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The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'

Matthew Wiener on 'Mad Men' writes the entire series before they start shooting, and if you have that, then what you can do with character and story is not at all unlike what you can do in a novel.

When I watch 'Mad Men' and I see the patronising attitudes to women that are so shocking for all of us to watch now, I feel that I've lived and see the same evolution in this regard around disability.

I watched 'The Sopranos,' I saw a couple of episodes of 'Mad Men.' I loved 'Seinfeld.' In fact, I got some CDs of 'Seinfeld.' 'Seinfeld' was hilarious. Oh, boy. The Nazi soup kitchen? 'No soup for you!'

I went to college and got my degree in acting, but because it was all theater, I really consider my first couple years on 'Mad Men' as amazing training for working in television and for acting on-camera.

I myself downloaded and watched 'The Wire,' 'Breaking Bad,' 'Downton Abbey,' 'Mad Men' and 'The Walking Dead' on my iPad while walking on a treadmill. I never turned a TV on once. I never inserted a DVD.

I've never had an audition like that before. They don't let you know about anything on 'Mad Men,' because it's a spoiler for everybody. I thought I was on the right track when I was cracking everybody up.

I would say what Mad Men has taught me has been a super elevated evaluation of text in general, and understanding subtext, and understanding where a character comes from - what he means by this or by that.

I think cable TV in the United States is amazing right now. It's reinvented television, really. What's going on in the States with some of these cable shows like 'Breaking Bad' and 'Mad Men' is amazing stuff.

It's odd, because 'Mad Men' was the first long-form TV thing I ever did. I'd done loads of independent movies, but after that, it was 'TV actor.' You go, 'When did that happen? Everything else has been erased?'

I love whiskey, and I'm a big fan of 'Mad Men,' so anything that Don Draper does, I like to do. But I want Don Draper to get back to where he was in the first season. I like him married and gallivanting around.

Believe me, when I finish shooting 'Mad Men,' there's a huge chunk of time where I have a really hard time leaving my house without fake lashes on. Which is a complex because I'm not very good at applying fake lashes.

My dad was a copywriter on Madison Avenue at the same time as the TV show 'Mad Men' is set. My mom raised the kids and was a scholarship coordinator at a school. More importantly, dad was a writer and my mom an artist.

A mother deserves a day off to care for a sick child or sick parent without running into hardship - and you know what, a father does, too. It's time to do away with workplace policies that belong in a 'Mad Men' episode.

One of the striking features of the early episodes of AMC's hit television show 'Mad Men' is the similarities in the lifestyle enjoyed by the lowest paid members of Don Draper's advertising company and its wealthy partners.

The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.

I think it's touching that the fans feel so close to the characters that they feel personally hurt. I've felt that way in plenty of TV shows - 'Game of Thrones,' 'Mad Men.' How could they do that to that character? That's drama.

I don't usually watch a lot of TV, but 'Mad Men' changed my perspective. I admire Matthew Weiner who came up with the idea and wrote such a great TV series, and the broadcasting company for being bold enough to air such a series.

One day you're there and then all of a sudden, there's less of you. And you wonder where that part went. If it's living somewhere outside of you. And you keep thinking maybe you'll get it back. And then you realize it's just gone.

I don't think any of us could have possibly anticipated how successful Mad Men has been. When we were working on the pilot, we loved it. We thought it was special. We hoped and prayed it'd be a success. But, we didn't count on it.

A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention.

My last audition for 'Baby Driver,' I had to meet with Jon Hamm and go through the scenes. I was a bit nervous: 'What if Jon Hamm dislikes me? This is the end.' I also watched 'Mad Men' religiously, so that didn't help with my nerves.

I found myself at the beginning of 'Mad Men,' because I wasn't a sample size, spending an exorbitant amount of money on a nice dress that I would never wear again because someone would say - 'Christina Hendricks wore this dress twice.'

I once attended an advertising conference held at the Greenbrier Hotel in 1968. The dean of the original Mad Men, the great David Ogilvy, was the keynote speaker. The subject of his speech was the new creative revolution in advertising.

The first time I ever experienced someone hating something I did on television was on 'Boy Meets World.' I remember these kids coming up to me and calling me a 'home-wrecker,' and so I had flashes of that going into my role on 'Mad Men.'

I was a temp for three years in New York when I was auditioning; when I was cast in 'Mad Men,' I was still a temp. I'm good at making copies; I'm good at typing things. I'm good at killing the day and making it look like I'm doing something.

