Before I went to college, I went to the S.N.C.C. office three times a week to offer my services and catch up on my 'Liberator' magazine. The other two days, I went to the Lycee Francais to keep my French crisp. I felt comfortable in the diversity of my worlds.

This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.

I won't allow magazines in the house. When I was younger, I wanted to have my hair cut like so-and-so in the class above me at school, not somebody in a magazine. You see young girls trying to dress like so-and-so because they've seen lots of pictures of them.

If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she's the exception, not the rule.

If you had asked me growing up what a stylist does or what a magazine editor does, I would have had no clue - how do you research something like that when you are a first-born child of an immigrant who only grew up knowing doctor, engineer, and lawyer as careers?

I'm so proud to be a real woman, a size 14 woman on the cover of a magazine like 'Ralph.' Women's publications rarely put size 14 women on the cover, let alone men's, so I'm really honoured and proud to be on the cover and representing curvy, sexy women out there.

I thought it must be pure science fiction. But when I checked it out I found a lot of magazine articles that actually supported the theory behind the book which was incredible. That's when I decided to acquire the rights of the book and everything went from there.

What teens share online is dwarfed by what they consume. Pre-Internet, you had to hoof it to the grocery store to find a magazine with celebrity bodies - or at least filch your mother's copy from the bathroom. Now the pictures are as endless as they are available.

I'll never forget the day when a woman came up to me and said, 'No, you could never be on a magazine cover. Your face features don't work; your eyes are small, you have a small face but a big nose.' I was only 14 and I had never noticed any of that stuff, you know?

I was writing very early, like I was involved in our high school literary magazine, which was called 'Pariah.' The football team was the Bears, and the literary magazine was 'Pariah.' It was great. It was definitely a real sub-culture. But I wrote stories for them.

It's hard to remember, when you look at a magazine or when you look at pictures of people, and you forget that those people are people like you. They have flaws and insecurities. That's so easy to forget, even for me, as somebody who's sometimes in those magazines.

I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?

I started, actually, in journalism when I was - well. I started at the 'New York Times' when I was 18 years old, actually, but really got into journalism when I was 15 years old and had started a sports magazine which was trying to become a national sports magazine.

Once, in a magazine interview, I said the difference between shoe ladies and bag ladies is that shoe ladies are just a bit classier. Finished! That started World War III among all the women I knew. I only meant that shoes do more for your look and body than bags do!

I'm one of those people who doesn't understand how it was that I went to bed at 3 o'clock in the morning or what I was doing. Like, I looked at 'Bon Appetit' magazine for three hours for things I'm never going to cook. Or I'm just on Pinterest for no logical reason.

The idea of a pseudonym had been flitting around my brain for a long time, along with its cognate, disappearance. In the 1980s, I published some poems under a pen name in a literary magazine to see what it would feel like. It was fun. It was even a little thrilling.

Every country I would go to, even if it was just on a modeling job, I would go to their markets. If I went to Morocco for 'Elle' magazine, I would be in the spice markets during my off time and just come back with a suitcase full of stuff that I really wanted to try.

'Rolling Stone' had started something called 'Outside,' and since I was one of two people in the office that liked going outside, I was pegged to work on it. The concept of the magazine was simple: literate writing about the out-of-doors. I jumped at the opportunity.

Every single woman that fights MMA has done just as much work as Ronda has; we just haven't gotten as much turnaround. Those women who came before her haven't been on magazine covers. They weren't plastered everywhere by the UFC. They didn't get the same reward back.

I always wanted to work at 'Take A Break' magazine, you know, just to inject a little bit of politics into their stories. I applied for a job there after I'd done my law degree and didn't even get an interview. I only wrote 'Garnethill' because I didn't get that job!

In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people!

Even when he was just a reality-TV star, Trump was the kind of star who got a cover story in 'Time.' But that wasn't true. The 'Time' cover is a fake. There was no 1 March 2009 issue of 'Time' magazine. And there was no issue at all in 2009 that had Trump on the cover.

I kept thinking, I'm not going to do political journalism, because there's no way to keep my principles and be a political journalist, so I'll edit a popular science magazine. This will be my salvation, and I'll emerge with my integrity intact. That didn't even happen.

Years ago, I did an interview about my mother for a publication called 'Info' magazine, and during that interview I told the reporter about my mother's leiomyosarcoma. She had had a hysterectomy, but at the time of it, the doctors didn't even think to look for sarcoma.

The Hollywood lifestyle was just overwhelming. A party here, an interview there, magazine and modeling shoots daily, your face everywhere and girls throwing themselves at you. As great as it felt at the time, I still felt something missing, and that I needed to change.

