Makeup Quotes - Page 30

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Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.

I have my team. Like if you see everyone around me - I have my hair and makeup girl, my assistant. They're very calm, they're all about positive energy. There're no drama queens. Everyone wants everyone else to have a positive experience. There are no agendas. I think it creates a healthy environment and there are no boundaries to cross.

I'm a better person in a relationship, and I'm a happier person. I need to come home at the end of the day and have it not be about me and my freaking hair and makeup and character motivations anymore. And I think my work is more inspired when home is safe and sound and solid, because what I do for a living is so bananas and so insecure.

In order to be a mentor, and an effective one, one must care. You must care. You don't have to know how many square miles are in Idaho, you don't need to know what is the chemical makeup of chemistry, or of blood or water. Know what you know and care about the person, care about what you know and care about the person you're sharing with.

...the Female Once-Over - a process by which one woman creates a detailed profile of another woman based upon about a million subtle details of clothing, jewelry, makeup, and body type, and then decides how much of a social threat she might be. Men have a parallel process, but it's binary: Does he have beer? If yes, will he share with me?

Religion begins in story. Yes, it does, because religion is an attempt to make sense of what is incomprehensible to us, what is inexplicable, what is awe-inspiring, what is frightening, what moves us to great wonder, and so on. That is the religious impulse, and it is part of our psychological makeup -- of everyone's psychological makeup.

My mom let me play in her clothes, wear makeup, and I had high heels from a thrift store. My mom tells me that the only reason she let me dress in her clothes is because she couldn't afford any toys, and it seemed entertaining enough and kept her from having to buy me anything, 'cause everything I wanted was in her makeup box or wardrobe.

There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.

Those qualities that separate us are often ridiculed by others or criticized by teachers. Because of these judgments, we might see our strengths as disabilities and try to work around them in order to fit in. But anything that is peculiar to our makeup is precisely what we must pay the deepest attention to and lean on in our rise to mastery.

I sit in the sink (while applying makeup). I do. I've broken more sinks...I sit in the sink, on top of a big square sink in my bathroom with my feet in the basin so I'm very close to the mirror with the good light, and I'm very comfortable. I also manage to put my two phones in the sink so that nothing, but nothing, could get me out of there.

We're full of electricity, and the walls and floor of a building contain carbon - the same makeup as a video tape - and I think we give off a huge amount of energy. Some people are able to see that and pick that up. I think almost every person I've met in my life has had some sort of experience that they can't explain, and those fascinate me.

I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.

I have the weirdest job. The hair and makeup people were talking the other day about how weird their job is. And costumes, they have to be in people's faces and have to reach in their skirts to pull their shirts down and stuff. I was like, "You guys, I meet someone, I shake their hand, and then I kiss them. And sober. During midday. For money."

I like to say I have Internet Immorality. From the beginning of the "internet famous" era until now, I've evolved and went with the flow of change, always changing my makeup looks, fashion, and vision. My brand has grown so fast from social media and I don't know how life would be without be logging onto MySpace for the first time 10 years ago!

I don't like people who are hypocritical, who pretend to be nice, particularly in show business when they're nice on camera, and then off camera they're absolutely appalling to the makeup people, or the waitress in a restaurant, you know? I don't like - I can't bear those kind of people. So I like people who are, you know, up front in your face.

I think I might prefer women without makeup. Though I don't really know, because I am not good at identifying makeup. I once wrote in the chat, a long time ago, that my wife wore no mascara. She later informed me dryly that she has worn mascara every day that I ever knew her. Or maybe eye liner. I forget. Which is the one you always wear, girls.

Failed relationships can be described as so much wasted makeup. Forget the laughs, forget the fights, forget the sex, forget the jealousy. But take off your hat and observe a moment's silence for the legions of unknown tubes of foundation, mascara, eyeliner, blusher and lipstick who died that it might all have been possible. But who died in vain.

One would truly need a great and spacious makeup kit to compete with beauty as portrayed in media all around us. Yet at the end of the day there would still be those "in the attitude of mocking and point their fingers" as Lehi saw (1 Nephi 8:27) because however much one tries in the world of glamour and fashion, it will never be glamorous enough.

