Quotes of All Topics . Occasions . Authors
I love to act. And between action and cuts, when you work for somebody great, it's wonderful, and I still love it. The moment where you create, that instant is still magic to me. But, all the rest, I get bored with it - all the waiting, and the fact that you have to make appearances, that you have to share your life.
You can play basketball and have a magic night and score 40 points with your team-mates and win the game. There are favourites for the World Cup, but you can't guarantee Germany, Spain, or Brazil will win, but here, everyone can guarantee that Mercedes or Ferrari will win the race, and this is very sad for the sport.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
In Chaos Magic , beliefs are not seen as ends in themselves, but as tools for creating desired effects. To fully realize this is to face a terrible freedom in which nothing is true and everything is permitted, which is to say that everything is possible, there are no certainties , and the consequences can be ghastly.
She was chosen,' Mae insists. No, you're wrong,' I say. 'She was only a girl.'... She was gone for some time. You were the only force that kept her from turning completely. That's magic. Perhaps the most powerful I've seen.' -In response to Felicity's love for Pippa keeping her from turning into a Winterland creature.
People of my generation in Portugal fell into the magic potion of political ideas. What was very funny about this revolution was that it did not bring wealth to the Portuguese. But it brought language, ideas. You'd go to the fish market, and all the women who were selling fish would call each other fascist, communist.
I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.
I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
The societies which have achieved the most spectacular broad-based economic progress in the shortest period of time are not the most tightly controlled, not necessarily the biggest in size, or the wealthiest in natural resources. No, what unites them all is their willingness to believe in the magic of the marketplace.
You probably need 1/10 of the world's population for us to continue to exist. There's just too many damn people. You have to somehow get us from 7 billion people to... I don't know what the magic number is, but I imagine at some point, that will happen. And I don't know about you, but I don't think I'm making the cut.
If it came to a magic genie, I would ask him for two extra wishes. One would be that no one would have to live with the muscular dystrophy disease or any disease. And the second one would be world peace, that we just stop fighting, talk about things, and we could live in harmony once again, like God intended us to do.
I regard physics as that subset of magic that works fairly reliably. I regard magick, in the traditional sense, as a kind of physics that we strive to understand and render more reliable. So it all comes down to the same thing, a quest to understand and manipulate the world with a self-consistent and coherent theory .
'Boldface' is a pilot term, a magic word to describe the procedures that could, in a crisis, save your life. We say that 'boldface is written in blood' because often it's created in response to an accident investigation. It highlights the series of steps that should have been taken to avoid a fatal crash, but weren't.
Let her alone,' said the enkanto, 'or I will curse you blind, lame, and worse.' The old man laughed. 'I'm a curse breaker, fool.' The elf grabbed one of the Jim Beam bottles from the table and slammed it down, so that he was holding a jagged glass neck. The elf smiled a very thin smile. 'Then I won't bother with magic.
When you love someone deeply, you know secrets they haven't told you yet. Or secrets they aren't even aware of themselves. ... She was also the person I wanted to share the trivia of my life with, because that too is part of the magic of concern: Whatever you live is important to them and they will help you through it.
The inner defenses are unconscious. They consist of a kind of magic aura which the mind builds around cherished belief. Arguments which penetrate into the magic aura are not dealt with rationally but by a specific type of pseudo-reasoning. Absurdities and contradictions are made acceptable by specious rationalizations.
People, on their bucket lists, are saying, 'I want to see a game at Rupp Arena.' Magic Johnson will call and say, 'I want to come to the game tonight. I want to see John Wall or Anthony Davis or Michael Kidd-Gilchrist.' It's become fashionable to be seen here, because people want to be seen and associated with success.
My grandmother had six kids - one died as an infant - and she was dirt-poor, and all her kids got an education. And my mom grew up poor. And they both worked so hard and cultivated so much of their own happiness. I wanted to have that like an amulet. Not like armor, but like a magic feather. Like Dumbo's magic feather.
Any time women come together with a collective intention, it's a powerful thing. Whether it's sitting down making a quilt, in a kitchen preparing a meal, in a club reading the same book, or around the table playing cards, or planning a birthday party, when women come together with a collective intention, magic happens.
Thor is magical, yes, but it is the magic of reality. His hammer was crafted 'in the heart of a dying star,' but so were you! Most of the atoms that make you up are in fact the innards of a ball of gas in space that got so heavy that it exploded. Stars died so that you could live, as physicist Lawrence Krauss would say.
Poetry has always mattered, through human history, through all kinds of cultures, all kinds of violence and human desolation, as well as periods of great human affirmation. It's been associated with the power of the word, with the sacred, with magic and transformation, with the oral narratives that help a people cohere.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
Magic is really only the utilization of the entire spectrum of the senses. Humans have cut themselves off from their senses. Now they see only a tiny portion of the visible spectrum, hear only the loudest of sounds, their sense of smell is shockingly poor and they can only distinguish the sweetest and sourest of tastes.
Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.
Life, the moment. Where the magic is. That's what really keeps me motivated, alive, hungry. I'm still as excited and motivated now as I was twenty-five years ago, and that's because I really live for those moments. And that's where the art comes from, that's where the music is born, that's where it all appears. I love it.
I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.
Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind.
I have a save file in 'Final Fantasy XII' that is 125 hours long. I have gotten into legitimate arguments over the rules governing the tapping of mana in 'Magic: The Gathering.' I don't like hugs or parties, high school sucked for me, and Nathan Fillion deemed something I wrote his 'Favorite 'Firefly' fanboy rant to date.'
If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.
There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Afterward, they would come back, and they were my parents again. It was magic.
In spite of the opinions of certain narrow-minded people, who would shut up the human race upon this globe, as within some magic circle it must never outstep, we shall one day travel to the moon, the planets, and the stars, with the same facility, rapidity, and certainty as we now make the voyage from Liverpool to New York!
If you had a magic wand today, and you had one wish - to wipe out all the drug dealers, take them all off the streets and put them in jail, no trial, everybody who sold drugs would automatically be convicted. You know what's going to happen? There's going to be new ones. Why? Because the drug users are going to create them.
One way can be learned by starting to see the magic in everything. Sometimes it seems to be hiding but it is always there. The more we can see the magic in one thing, a tiny flower, a mango, someone we love, then the more we are able to see the magic in everything and in everyone. Where does the mango stop and the sky begin?
Those first few weeks are an unearthly season. From the outside you remain so ordinary, no one can tell from looking that you have experienced an earthquake of the soul. You've been torn asunder, invested with an ancient, incomprehensible magic. It's the one thing that we never quite get over: that we contain our own future.
Such words as amen, hallelujah, glory and others of like sacred association are repeated endlessly and meaninglessly in the apparent belief that they have in them some strange power for good. This can be no more than high-grade magic. It will pay us to search our own hearts thoroughly to discover just why we use these words.
And what did the banks do to earn this perpetually flowing river of wealth? Did they lend out their own capital obtained through investment of stockholders? Did they lend out the hard-earned savings of their depositors? No, neither of these were their major source of income. They simply waved the magic wand called fiat money.
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
Houdini, the magician who debunked magic, could not bear to see the great rationalist [Arthur Conan] Doyle enchanted by ghosts and frauds. And so he did what any friend would: He set out to prove spiritualism false and rob his friend Doyle of the only comforting fiction that was keeping him sane. It was the least he could do.
Generally I try to be on set as much as possible, especially during the early part of a season. I read all of the outlines and scripts and look at the auditions and the cuts for my other shows and give notes on all of that. There's a lot to do, but I enjoy nothing more than being on set because that's where the magic happens.
When you think about it, there's no way to input things into a computer. It's all... the holes only go out, right? Like you can plug a keyboard or a mouse in but that's a trick because the computer thinks the inputs are outputs. That's a programmer trick, basically magic. The key to the future is to make holes that go in too.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
I think British men build up the idea of us French girls having some magic extra sex appeal so much, they lose their heads. I can't really understand the whole thing - but it makes me laugh. It's such a cliche to think all French girls are well dressed, elegant, sophisticated and sexy. Some are utter slobs, I promise you that.
One day, I'll disappear and hide in a corner of Britain. I'll own a bakery in a village, live above it, have a big garden because I like mowing. I want to get up when I feel like it, let people queue for my products, and when they're gone, shut the shop and think about tomorrow. Creating magic - that's my dream. And I'll do it.
I'm a firm believer that embracing the imperfections of making music is so much of what makes something groove. Getting rid of these imperfections runs the risk of removing a lot of the magic that makes this music really special, and diminishes music's ability to connect with us as human beings. We are all imperfect, after all.
Even the biggest bands - and I hate to break the magic - but even the band that sold out 90,000 tickets in your football stadium, they might come back two years later and do an arena. It still feels huge, but there's a difference - there's a big difference. And there's a big difference playing a 30,000-seat stadium and a 90,000.
One of the things that always fascinated me about the Renaissance was that it was a time both of great scientific discovery and also of superstition and belief in magic. And so it was a period in which Galileo invented the telescope, but also a time when hundreds were burned at the stake because people thought they were witches.
I've noticed that the magic getting along with someone isn't really magic. If you break it down, you can see how it happens. You say something a bit off-center and see if they react. If they get it, they push it a bit further. Then it's your turn again. And theirs. And so on, until it's banter. Once it's banter, it's friendship.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.
I have a great body, I really do. But I want to be taken seriously as an artist, and wearing anything that shows it off will be a distraction from the music. That's how my signature uniform, my tuxedo, came about. It's classic and timeless. You'll see me in black, white, and a pop of color on my lips. That pop adds a little magic.