Magic Quotes - Page 45

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Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.

If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.

I shout at the radio when someone starts talking over the end of a song. Shut up! I don't want to hear that the DJ has just found a mouldy sandwich in the corner of the studio. Nor do I like it when the magic of something you're watching is shattered by an advert for Argos.

The problem is that music is selfish in that you need to make it for yourself, so that you can give it away, and those two things don't jive. I needed to find the right reason to play that had the magic and mystery and excitement that made me want to play in the first place.

I enjoy sports movies that don't sugarcoat. One thing that irritates me about sports movies is that they're like, 'The magic of the ball,' and 'The magic of the stadium.' It ain't that magical. When you get hit coming across the middle at 25 miles per hour, the magic's over.

I'm not going to be able to wave a magic wand and change everybody's thoughts. That's something that can only happen by people working on themselves and being held to account by the rest of us, but what Donald Trump's done really unleashed a lot of darkness and divisiveness.

Tips like that. Wearing necklaces, knowing how to layer, wearing a statement piece. Don't wear big earrings and a big necklace and a big ring all at the same time. Pick your magic. I have this whole thing: if you look good, you feel good, and if you feel good, you look good.

You became a reader because you saw and heard someone you admired enjoying the experience, someone led you to the world of books even before you could read, let you taste the magic of stories, took you to the library, and allowed you to stay up later at night to read in bed.

People say all kinds of things about the ingredients of songs. But you know they are a kind of magic, in the sense that they may easily include a stain on your bedroom wall... and a variety of mis-recollections. And then you name it after a girl's name that you just made up.

This is not a time for America to 'believe in magic.' This is a time to drive education forward. This is a time to drive the economy forward. This is a time to drive America forward. We must do it together. And we must re-elect Barack Obama as President of the United States.

The peace and safety for which you yearn is not a matter of food, clothing, and shelter. It is a matter of love. Love and be loved, and all else will be added unto you. The world will perform its magic when you step into yours. That is the promise of God, and it will be kept.

He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.

I was very influenced by The Magic Mountain. It's a book that had a huge impact on me. I loved that as a shape for a novel: put a bunch of people in a beautiful place, give them all tuberculosis, make them all stay in a fur sleeping bag for several years and see what happens.

The Magicians brilliantly explores the hidden underbelly of fantasy and easy magic, taking what’s simple on the surface and turning it over to show us the complicated writhing mess beneath. It’s like seeing the worlds of Narnia and Harry Potter through a 3-D magnifying glass.

The superabundance is an ecological myth that we will never run out of resources, that the Earth, that Gaia, is in this perpetual state of renewal. And the "contagious magic" is the blind belief that this is the case, and the reason we're careering towards ecological disaster.

We all know how we can be turned around by a magic place; that's why we travel, often. And yet we all know, too, that the change cannot be guaranteed. Travel is a fool's paradise, Emerson reminded us, if we think that we can find anything far off that we could not find at home.

I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.

Same with anyone who's been flying for years and loves it still... we're part of a world we deeply love. Just as musicians feel about scores and melodies, dancers about the steps and flow of music, so we're one with the principle of flight, the magic of being aloft in the wind!

My background isn't in social software; it's in online community, social networks, personal publishing, blogging, self-expression on the Web. I got on the Internet in the 1980s, and the magic moment for me arose from my being a literature geek, especially Dante and Shakespeare.

When you read the poem, you wonder, what might Grendel have been? Could it have been a person that was turned away? Someone that was disfigured or deformed? Like everything else did, it came from somewhere. It's really exciting, and not knowing is part of the magic and mystery.

No wizard has ever made himself useful by magic, or, if they've tried, they've only made matters worse. No wizard ever stopped a war or mended a fence. It's better that they stay in their marshes, out of the way of worldly folk like farmers and soldiers and merchants and kings.

When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.

I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.

This rough magic I here abjure and when I have required some heavenly music, which even now I do, to work mine end upon their senses that this airy charm is for, I'll break my staff, bury it certain fathoms in the earth, and deeper than did ever plummet sound, I'll drown my book.

[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.

Pippin had an opening number called "Magic to Do," and Jules Fisher, the brilliant lighting designer lit it. Tony Walton did all of the sets. As a kid I thought, "Wow, I'm seeing onstage what a MGM musical would look like live." It was that good, and it was directed by Bob Fosse.

I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.

The first 'Star Wars' film was enormously important. I grew up right smack-bang in the sweet spot of all of those. It's true cinema magic. It's fair to say that, as a kid, I would have been very happy to be Han Solo, and I would have been happy to have gone out with Princess Leia.