Once, a makeup artist put a little gold highlighter on my Cupid's bow, and it accentuated the lip colour and brought the whole makeup look together. It was just a little thing, but I loved it. I do it myself now, but I have to double check myself. I'm like, 'Is this too much?' You don't want to be leaving home with a big glob of gold on your face.

I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?

Initially I objected to the Data makeup. I said, "Why do I need this makeup? Why can't I just look like me?" In fact, I said to Gene Roddenberry, "Don't you think that by this time in history, they would've figured out how to make skin look like skin?" And he said, "What makes you think that what you have isn't better than skin?" And I went, "Um, okay."

I think for what success looks like for me, it is a world in which you can look at the achievement scores, the academic scores, of any school anywhere in this country [the USA], and you wouldn't be able to look at the score and determine what the racial makeup or the socioeconomic makeup of that school is simply because of the academic achievement levels.

When I was in college, I was an English major, but I was part of this great group at Stanford called the Company. We didn't know any better, so we did it all; we did King Lear, we did Hamlet, new plays ... And we did it all in a covered wagon that we took around the Bay Area. We all put our makeup on in one cracked mirror. It was the most fun I've ever had.

Jane was wearing a charcoal shift dress. The black dipped into a love V accented with a large black chiffon bow. A layer of delicate black lace peeked out from the bottom of her dress. Her long blond hair was pulled back tightly into a straight ironed ponytail. Her makeup was simple: coral blush on her cheeks and gunmetal shadow brushed under her blue eyes.

Oh, no. I don't think I've ever really subscribed to that view, that you can turn it on and off like a water tap. Um, you know, I think that there's a whole lot that goes into the makeup of an individual that, uh, you just can't simply say, oh, like, "Tomorrow morning I'm gonna stop being gay." It's like saying, "Tomorrow morning I'm gonna stop being black."

If we treat another person as essentially bad, we dehumanize him or her. If we take the view that every human being has some good in them, even if it is only 0.1 percent of their makeup, then by focusing on their good part, we humanize them. By acknowledging and attending to and rewarding their good part, we allow it to grow, like a small flower in a desert.

We want to prevent further destabilization in the world. And we want the status of being a great power: We unfortunately cannot relinquish that. In the last 300 years, this status has become a part of our genetic makeup. We want to be the heart of greater Eurasia, a region of peace and cooperation. The subcontinent of Europe will also belong to this Eurasia.

Josh Bard is a catcher with excellent defensive tools and someone ... whose best days are ahead of him. He's not coming off his best [offensive] season, but we still think there is some ceiling on him. He has outstanding makeup and calls a good game. [He's] a solid receiver with a plus arm, and he's going to be coming to camp with a chance to open some eyes.

A short way into Teen Vogue I realized that teens see it as a guide for their lives and their careers, more than a place to teach them how to get boys. And they don't ask us fashion advice questions; they're too sophisticated. They're inspired by what they see and they think, 'These people at this magazine represent what I want to be, beyond shoes and makeup.'

I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.

What makes you attractive is being yourself, being natural, being unaware. Even though makeup is important, you should do it all, and then forget about it. You don't want to look like anyone else, any more than you want to be anyone else. You want to look like you. Imitation may be the sincerest form of flattery - but it's flattering to someone else. Not to you.

You shouldn't speak until you know what you're talking about. That's why I get uncomfortable with interviews. Reporters ask me what I feel China should do about Tibet. Who cares what I think China should do? I'm a f***ing actor! They hand me a script. I act. I'm here for entertainment, basically, when you whittle everything away. I'm a grown man who puts on makeup.

I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.

You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.

Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.

I went to an all-boys high school, and they accepted girls in only the two A.P. classes. They had these archaic rules: for example, girls couldn't wear makeup. I found it so outrageous that an all-boys school could tell girls to not wear makeup! So I went on a campaign. I got a petition signed and everything. If a girl wants to wear makeup to boost confidence, why not?

My mom used to sell Avon when my mom was a kid for about three years, and so it was like the first make up I saw. And when I first found out about makeup it was Avon makeup and I remember putting my mom's red lipstick on my cheeks and thinking that is where it went, and that was Avon. So it's weird how your life turns out and how things come round, and it is brilliant.

