White in the moon the long road lies, The moon stands blank above; White in the moon the long road lies That leads me from my love. Still hangs the hedge without a gust, Still, still the shadows stay: My feet upon the moonlit dust Pursue the ceaseless way. The world is round, so travellers tell, And straight through reach the track, Trudge on, trudge on, 'twill all be well, The way will guide one back. But ere the circle homeward hies Far, far must it remove: White in the moon the long road lies That leads me from my love.
Gossip and slander are not victimless crimes. Words do not just dissipate into midair. . . . Words can injure and damage, maim and destroy - forcefully, painfully, lastingly. . . . Plans have been disrupted, deals have been lost, companies have fallen, because of idle gossip or malicious slander. Reputations have been sullied, careers have been ruined, lives have been devastated, because of cruel lies or vicious rumors. . . . Your words have such power to do good or evil that they must be chosen carefully, wisely, and well.
I remember hearing myself start to whimper, a five-year-old, crouched by the side of the road, staring into my father's eyes, whimpering because it was so dark and there was no one coming to help, whimpering because my mother was back in the crushed car, not moving, and my father was lying here in the dirt, not answering me, not holding me, not comforting me, not helping my mother get out of the car, and there was blood, so much blood, and broken glass everywhere, and it was so dark and so cold and no one was coming to help.
Really love him, I mean," Geilie persisted. "Not just to bed him; I know you want that, and he does too. They all do. But do you love him?" Did I love him? Beyond the urges of the flesh? The hole had the dark anonymity of the confessional, and a soul on the verge of death had no time for lies. "Yes," I said, and laid my head back on my knees. It was silent in the hole for some time, and I hovered once more on the verge of sleep, when I heard her speak once more, as though to herself. "So it's possible," she said thoughtfully.
WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back.
Yet this perhaps is what love does, or the memory of it; it sucks the life from the living, glorying body and leaves it, when love has gone, a shred, a simulacrum - dross, to be swept up from the factory floor, pitiful and dusty, useless... Do all men and women feel love before they die? This force, this source of light, that lies before the sun; glances off mountains and lakes, blinding and dazzling, on a Sunday afternoon; so brilliant you have to guard your soul, fold your arms to shield your heart from the very memory of it.
It is the assumption of this book that there is a typical human nature. It is the aim of this book to seek it. Just like a surgeon, a psychiatrist can make all sorts of basic assumptions when a patient lies down upon the couch. He can assume that the patient knows what it means to love, to envy, to trust, to think, to speak, to fear, to smile, to bargain, to covet, to dream, to remember, to sing, to quarrel, to lie. The 'smile' of a baboon is a threat; the smile of a man is a sign of pleasure: it is human nature, the world over.