Quotes of All Topics . Occasions . Authors
When I first came to America, you know, I would look at the newsstands and see the women on the magazine covers. I had never seen anyone smile the way these girls smile! It's like they have nothing to worry about!
There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes.
As the editor-in-chief of the do-it-yourself magazine 'Make,' I've met scores of dedicated makers. They come from all walks of life - rich, poor, young, old, male, female, religious, atheist, liberal, conservative.
I think that when I was younger and had my first round of big success and was plastered on magazine covers in the early and mid-'90s, I was kind of outspoken and had kind of a pretty aggressive attitude in my life.
'Garage Magazine' has a strong track record of promoting diversity and racial and gender equality in the worlds of art and fashion and will continue in our mission to stir positive debate on these and other issues.
It is the growth of advertising in this country which, more than any single element, has brought the American magazine to its present enviable position in points of literary, illustrative and mechanical excellence.
I'm a big fan of 'National Geographic', the magazine and the channel. Anything to do with the natural world. For years, when I was younger, I was convinced I would be a nature photographer, but that didn't pan out.
I happen to think nearly everybody - especially those one might find in the odd issue of 'People' magazine, including me - is frightfully boring, especially me. And Tom Cruise. Tom and I are alike in only this way.
If you're holding a championship that means something in the landscape of Japanese wrestling, you're guaranteed to get a huge feature in almost every magazine - you might even be guaranteed a front page. That's big.
From my earliest memories, I loved the farm. My grandfather was a charter subscriber to Rodale's Organic Gardening and Farming Magazine and had a huge, well kept garden with an octagonal chicken house in the corner.
Long before the writer Gillian Flynn popularized the concept of the insufferable 'Cool Girl,' who doesn't exist except in men's fervent fantasies, Hugh Hefner dreamed her, undressed her, and put her in his magazine.
I'm not that ambitious chick. I'm not chasing a cover of a magazine or an award. I've just never been that girl. I've always been very content with whatever God blessed me with and he's already blessed me with a lot.
I was an English major at the University of Minnesota, and I was very shy, which many people misinterpreted as intelligence. On the basis of that wrong impression, I became the editor of the campus literary magazine.
It was my very good fortune to find a mentor, Clay Felker, who started my career at the 'New York Magazine' as a freelance writer when I had to quit my job at the 'Herald Tribune' to stay home with my young daughter.
'Playboy Magazine' has been a devil's advocate for me. Because of the image and type-casting, it's harder to convince people that I can sing. Yet, I probably wouldn't have had the chance, had it not been for Playboy.
When you put an individual on the cover of a big picture magazine, like 'Life of Look', their career skyrocketed. As a photographer, you were very empowered; people came to you, bowing to you and what you represented.
The market for short stories is hard to break into, but a magazine editor isn't always looking for big names with which to sell his magazine - they're more willing to try stories by newcomers, if those tales are good.
It's a job - someone's gotta kiss Jennifer Aniston. The reality is, Jennifer and I can do our job well because we truly are friends. But when the day's over, she goes home to her boyfriend and I go home to a magazine.
In Britain, we've tended to replace the kind of architectural culture valued in much of Europe with an in-flight magazine lifestyle - all branding, marketing and 'accessibility', a word that usually means dumbing-down.
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
When I first started out, 'Time' magazine did an article on what it called 'the sick comics,' and they were myself, Shelley Berman, Nichols & May, Jonathan Winters, Lenny Bruce, and Mort Sahl. We were considered 'sick.'
By creating so many illusory images of physical perfection, whether on store aisles or storefront ads, magazine covers or TV shows, we speak more to the profit margins of companies than the self-esteem of today's girls.
Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!
The most amazing thing for me is when I open up a magazine and I see someone I could be friends with and looks, maybe, slightly like me. And I think that's the same with young girls. Because there needs to be diversity.
Young gentlemen with literary aspirations usually start a new university magazine, which for wit and pungency is designed to eclipse all such previous efforts, and I was no exception in the matter of this popular gambit.
One of my first jobs was as a recipe tester for a PR agency. One week, the editor of 'Housewife' magazine called my boss and asked me to write a column - the cookery editor had gone away on a press trip. I was terrified.
Several elementary school teachers had described me as a 'future authoress or poetess.' Mother took me to meet Chicago's leading black librarian, who published a poem of mine in the magazine she edited for Negro children.
I have never sold my story, done 'Hello!' magazine, any of that stuff. I'm not guilty of exploiting my private life for cash and then saying, 'Oh, I don't want to talk about my private life.' I've never crossed that line.
You might not be able to operate your own Learjet and have an unlimited expense account, but if you have a reasonable expectation for a print-based product, whether it's a newspaper or a magazine, you can certainly exist.
Gramercy Tavern appeared on the cover of New York Magazine the day we opened, and it was five deep at the bar with people who were not necessarily here to dine. They just wanted to kinda sniff out the hot, new restaurant.
When I was about 8, I used to go into one of the rooms in the mansion, and I would open a magazine like the 'Ladies Home Journal,' and I would see these characters on the pages and then become them, talking back and forth.
People think they have a perfect idea of who you are from a four-second Snapchat video... and fake blogs, stories, magazine covers. In reality, that's not the case. Nobody knows who I am except family and my close friends.
We thought we'd name the magazine for the number of bridges within Edmonton's city limits. We thought this number was 18. Much later, we learned that the number is actually 21. But we didn't like the sound of that so much.
When I do see a picture of myself that has been touched up too much, I do get a bit sad... it makes me look like a hypocrite. It breaks my heart. I would rather shoot a magazine and shoot my flaws, but that's not up to me.
A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.
I did pose for 'Black and White' magazine, a prestigious, artistic publication, several years ago... I did this as a piece of art and make no apologies for the creative decisions I've made as an artist in my 20-year career.
There's a certain type of success you can have where it means nothing. You're just becoming someone in Hello! magazine and no one knows what you actually do any more... the only way to escape that is to go back underground.
I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.
By the mid-noughties, I found that I was no longer the only openly gay person in every setting. At one point, a couple of Moscow magazine publishers even got the idea that they should actively headhunt gay and lesbian staff.
When I was in college, I was the editor of the literary magazine and insisted neither the editors nor the writers be specifically identified-only our student numbers appeared on the title page. I love that idea and still do.
People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.
I have an art magazine about drag called 'Velour,' named after myself, and I have a monthly show called 'Nightgowns' that curates and presents some of the most creative and high-quality drag in a professional theater setting.
I like to style myself, as my first job out of university was working at 'Vogue' magazine in NYC, and I grew up attending the collections with my mother, so I have a particular aesthetic, which is classic glamour with a twist.
'The Dublin Magazine' has been edited with good taste, and it is very agreeable reading, but to speak quite candidly, I do not believe in the future of any literary journal any more than I believe in the future of the Trinity.
I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.
When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.
It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
That was clearly surprising, interesting - a very interesting milestone was when you can pick up a magazine and read an article about some sort of computer related thing and they mention the word internet without explaining it.
I grew up in a family where no one had written a newspaper or magazine article about anybody in my family for a hundred years, right? Then, all of a sudden, we're getting one millennium's worth of media attention in six months.
My very favorite wrestler of all time was Andre the Giant. He was sort of like my best friend, believe it or not, and I have a picture in 'People' magazine of me sitting on his lap when I was 8 years old after 'WrestleMania I.'