Sacred scripture wishes simply to declare that the world was created by God, and in order to teach this truth it expressed itself in terms of the cosmology in use at the time of the writer. Any other teaching about the origin and makeup of the universe is so alien to the intentions of the Bible, which does not wish to teach how heaven was made but how one goes to heaven.

Whenever you're on television, there's a responsibility to look timeless. I worked with the masters of film, fashion and beauty. I took their words into my soul, like a kind of religion that I exhibited to the world to all of our benefit. To this day, it takes a great deal of time to do my makeup the way I feel comfortable. At 82, it's still a part of what I do. I enjoy it.

I know people want me to sort of defend myself, to sit here and be like, 'I'm a boy, but I wear makeup sometimes.' But, you know, to me, it doesn't really matter. I don't really have that sort of strong gender identity-I identify as what I am. The fact that people are using it for creative or marketing purposes, it's just kind of like having a skill and using it to earn money.

Think of all the women you know who will not allow themselves to be seen without makeup. I often wonder how they feel about themselves at night when they are climbing into bed with intimate partners. Are they overwhelmed with secret shame that someone sees them as they really are? Or do they sleep with rage that who they really are can be celebrated or cared for only in secret?

I don't have any conscious memory of wanting to be an actor, but early on, there was something in my makeup that I felt comfortable with. Then when I was around five or six, I started going to the movies and gradually it dawned on me that I was like one of those people on the screen. And that was it. There was never any question or doubt about what I was going to do for a living.

Fans don't mind him doing a little touch-up work, but Jesus wants complete renovation. Fans come to Jesus thinking tune-up, but Jesus is thinking overhaul. Fans think a little makeup is fine, but Jesus is thinking makeover. Fans think a little decorating is required, but Jesus wants a complete remodel. Fans want Jesus to inspire them, but Jesus wants to interfere with their lives.

Genocide, in my opinion - is an attempt by a powerful group completely to eradicate from the face of the Earth the existence of people because of their ethnic makeup or because of their race or religion, and that was the case with Hitler trying to exterminate the Jews, and that was the case in Rwanda, when the Tutsis were attacked and over 500,000 were killed in two or three days.

It's all in L.A. There might be some location shooting as well. I think it's pretty short. I heard it was like six to eight weeks, which is pretty short. But you don't have to do makeup or anything. There's no hair, there's no makeup, there's like one trailer for Jason and one for the actors who do cameos. It's quick. So that's what they're saying. I don't know if that will change.

When I'm not wearing makeup, when I'm not in front of the camera, I can be just Hrithik. I can sit with my watchman or with the spot boy and chat with him. I do that. Which is why I am able to differentiate between the person I am and the persona that is projected. It's not the person people are crazy about, it's the persona, it's the magic of the movies and you have to understand that.

We [Afghanistan government] were in the process of cleaning up the government when these attacks happened in the north - not only in Kunduz, but also in other provinces. Our special forces are limited - we cannot be everywhere at the same time and we had to defend every district regardless of how insignificant it might be, because of the very social and political makeup of this country.

I take the palette with me, but I have a lot of makeup. I was a makeup artist when I was younger, but I'm not that good compared with my makeup artist, so I keep things pretty simple. I explore a lot with pink and nude lipsticks, but I love red lipsticks. I love a line and a lash and a brow. So I don't need a lot, but I have a lot. It's all there just in case - for Halloween or whatever.

If you've got a great crew it's intense, but its quite short. 'The Elephant Man' was longer than most, for an independent film. That was a 14 week film. But it was because of the intrinsic difficulties. We had to invent a different way of filming, because the makeup was so long. A working day for me with a full makeup on was nineteen hours. So obviously you couldn't do that twice running.

I don't care what color your hair is, if you're pale or tan, if you have makeup on or just woke up all I care about is that when I look at you, you always look back and see me. You're beautiful inside and out and if you wanted to tattoo all that pretty white skin from head to toe I would be honored to put it there for you but if not I'll take you all smooth and milky white any chance I get.

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