People turn off the news, stop reading in-depth magazine articles - especially young people. Look at the increasing reluctance of young people to vote. I think a lot of that is directly - you can lay it at the feet of these negative campaigns and relentless attack ads.

The poetry and transgression that was so much of surrealism's anarchic force has been recruited into mainstream culture. It has been made commonplace by television and magazine merchandising, by computer games and Internet visuals, by film and MTV, by the fashion shoot.

Democracy is about institutions: it's about having things like schools and judiciary and the Ford Foundation, or 'The Nation' magazine - you need progressive institutions, you know what I mean? Those are important institutions to make sure that the government functions.

I'll turn on the TV or look at a magazine, and it's like, 'Who is this person?' And you find out they are from '16 and Pregnant,' and I'm like, 'Really? They're celebrities now?' You read about them on the news having fights and breakups, and I think, 'Well, of course.'

Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.

My only real claim to fame is that I was southern England show-jumping champion in 1966. The day after my father died, 'Horse & Hound' magazine tipped me as a future Olympic champion, and I took it seriously. You can only really enjoy something if you take it seriously.

There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.

The 'Fake News Alert' Chrome extension, created by 'New York Magazine' journalist Brian Feldman, identifies hoax news articles. However, cutting out fake news source entirely from operating is easier said than done, since anyone with internet access can create fake news.

'Teen Vogue' is so much more than just a magazine. It's so much more than just a website. It's so much more than social. It's really about the audience, and so we're going to continue to innovate and continue to find new ways of reaching this audience in meaningful ways.

I got that experience through dating dozens of men for six years after college, getting an entry level magazine job at 21, working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine.

I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.

So people ask, 'But how can you work for a friend?' I say it's because I know that the magazine is called 'O.' The bottom line is somebody has to have the final word. Oprah's not right all the time, but her record is pretty damn good. That's not to say you can't disagree.

I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.

While prepping 'Smokey,' I saw a picture in a magazine of a Pontiac Trans Am that gave me a product placement idea. I could picture Burt Reynolds behind the wheel with Jackie Gleason on the chase. I called Pontiac and asked if they would like to have the car in the movie.

Being the ideal of a strong woman means utilizing all the things that God gives you. People are always saying to me, 'You're a strong female, so why are you wearing a bikini on the cover of that magazine?' Being a strong woman is misconstrued to be something evil and ugly.

Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

On TV at night, I DVR lots of programs - I use it more like a magazine rack flipping through shows than actually watching them in full. 'Charlie Rose,' 'Meet the Press,' '60 Minutes' are musts for me. I also DVR 'NBC's Nightly News' and 'The Chris Matthews Show' on Sunday.

The ultimate goal for me is to be the world champion - it's all I've wanted to do since I was a kid - so when the money that comes with it is life-changing, yes, that's nice, but get The Ring magazine belt, being considered the world champion, is something money can't buy.

I don't feel pride when I look at a magazine spread I did for Vogue, but writing is really satisfying to me. I can go so deep into people's interior lives, slowly and with complexity, over years and years sometimes. That's very rewarding, in a way that modelling never was.

I'm delighted the world is becoming more mentally literate. A few decades ago, if you mentioned the word 'brain,' no one was interested. Now, nearly every magazine on the planet is featuring the brain. One of my original goals, on one level, was to make myself unnecessary.

Sometimes when I flick through a magazine and see these thin models I'm left wondering what effect they can have on an insecure person. But I say to girls: forget what you see in the magazines, that is a world which has nothing to do with reality; think of it as a cartoon.

For my first job interview out of college, I wore a cream-colored cotton suit with cap sleeves and an inverted box pleat skirt that was appropriate for the late-August heat - and wildly discordant with the Red Hook offices of the graffiti magazine I had called twice to find.

Because of my job, I get a lot of opportunity to grab a few days here and there in many cool cities for press commitments, magazine shoots and premieres - Barcelona, Madrid, Rome, Paris, Stockholm, New York, Berlin. I always try to get to a gallery or museum if there's time.

Before, being a model, it was just a job, and I was making fun of it. But today, I take my career more seriously. The fact that a reader may buy an Armani item because she'd seen it on me in a magazine is very important to me. So much so that I intend to launch my own label.

The Beastie Boys are guys I loved before I met them, and when I got to know them, we started a magazine together, and we started making videos together, and a lot of it came out of us just cracking ourselves up, like going to the fake mustache store and buying fake mustaches.

Share This Page