Quotes of All Topics . Occasions . Authors
I definitely believe that you are drawn to certain things for inexplicable reasons, but in a very powerful way. I don't know what it is exactly, but I know that things happen kind of miraculously sometimes, and so I'm willing to believe that there's something pretty magical out there.
At the dawn of his administration, President Obama opined: 'A democracy requires accountability, and accountability requires transparency.' Magical rays of white-hot sunlight emanated from his media-manufactured halo. And then bureaucratically engineered darkness settled over the land.
Edward Eager wrote a series of children's books that are in danger of being forgotten. But they're divine: stories about ordinary kids who stumble on magical things - a coin, a lake, a book, a thyme garden, a well. The magic changes them, they try to change the magic, the magic moves on.
A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
Now that I'm in 'Nashville,' the thing that I'm loving the most is co-writing. You walk into the room and you shake hands with someone you've never met before and you walk out four hours later and you've got this thing... sharing ideas and everything, it's almost magical, like a miracle.
Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.
Every time a meteor comes close to the earth, we all think about the end of the world - but our internal soundtrack doesn't turn off. We're also thinking about pizza or passing a slow tractor or making a turn, and for a magical instant, our lives seem to be in conversation with the stars.
There's a magical energy and power from the ocean. I was born in a room overlooking the sea, in the middle of a storm. Perhaps, then, it's not surprising that shores touch my soul. Science might disagree, but I think there's a difference in the air on a coast - the positive ions, perhaps.
There's something magical about spending a Sunday night watching real people at a deli, then watching fake people pretending to be real on TV, then engaging in (arguably) false interaction with (arguably) real people on the Internet. Never at any prior point in time has this been possible.
It's important to me to not stay too confined to any specific sonic space. There is something really magical about straight folk music - it's not that I don't like it, it's just that I like so much music, I hear so many different things, and I want to try more. I don't want to be confined.
New York, to me, even though I grew up here, there's something magical about it. I remember, every time I used to go to L.A. for work, when I'd come back and get off the plane and be driving towards the landscape of the city, I'd be beside myself with joy. It doesn't matter how many times!
If you're not religious, like me, how do you explain the transformational power that certain places have? They bring an incredible degree of attention to where you are and the passage of time. You're looking at every flower twitching, wondering if it's just the breeze or some magical pulse.
I was born in Swindon... a place that always looked west. I found that wherever I go I love to have a room with a view of the western sky. My late brother and I, when we were small, had a room at the back of the house that overlooked the sunset; and both for he and I it was kind of magical.
R&D has been an obsession in Europe for many, many years. There is this magical number which many governments aspire to do, and that is to invest at least three percent of GDP in research and development. When you look at the number, it's a composite of private and public investment in R&D.
America is a living idea. It isn't only the tenets of its founding, but also the terms of its future. Every day, we make America. Seeking to preserve and enshrine one vision of this country from one period of its past robs it of what makes it magical: its infinite possibility for adjustment.
I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.
Why does the past seem so magical, so fraught, so luminous? At the time it was just, ugh, another boring bloody day. But, to look back on, it's a day full of miracles and light and extraordinary events. Why is this? What process do we apply to the past, to give it this vividness? I don't know.
Since ballet has such a solid classical framework, everything is supposed to be a very specific way, so you learn to look at things with an eye towards perfection. But in acting, it isn't always necessarily good to be like that - really magical things can happen when it's unexpected and messy.
My mom is not religious, but she's a very spiritual, magical kind of lady. One time, when I was younger, my mom said she was a witch and that my grandmother was also a witch. It was late at night, and she was really sleepy, but I took it very seriously because I always wanted to go to Hogwarts.
Often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places.
When I saw the Penderecki concert in London, in '92 or '93, I thought there were speakers in the room. It was just strings. But I could hear these kind of buzzings and rumblings, and I was like, 'Where is this all coming from?' And that was just better, to my ears. Odder, stranger, more magical.
The '60s was a magical time in the music business. So much creativity and talent. I think a lot of it came from the fact that we had grown up before rock n' roll. We listened to all the great songwriters and big bands, songs with great lyrics and melodies. I think that really influenced everybody.
I was staying at the Konchucos Tambo lodge, next to the Huascaran national park, near Chavin. Sitting here on its veranda, I was beginning to see where all those Latin American magical realists get their inspiration from: they don't need to make anything up; they just write down what's around them.
Inside, I've got a real purist desire and dream about the music. I like the idea of being able to carve out a kind of magical, colourful, artistic, inspirational life. And the reality just turns out to be quite different, working with the business to bring this thing you have created into the world.
