Quotes of All Topics . Occasions . Authors
I am drawn to writing books about magic and the supernatural because those are the types of books I like to read. I've written many short stories with realistic settings, and I certainly wouldn't rule out realistic novels in the future!
I love both [Johnny English and James Bond] actually. The action sequences are really exciting because you're getting to work with some brilliant crew and do some great stuff but you always get some magic when you're working with actors.
The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
I loved theatre and did magic, too, but I was never the best at it - there was never a teacher saying, 'You're great, you have to make this your career!' I was good at science and math. I figured I'd go into science and become a dentist.
I was this Catholic kid, and I never really lost that. I loved the rituals of Catholicism. The mass is a magic ritual; it's a transubstantiation, and the stations of the cross - I mean, a crown of thorns? Getting whipped? It's punk rock.
Anyone who has chanced like me to roam through desolate mountains and studied at length their fantastic shapes and drunk the invigorating air of their valleys can understand why I wish to describe and depict these magic scenes for others.
There are no peoples however primitive without religion and magic. Nor are there, it must be added at one, any savage races lacking in either the scientific attitude, or in science, though this lack has been frequently attributed to them.
The most important advances, the qualitative leaps, are the least predictable. Not even the best scientists predicted the impact of nuclear physics, and everyday consumer items such as the iPhone would have seemed magic back in the 1950s.
By the way, it was his simulations that helped out in Jurassic Park - without them, there would have been only a few dinosaurs. Based on his techniques, Industrial Light and Magic could make whole herds of dinosaurs race across the screen.
Making films is sort of like you're pulling off a magic trick. It's sort of like an illusion. It's not real but you want it to appear real, and all kinds of things go into that, from the clothes you're wearing to the make-up, to the light.
When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
I have architects write to me and ask me: How do you - and what do you do to - design the magic thing? I answer that very carefully. It's not necessarily about what you do, but the clients you do it for. You should write to Target, not me.
A name can't begin to encompass the sum of all her parts. But that's the magic of names, isn't it? That the complex, contradictory individuals we are can be called up complete and whole in another mind through the simple sorcery of a name.
There's plenty to read about keeping your sanity while raising children, but it's all common-sense stuff about task division and taking breaks and the relentlessly repeated magic of date night with your spouse. What's missing is some 'tude.
In Tharoor's hands [the story of modern India] is transformed into Mahabharata magic.... Endlessly inventive, irreverent, wise, ingenious,... it takes on at one level or another the entire panorama of modern India....Energetic and eventful.
I'm much more interested in lesser-known eccentrics and characters and performers. Like Matthew Buchinger, who was born in Germany in 1674, had no arms or legs and yet did magic, and had 14 kids, and made the most extraordinary calligraphy.
I would really hate it if I could call up Kafka or Hemingway or Salinger and any question I could throw at them they would have an answer. That's the magic when you read or hear something wonderful - there's no one that has all the answers.
Wayde yelled, and I hit him again, adrenaline pulling a scream of outrage from me. He went quiet, and I held my breath to make sure I could hear him breathing. I suppose I could have used my magic on him, but this was a lot more satisfying.
Is there nothing the prodigiously talented Ann Patchett can't do? She's channeled the world of opera, Boston politics, magic, unwed motherhood, and race relations, creating scenarios so indelible, you swear they are right outside your door.
For there is no bond more lasting than that formed by the mutual confidences of that magic time when youth is slipping from the sheath of childhood and beginning to wonder what lies for it beyond those misty hills that bound the golden road.
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
Remember, if you do the things you ought to do when you ought to do them, then someday you can do the things you want to do when you want to do them…Whatever you do or dream you can do—begin it. Boldness has genius and power and magic in it.
I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.
I always wanted to go to the Chavez school but I could never afford it when I was growing up so a lot of my learning came from magic books and watching other magicians. I was also very lucky that I had a couple of really good magic teachers.
I don't want realism. I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!
When theres no other dude in the car, the cost of taking an Uber anywhere becomes cheaper than owning a vehicle. So the magic there is, you basically bring the cost below the cost of ownership for everybody, and then car ownership goes away.
When you experience your wisdom and the power of things as they are, together, as one, then you have access to tremendous vision and power in the world. You find that you are inherently connected to your own being. That is discovering magic.
Magic is the oldest part of the show business profession. It can now be used as a forward-thinking tool to build a child's confidence. It has been an amazing part in many entertainers' lives, including Steve Martin and the late Johnny Carson.
I think magic, whether I'm holding my breath or shuffling a deck of cards, is pretty simple. It's practice, it's training, and it's - It's practice, it's training and experimenting, while pushing through the pain to be the best that I can be.
Everybody finished the song at different times. Dumbledore conducted their last few lines with his wand and when they had finished, he was one of those who clapped loudest. 'Ah music,' he said, wiping his eyes. 'A magic beyond all we do here!
Unseen University had never admitted women, muttering something about problems with the plumbing, but the real reason was an unspoken dread that if women were allowed to mess around with magic they would probably be embarrassingly good at it.
Every movement of the theater by a skilful poet is communicated, as it were, by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions which actuate the several personages of the drama.
I’m exactly right for you, Bella. It would have been effortless for us — comfortable, easy as breathing. I was the natural path your life would have taken… If the world was the way it was supposed to be, if there were no monsters and no magic
You need music, I don't know why. It's probably one of those Joe Campbell questions, why we need ritual. We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it.
Houdini connected to people on an emotional level so that when he would escape that straight jacket it wasn't about the straight jacket. It was about people looking at it and escaping poverty. When you have that it's the truest form of magic.
Natural Magick therefore is that, which considering well the strength and force of Natural and Celestial beings, and with great curiosity labouring to discover their affections, produces into open Act the hidden and concealed powers of Nature.
The media has been nice to me so far, but if I get compared to Channing one more time... I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
Art is magic... But how is it magic? In its metaphysical development? Or does some final transformation culminate in a magic reality? In truth, the latter is impossible without the former. If creation is not magic, the outcome cannot be magic.
I like the evening in India, the one magic moment when the sun balances on the rim of the world, and the hush descends, and ten thousand civil servants drift homeward on a river of bicycles, brooding on the Lord Krishna and the cost of living.
We lose the magic whenever we stop telling our story and begin to wonder how we're doing, if we're selling it, if the listener likes us. Just tell the story and go on to the next one. All of us are full of stories the world might want to hear.
Actually, I think I'm part of the last generation to grow up believing in magic and fairies and believing I had powers - you know, lying on the ground and trying to have my spirit leave my body - which never happened; still working on that bit.
Television and cinema were all very well, but these stories happened to other people. The stories I found in books happened inside my head. I was, in some way, there. It's the magic of fiction: you take the words and you build them into worlds.
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
The Polar Express is about faith, and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen, the kind of world we all believed in as children, but one that disappears as we grow older.
My little self-analysis is that consumer technology is the closest thing we have to magic. You push a button and something happens at your command. The things that get me fired up the most have always been the things that seem the most magical.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
Those who use 'Correlation is not the same as causation' as a magic incantation to dismiss all fact-using professions are fools holding a lit match in one hand and an open gas can in the other, screaming, 'One has nothing to do with the other!'
My dad's cooking was magic in the kitchen. But eventually over the years, his personality changed and his ability to remember recipes failed. He became paranoid and thought people were stealing from him, when often he was just misplacing things.
In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.