That there is a Spring, or Elastical power in the Air we live in. By which ελατνρ [elater] or Spring of the Air, that which I mean is this: That our Air either consists of, or at least abounds with, parts of such a nature, that in case they be bent or compress'd by the weight of the incumbent part of the Atmosphere, or by any other Body, they do endeavour, as much as in them lies, to free themselves from that pressure, by bearing against the contiguous Bodies that keep them bent.
Psychoanalysis provides truth in an infantile, that is, a schoolboy fashion: we learn from it, roughly and hurriedly, things that scandalize us and thereby command our attention. It sometimes happens, and such is the case here, that a simplification touching upon the truth, but cheaply, is of no more value than a lie. Once again we are shown the demon and the angel, the beast and the god locked in Manichean embrace, and once again man has been pronounced, by himself, not culpable.
What Music expresses is eternal, infinite, and ideal; she expresses not the passion, love, desire, of this or that individual in this or that condition, but Passion, Love, Desire itself, and in such infinitely varied phases as lie in her unique possession and are foreign and unknown to any other tongue...So...Here's to Victory, gained by our higher sense over the worthlessness of the vulgar! To Love, which crowns our courage...To the day, to the night!...And three cheers for Music.
God is at the tip of our scalpels, our screwdrivers, our computer terminals, our dust rags, our vacuum cleaners, our pencils and pens. He is with us in our wheelchairs, or on our hospital beds, when all we can do is sit or lie flat. When we envision Him and His purpose in what we do, then we begin to grow aware of His presence in the middle of it. We are able to engage in our inward conversation with Him as we work, naturally, without strain. He becomes our partner, our collaborator.
She's not dead. You didn't kill her, nor did the hunger birds, although they did their best to get to you through her. She's been given her ocean. One day, in its own time, the ocean will give her back.I thought of corpses and of skeletons with pearls for eyes. I thought of mermaids with tails that flicked when they moved, like my goldfishes' tails had flicked before my goldfish had stopped moving, to lie, belly up, like Lettie, on the top of the water. I said, 'Will she be the same?
I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.
Trying every day to tell the truth is hard. There are harder things, of course - arguably, living with lies and meaninglessness, living in despair is harder, but it's hardship disguised as luxury and easier perhaps to grow accustomed to, since truth is usually the enemy of custom. There are harder things than writing, being President Obama, for instance, and having to deal with House Republicans, or trying to fix the leak at the Fukushima reactor, these are harder, but writing is hard.
Pleasant things to hear, though hearing them from him embarrasses me. I soak up the praise but feel obliged to disparage the gift. I believe that most people have some degree of talent for something--forms, colors, words, sounds. Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something.