With Yale, my world got so big all of a sudden. At school, if you could dream it, someone would make it so that you could do it. It was magical. I had a lot going on, as you do when you're 17, and didn't necessarily capitalize on all of it, but it made me see possibility in a way that I hadn't before.
That childhood passion and involvement and being really submerged in something, that's the kind of state I'm looking for all the time - and preserving that sense of magical possibility and wonder that children have. I think, for artists, if you can stay connected to that, then you are in a good place.
From the time I was a kid, I was crazy about anything having to do with the West. I'd look at all of these photos of Montana, and they all seemed so magical and majestic. I just wanted to go west, and I finally did it when I was barely 21. I went off to volunteer at a Navajo reservation in New Mexico.
When I started acting, I didn't think of it as a career. I always thought Hollywood was this magical world where a fairy came down and said, 'Come live with the Munchkins; you are now one of us.' I didn't understand the concept of it as a career. I thought I would save up enough money to go to college.
Venice is truly magical. The Devon-Dorset coast in England is so beautiful, and its sandstone cliffs are full of fossils, which can make for some very exciting walks. And I love Halifax, a great place with all the modern things you could want, plus a wonderful sense of history, and, of course, the sea.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
Coming to Australia, it was just really magical for me. It just had the wow factor of a different sort of place and, more so, just being with a family that wanted to love me and to have me, because I knew back then, before coming to Australia, there was no way of getting back home or finding my real family.
It's degrading or insulting to say somebody is a good person or has a soul. Each person has built this incredibly complex structure, and if you attribute it to a magical pearl in the middle of an oyster that makes you good, that's trivializing a person and keeps you from thinking of what's really happening.
One of the magical things about these anthropomorphic animal movies is that we can take things that are so common in our own world that we deal with, like the DMV, or moving to a new city, or our family, and show you a mirror image of those things, reflected in a whole new way. That's why animals are great.
'Zorn' goes to some pretty ridiculous places, but the real comedy is coming from these little observations about life that are not as outlandish as some of the bigger moves in the story. This is a guy who has magical relics and fights weird monsters and is also dealing with very basic work and family things.
When I sit here and see that the eight brothers from the neighborhood that I grew up with still have success, it had to be magical. I doubt if you get another 'Wu-Tang Clan.' That might be harder than getting the new 'Jackson Five.' Certain groups you only get one time, and we just happened to be that group.
When I was in my 20s, I started frequenting record stores, and there was one in particular called Tropicalia in Furs in New York City. It's closed now, but it was one of those magical places where you would walk in, and the owner would start playing you records and not let you leave. It was such an education.
Somewhere along the line, positive thinking seems to have been confused with magical thinking. There's a notion that if you think positively enough, you can make anything happen by using the power of your mind. All the positive thinking in the world won't deliver good fortune or prevent tragedy from striking.
I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice - their humor, their fatalism, their... well, that over-used term 'magical realism.' It's a wonderful term that's just been used so much, we don't know what it means anymore.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
It has been an honour to present BBC 'Sports Personality Of The Year' for the last 19 years and I have loved every minute of it. The BBC have asked me to stay but I had made the decision to downsize my commitments a while ago, and I knew that the time would be right after what was always set to be a magical 2012.
Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.
I'm familiar with that magical mindset during sporting competition where one feels completely zoned in on what's happening. There are occasional nights in poker when the mists have cleared, and I just know what my opponents' cards are. Everything at the table is slow, loud, and easy. The rest of the world is silent.
I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.
I feel that every day, all of us now are being blasted by information design. It's being poured into our eyes through the Web, and we're all visualizers now; we're all demanding a visual aspect to our information. There's something almost quite magical about visual information. It's effortless; it literally pours in.
A lot of skaters hole themselves up in hotels and focus - and that's great, and that may work for them. But for me, having the Olympic experience was as great as winning the medal. I have so many memories of living in the village and meeting other athletes, seeing other sports, and feeling the energy. It's so magical.
The prescience of the founding fathers continues to astonish me. They were freedom fighters. They made America. They gave us this magical country. They also were slaveowners - which is confusing to their legacy. How could such brilliant men have only secured freedom for themselves, but not their wives or their slaves?
I listen to a lot of Chicago blues, I suppose. It reminds me of growing up, I guess. But I'm also obsessed by close-harmony groups. Actually, I'm fascinated particularly by brother duos, how they blend together. The Everly Brothers, the Stanley Brothers, The McQuarrys. There's something inherently magical about harmony.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
There's something magical about film, it's the ultimate for me, because it's kind of permanent - inasmuch as anything is. When I went to see Buster Keaton when I was about 14 and I came out of the cinema having really laughed at this film which had been made 50 years before, I thought: That's immortality. It's fantastic.
'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.