Within the U.S., you could have argued that most people who watch 'Mad Men' would watch 'House of Cards.' But the viewing is much more on par with the large-scale mainstream things like 'The Walking Dead.' It was much younger than we thought.

Watching something like 'Orange is the New Black' - the development of the characters is amazing. Or 'Breaking Bad' or 'Mad Men' - those shows went on for so long. You become so invested in those characters, and I think that's a pretty magic thing.

In 'Mad Men,' we watch a group of people who live in a prosperous society that offers happiness and order like never before in history and yet are full of anxiety and unease. They feel there is something more, something beyond. And they feel stuck.

I came into the advertising business in 1952, at the age of sixteen, as a delivery boy for a stuffy, old-line advertising agency named Ruthruff and Ryan, which could have served as the setting for the 'Mad Men' television series without moving a desk.

I'm very, very fortunate to be in the job that I'm in, and I would love for it to continue forever, but it won't. I have to financially and emotionally prepare for the day that 'Mad Men' will go away, because who knows what my next job is going to be?

What we're doing is we're chipping away at what it is to be a woman and to be feminine. And what it is to be a man and be masculine. We're chipping away at that. I wish we could go back to 'Mad Men' days. I love those days. Men were men. And I love them.

Broadcasting for advertisers is still the best game in town, and they know it. Look, I admire a lot of the shows on cable. I think 'Mad Men' is wonderful. I think 'Breaking Bad' is wonderful. But let's remember they're about one-tenth the audience of NCIS.

I was watching the last season of 'Mad Men,' and they're now so in their characters and they're so comfortable in their characters, and they're doing such good work. That can only happen from doing it over and over, and developing a character over seven years.

When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.

What happens on 'Mad Men' in terms of the acting and the writing and the directing, it's superior. And yes, it has tremendous cache and buzz because it's become iconic, but it also deserves all the kudos and the awards as well, because it's a beautiful show to look at.

What happened with 'Mad Men' was I had just had my child, I was in a very literally and creatively fertile time in my life, and I wasn't leaving the house much. So when 'Mad Men' came along, I was so excited to leave the house. Like, I get to go do this beautiful thing.

I've been around a lot of artists who are also good at business, and... one minute they'll sound like an artist, and the next minute, they'll sound like the characters in 'Mad Men.' Jay-Z's a very good businessman, and he talks about it and enjoys it, but he doesn't shift.

Coming off 'Sopranos' and 'Mad Men,' I was starting to feel like I was being spoiled creatively. I wanted to move forward as a director in TV and get more involved in the process. After having those two great experiences, doing regular episodic TV wouldn't be quite the thrill.

For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'

I always say the classier cousin of 'Anchorman' is 'Mad Men,' because when you really look at it, why do people really love Don Draper in 'Mad Men?' He's just a terrible guy. But we know why he's terrible, and I think that's really key to why you can be sympathetic to a character.

I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'

What happens with 'Mad Men,' it's like an Elvis Costello album; I'll watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wife's not around because if she catches me yelling at 'Mad Men,' then it gets weird.

To a generation beaten down by skyrocketing unemployment, plunging retirement savings, and mounting home foreclosures, 'Mad Men' offers the schadenfreude-filled message that their predecessors were equally unhappy - and that the bleakness meter in American life has always been set on high.

Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness, but I can tell you this is a happy bunch.

When I first got pregnant, my husband and I were huge consumers of premium cable television, and we were watching all of these shows, and it would either be the B-storyline of a show like 'Homeland,' where she's a working mother, or you have even smaller C-storylines on a show like 'Mad Men.'

I don't watch a lot of television. I try to watch all the good movies, but I've got about twenty of these television series that I should be watching. I haven't seen 'The Wire.' I haven't seen 'Mad Men.' I haven't seen Kevin's thing. What's that called? 'House of Cards.' I hear it's wonderful.

Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.

Frankly, as much as I love to improvise, it hasn't been difficult to stick to the script on 'Mad Men.' The writing is so precise, and the story so carefully crafted, that I don't think there's room - or need - for ad libbing. I could never come up with dialogue as lovely as these writers do, anyway.

I live in New York and got a call from my agent saying there was this new role on 'Mad Men,' it might be recurring and they're seeing people tomorrow. I said, 'OK, this is one of those things where you hedge your bets, use your miles and get on a plane.' I flew out Tuesday morning and got the job on a Wednesday.

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