Quotes of All Topics . Occasions . Authors
I hope that I dress for my age. Because there's no need to be dowdy, is there? But I don't go with all the colours that everybody is wearing. I'm not very fond of lime green or orange, so I don't do that. I read all the fashion magazines, but most things are totally unsuitable for somebody of 79.
Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.
Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read 'GQ,' enjoy 'Fight Club,' and subscribe to 'Thrillist,' while the idea of a guy doing the same with 'Glamour,' '27 Dresses' and 'Daily Candy' is nearly unheard of?
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
I mean, why am I considered an 'it girl?' Because I'm in a lot of movies right now or am on the covers of magazines? I just hope there is something solid behind that. Because here's the thing with 'it girl' status. It's great and amazing that anybody is saying that at all. But how long does that last?
What I'm interested in is how your career choices can affect your private life, romantically or with your mom, your relatives, your friends, your hometown, and how media manipulates information - not newspapers or blogs, but the magazines that people impulse-buy that tell you what's hot and who's not.
I didn't actually know what a vegetarian was until I was 13 years old. I know in this day and age it's hard to believe that, but I think because I grew up on a farm, I wasn't indulged in magazines, newspapers, Internet, television. And so, for some reason, I was never exposed to what a vegetarian was.
I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid.
I started by writing short stories, but they weren't very good; I tried them on various magazines, and none of them was published. People were nicer then about turning you down, and so I didn't lose heart - I kept on writing and wrote a lot of books, one or two of which I finished, and others I didn't.
I always felt really alone because no one wanted to talk about the things that I enjoyed, and that was really rap music and hip-hop as a culture. You know, having the shoes, using the words, buying the magazines, seeing the videos. And I had nobody to share it with, so I feel like I lived a lot online.
I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.
I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.
Kim Kardashian's marriage to Kris Humphries famously lasted 72 days, and was reported in the tabloids as being all about the big bucks paid by magazines for the bridal photos: it is a spectacle of a bride-to-be as entrepreneur, not as romantic heroine; the groom, in this scenario, is nothing but a prop.
It doesn't matter if you have the greatest product in the world if no one will buy it. Have an idea of where your customers will come from and how to get to them. Partner with blogs and magazines that target that audience. If you partner with them, hopefully you won't have to spend money on advertising.
Ultimately, I'm in the fitness industry. But, I've branched out from there quite a bit. I began doing consulting on writing and getting published in magazines in about 2011. Right around that time, I started doing some angel investing and looking to grow my skills and general experience outside of that.
Painters and sculptors under the Nazis often depicted the nude, but they were forbidden to show any bodily imperfections. Their nudes look like pictures in physique magazines: pinups which are both sanctimoniously asexual and (in a technical sense) pornographic, for they have the perfection of a fantasy.
I feel like fashion is becoming more inclusive, partly because the industry is finally getting that beauty exists in so many ways, and partly because thanks to Instagram, girls can create their own images, or remix images they're seeing in magazines and fashion shows, in ways that weren't possible before.
If you walk into any bookstore, you can look at the newsstands and see which magazines are nationally-distributed, and you recognize certain names. Same with television. With the blogsphere, however, you actually have to dig, and know how to use multiple tools to figure out whom you should be speaking to.
It is fortunate that I am quite a secure person and my training flew in the face of what everybody else was doing as they were all just copying what the American bodybuilders did, as reported in the magazines. But it didn't take long before people were listening to me: it happens when you are Mr. Olympia.
Back when I was a kid, I used to tear pages out of magazines and stick them on my bedroom wall - I had the Eternity ads on my wall and the CK One ads. My whole childhood, those were on my wall, and cut to 20 years later, being asked to be the face of one of Calvin Klein's new fragrances is kind of surreal.
We got a copy of the 'New Statesman' at my grammar school in Wigton, Cumbria, in the 1950s. It sat mint fresh every week on the library table, with two or three other bargain-offer magazines. The 'Statesman' came out of the unimaginable Great World. I started to read it then and have pegged along ever since.
I had all kinds of fantasies, like a lot of girls, but did I actually go through the motions of planning a wedding and buying bridal magazines and imagining things and setting up who would play what role? No. Because as I grew up, I started to believe that I would be one of those gals that never got married.
Once I sold my shares and figured I wanted to get out of the magazine business it was like, "Now I can do whatever I want, anything I want in the world." And I guess I subconsciously hoped it would be something a little more adult. But I just want to do funny shorts, and TV is the ultimate endpoint for that.
I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.
I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.
Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.
I grew up in the 'hood around prostitutes, drug dealers, killers, and gangbangers, but I also grew up juxtaposed: On the doorknob outside of our apartment, there was blood from some guy who got shot; but inside, there was National Geographic magazines and encyclopedias and a little library bookshelf situation.