In the meantime, the educated public continues to believe that Darwin has provided all the relevant answers by the magic formula of random mutations plus natural selection -quite unaware of the fact that random mutations turned out to be irrelevant and natural selection tautology.

You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox.

The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.

A full moon is poison to some; they shut it out at every crevice, and do not suffer a ray to cross them; it has a chemical or magical effect; it sickens them. But I am never more free and royal than when the subtile celerity of its magic combinations, whatever they are, is at work.

There's magic all around us: Our smartphones are magical, 3-D printers are magical. So I feel that as a magician, if I can pull off something that seems real and convincing enough that I can explain why it's happening and have people believe it, it really is fascinating. And funny.

Somewhere in the other side of nowhere is a place in space beyond time where the Gods of mythology dwell. ... These gods dwell in their mythocracies as opposed to your theocracies, democracies, and monocracies. They dwell in a magic world. These Gods can even offer you immortality.

The Goose Fair was the cornerstone of the city's year. The smell of fairs is amazing: deep-fried donuts, hot dogs, the frying of onions. You never wanted to eat all your baby pink candyfloss - it was so sickly sweet - but seeing it made with a stick around the barrel was like magic.

I don't think you should be an Auror, Harry," said Luna unexpectedly. Everybody looked at her. "The Aurors are part of the Rotfang Conspiracy, I thought everyone knew that. They're working to bring down the Ministry of Magic from within using a mixture of dark magic and gum disease.

Baking makes me focus. On weighing the sugar. On sieving the flour. I find it calming and rewarding because, in fairness, it is sort of magic - you start off with all this disparate stuff, such as butter and eggs, and what you end up with is so totally different. And also delicious.

We live in such a hyperliterate world, soaked and saturated in writing: on our machines, on the streets, on our television screens. It's just that writing doesn't live in the boxes that it used to. The genie is out of the bottle. But that just means that the magic could be anywhere.

I'm helplessly and permanently a Red Sox fan. It was like first love...You never forget. It's special. It's the first time I saw a ballpark. I'd thought nothing would ever replace cricket. Wow! Fenway Park at 7 o'clock in the evening. Oh, just, magic beyond magic: never got over that

I think the thing that keeps us motivated is challenging ourselves to see if we can be better than we've been before and seeing if we can stumble upon a magic that wasn't there before - whether it's a song, a performance, or a track that lights us up the way the first few records did.

I learn the lines as soon as I can and then the challenge really, for filming, is to show up and be there and respond to what's around you. That's where the gold dust is. It's really strange, no amount of preparation will help you with the magic of spontaneity on the day [of filming].

It's an old magical principle - it's even filtered down into RPG systems - that magic, while taking a lot of effort, can be 'stored' - in a staff, for example. No doubt a wizard spends a little time each day charging up his staff, although you go blind if you do it too much, of course.

When I first started doing my stand-up act, I played the banjo, did comedy, magic tricks, juggled, read poetry. I stuck it all in. I didn't know you were supposed to just stand up and tell jokes. Essentially, that's what my act became: those five elements - except I dropped the poetry.

It takes these very simple-minded instructions - 'Go fetch a number, add it to this number, put the result there, perceive if it's greater than this other number' - but executes them at a rate of, let's say, 1,000,000 per second. At 1,000,000 per second, the results appear to be magic.

The government pretends to be endowed with the mystical power to accord favors out of an inexhaustible horn of plenty. It is both omniscient and omnipotent. It can by a magic wand create happiness and abundance. The truth is the government cannot give if it does not take from somebody.

Against all the opposition in the world, I make this statement - that once I knew a magician. I was a witness of a performance that may some day be considered understandable, but that, in these primitive times, so transcends what is said to be the known that it is what I mean by magic.

In the past, people generally believed they could acquire magic in two ways: through learning the craft, either from another practitioner or from books; or through obtaining magic from a powerful being-think Faust or the classic, demonized witch, both of whom get their mojo from Satan.

Northern Sweden holds a special kind of magic. It's cold, lonely, and the people are tough and silent, or so the stereotype says. This is Asa Larsson's home turf and I find as much joy in reading her closely observed descriptions of the environment, as in following her intriguing plots.

I always believe a woman should have 5 non-negotiables that she should stick to when attracting a mate. If the guy does not have these five major things - then she should not give the guy a chance as she's wasting her time. The rest is up to the magic and wiggle room the universe gives.

Escapology has one thing going for it that probably made Harry Houdini such a superstar in his day and a legend in the present. Everyone wants to escape from something. Taxes, contracts, illness, work, the multitude of burdens that we chafe under are shadows from which we want to escape.

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