Don't sweat it if you are stuck in the corporate job right now. But begin to plan ahead. I know from much personal experience that it takes 1-3 years to transition from total scratch to making a living from home in any career you want.
On one hand, it seems strange that a country that has suffered so much from violence and war would be debating if they want peace or not. But in Colombia, a part of society is deeply connected with the war as a means of making a living.
I modeled a little bit in Georgia growing up. I did catalogs and different things, but then when I came to L.A., I became a professional model. It sounds kind of crazy, but in L.A. was when I was able to start making a living from modeling.
Growing up with Bronx Irish parents during an era of protests against the status quo, I was especially committed to doing the opposite of what I was told to do. Forty-four years later, I am left with only one means of making a living: comedy.
Crime is a very hard genre to feminise. If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.
My mum never once tried to push me into something different, even though there was no way of making a living out of women's football. She supported me because she saw I was happy and that it gave me a focus to not be hanging around on the street.
We can make black lives matter in the labor movement by building the kinds of movements that black women need to shape a new economy and a new democracy that don't force them to choose between making a living and being a part of a healthy democracy.
I'm used to the fact that the world views movie actors as personalities. I'm in the extremely fortunate position of making a living at something I'm passionate about. It's all about choices. By the nature of what I do, I make a choice. I invite them in.
I love the Country Music Hall of Fame. I don't think it's just a hall of fame and it's not just a museum. It's a schoolhouse. It's a place where people from all across the world can come and learn about this great genre that we're making a living out of.
My first summer at a repertory theater, I was making $20 a week. I was making a living, as far as I was concerned, and I was doing theater. And next season, I made $40 a week. But I don't think anyone in my family would have considered that making a living.
For a lot of young managers, especially those who have not played at the top end of the game, there is also a financial need to work. Some of them could find employment in another field, but you can't beat making a living out of something you really enjoy doing.
I remember, after graduating high school, I got a part in a play with the Washington Shakespeare Festival - a little part. But I remember thinking this would be a great way of making a living... to be an actor. I never really thought I'd make a lot of money at it.
You just suddenly think that there's something quite childish about acting. Basically, it's pretending, isn't it? It's good fun and I enjoy it, but it's a funny way of making a living, particularly when you make a very good wage, as I've been fortunate enough to do.
I'm one of those lucky guys making a living out of something I really enjoy doing. That's a blessing. But you never know. What if my subsequent book series flops? I don't come from a wealthy background, so I'd be left with no choice. I'd have to go back into banking!
It's a tough business. To my parents or to their friends, I was not a success, but to me I was a huge success. I was having a blast. I was working on shows I loved, I was working with actors I loved, and I was making a living as an actor. And I loved every second of it.
As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
You know, I like playing music and playing guitar, and I like to draw, so I thought I would end up just probably barely making a living, or probably having to have some other job, but being involved in one of those things that I really like to do. But that didn't work out like that.
Before I became a writer, I was running a jazz bar in the center of Tokyo, which means that I worked in filthy air all the time late into the night. I was very excited when I started making a living out of my writing, and I decided, 'I will live in nothing but an absolutely healthy way.'
At first, teaching was more or less a straightforward way of making a living and having access to institutional resources while writing - aka libraries. And that was not inconsiderable. But it didn't in any way touch the writing. Maybe it would push the writing aside sometimes, but mostly it was fine.
Obama and the liberal Democrats fail to represent the silent majority: the conservative women who are too busy raising families, paying bills, and making a living. These women prefer to listen to Rush Limbaugh, not Nancy Pelosi, and want their children to have jobs and a bright future in this great country.
Our everyday cares, making a living, the crazy rat race of life, often make us forget the value of a good deed. Thus, the goodness that exists within each and every one of us is covered with layer upon layer of indifference and unawareness. In fact, we almost have to be reminded of the fact that goodness is there inside us.
There are musicians who want to make a living making music. There are listeners who want to listen to music. Complicating this relationship is a whole bunch of history: some of the music I want to listen to was made a while ago in a different economy. Some of the models of making a living making music are no longer valid but persist.
I had fallen in love with photography and was making a living doing photographic features for publications such as 'Picture Post,' 'Paris Match' and 'Life' magazine. But in 1939, I saw a huge headline, which I think was in the 'Sunday Express.' It said, 'Danzig - Danger Point of Europe.' I packed up my Leica, got on a train, and went.
I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.
The jingles saved my life. When I got hired to do that, I was on top. I finally was making a living doing what I loved. Before that, it was so bleak; it got so dark in L.A. I was 25, been living there for seven years trying to make it, and getting really close to getting signed with different bands and as a solo artist only to have my hopes dashed.