As a kid, I grew up on a farm in Florida, and I did what most little kids do. I played a little baseball, did a few other things like that, but I always had the sense of being an outsider, and it wasn't until I saw pictures in the magazines that a couple other guys skate, I thought, 'Wow, that's for me,' you know?
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
There were just moments of the punk scene and I realized that I had to capture it. There was also this photographer in our preschool - I went to a Montessori school in Baltimore, Maryland - and they had this photographer come and take all these incredible photographs. They looked like they were from Life magazine.
I'm coming from a small town in Quebec where, at that time, there was no Internet, and the way to be in contact with movies were those American fan magazines like 'Fantastic Films' and 'Starlog,' and I still remember the shock, the impact of seeing the first frames, the first pictures coming out of 'Blade Runner.'
As the Olympic torch neared Lake Placid, N.Y., in 1980, signaling the opening of that year's Winter Olympics, newspapers and magazines throughout the world offered predictions on who would win medals in the major sports. Not a single publication gave the American men's hockey team a chance against the world powers.
I wanted to earn a living wage and to see something nice about me in the 'New York Times.' I wanted my mother to be proud. I wanted all the things you want and also feel silly for wanting. I wanted readers to say they'd enjoyed something of mine - to see my photo in magazines where I'd seen photos of other writers.
It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing.
I've always been kind of uncomfortable just on the beach in a swimsuit. I'm never my most confident in a bikini on the beach, especially when you know people are looking at you, and they expect one thing because of what they see in the magazines, and you might not look that way. It's always been a scary thing for me.
If I've ever regretted anything, it was putting all my eggs in one basket, holing up and kneeling at the altar of literature, instead of going out and at least reviewing, running around and trying to write for magazines. That would've been the intelligent thing to do, but I didn't, and that was because of fanaticism.
I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.
Now, my mom did not read well and she read 'True Romance' magazines, but she read with me. And she would spend 30 minutes a day, her finger going along the page, and I learned to read. Eventually, by the time I was four and a half, she could iron and I could sit there and read the 'True Romance.' And that was wonderful.
The world will try to make you think that being good is outdated and old-fashioned and that popularity comes from breaking the rules and lowering your standards. Don't buy into that way of thinking. As you watch TV or read magazines, you might be made to feel abnormal when, really, you are the one who has it figured out.
A friend of mine, Kim Hastreiter, who owns Paper Magazine, she told me, "When you left, it really changed things and you need to do something." So with the encouragement of others, I stayed around and watched, and I saw that all the girls before, such an enormous group of girls of color, all shades, it began to disappear.
I often find myself worrying about celebrities. It's an entirely caring thing; it's not like the people who commission those photographs with cruel arrows to go on the covers of the celebrity magazines. The photographs show botched plastic surgery, raging eczema, weight gain and horrible clothes for maximum schadenfreude.
How many of those forty-something celebrities, staring out from the covers of magazines with their beautiful babies, have conceived naturally, or without assistance? Not as many as you might think I would wager - yet for so many women they act as fertility beacons, a symbol of hope in a landscape of diminishing fertility.
Of course, a lot of businesses want to reach students, so I funded the magazine by selling advertising. I sold something like $8,000 worth of advertising for the first edition, and that was in 1966. I printed up 50,000 copies, and I didn't even have to charge for them on the newsstand because my costs were already covered.
Having done a lot of magazines, I'm very curious how big magazines handle big stories, and I was very curious to see how 'Time' and 'Newsweek' would handle 9/11. And I was basically pretty disappointed to see that they had chosen to show the photo we'd already seen a million times, which was basically the moment of impact.
Obviously I know if you're putting yourself out there, saying, 'Hey! Listen to my music!,' with pictures of yourself in the magazines, then people are going to judge you. 'I hate her music. I hate her hair. I hate her production. I hate her videos.' Fine: don't care. That's the great thing about art: it's not for everyone.
A well-known magazine asks a man how they should refer to him, as Psychologist X, as Author X? He suggests man of letters, for that is what he is, in the eighteenth-century meaning. But they can't buy that because the word doesn't exist in Time-style; he cannot be that, and presumably the old function of letters cannot exist.
I can't stand when girls come to me and say they want to be a model, but they can't tell me who the top three photographers are in the world. They can't tell me who the top five biggest models are or name three cosmetics companies. They can't even name the top fashion magazines! You have to get it together and know your stuff.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
I know this sounds weird, but I was into storyboarding when I was younger. I loved coming up with my own style through fashion blogs and magazines. But I've never liked trying things on. I don't know why. It was more about making mood boards. I've loved fashion my whole life, but more the imagery of it than actually wearing it.
I was well acquainted with the Calcutta literary circle since I was 17, when I lived in Bangladesh and published and edited a little magazine called 'Sejuti,' for which young poets from both Bengals wrote. If you look at my life, there is no question of using anyone for anything. I have only got banned, blacklisted and banished.