Quotes of All Topics . Occasions . Authors
I was a great admirer of George Lucas' work.
We shot 'Lucas' in 42 days; that's a lot of filming.
Well, my favorite roles so far are Lucas and Lost Boys.
'The Clone Wars' was rooted in George Lucas and his characters.
I didn't see 'Star Wars' in theaters until George Lucas re-tweaked it.
My agent set up a meeting with George Lucas. They were casting in England.
I think I signed my left kidney to Disney and my right kidney to George Lucas.
George Lucas puts those types of characters in for the kids. Same with Jar Jar.
I grew up on Spielberg and Lucas. That was sort of what inspired me to make movies.
I want to be so strong as an actor that people wouldn't say... eh, that's Josh Lucas.
But a year before that, I was starting to drink beer on the set of the film Lucas (1986).
I'm not a big fan of the George Lucas school of meddling and tinkering. That's a slippery slope.
My older son works in finance and private equity, which he loves, and Lucas works in film and theater.
I've always dreamed that George Lucas would call me one day and ask me to be in one of the 'Star Wars' films.
I have a sneaking suspicion that if there were a way to make movies without actors, George Lucas would do it.
I've never picked any of my opponents - from Amir Khan to Lucas Matthysse to Keith Thurman to Lamont Peterson.
I'm like George Lucas, bringing together a creative team that will come up with a unique, well-crafted product.
Frankly, I want to be in government with Caroline Lucas, not against her - and certainly not in permanent opposition.
I always carry a tinted moisturiser with SPF sunscreen. A good lip balm is a must - I can't go past Lucas's Papaw Cream.
Working on the franchise and getting direction from George Lucas - it's something that I never thought would take place.
Lucas is living the life that I wanted, but I want to be clear, I don't feel there's been any pressure for him to live it.
First career I had right out of engineering school was at Lucas film, not working in the movies but working in home theater.
I'm an interested party in obviously the name and reputation of Lucas - because I'm a Lucas, even though I don't go by Lucas.
I played the young Reese Witherspoon in 'Sweet Home Alabama' when I was 7, and the boy who played the young Josh Lucas was 10.
I was watching TV, and there was this oldies-but-goodies film fest, and 'Lucas' came on. I was like, 'Oh my God, I'm an oldie!'
There are lots of antagonists in the 'Jane Yellowrock' series, but one stands out as uber-evil to me, and that is Lucas DeAllyon.
George Lucas doesn't have the most physical stamina. He was so unhappy making Star Wars that he just vowed he'd never do it again.
Just getting to meet George Lucas was pretty amazing, and then working with him and getting to be part of this process... it's a great responsibility.
I can't speak for the other authors, but what I hoped to achieve was to illuminate certain corners of the Lucas universe that hadn't yet been explored.
The first TV show I worked on was with the guys from 'Little Britian,' Matt Lucas and David Walliams, who did a show in 1995 I directed, 'Mash and Peas.'
You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again.
Me and Lucas Black are actually starring in that movie 'Fast and the Furious 3: Tokyo.' It's gonna be hot and different. My first action movie, so it's gonna be great.
I like Soderbergh, Spielberg, Lucas. There's a lot of talented guys out there obviously, and if you're a fan of films, you have to look at that stuff and learn from them.
Lucas attended a conference on rational expectations at the University of Minnesota in the spring of 1973. The day after the conference, I received a call from Pittsburgh.
I adore the work of Lucas and Spielberg. I'm certainly not trying to minimize their talents, but I'd love to see what they could do when they aren't leading us from reality.
I love 'The Gourmet Cooking School Cookbook' by Dione Lucas. A huge source of information and inspiration. The book is organized by menu, and the recipes are unusual and exciting.
George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.
I love Lucas Torreira. When you play in his position you need to be a warrior, and he's a warrior. He likes to fight a good fight with the other players and technically he's very good.
If you got the DVD you can see that George Lucas has taken that person out, as well as the voice, and we shot this scene when we arrived in Australia during the actual filming of Episode 3.
Pressure, to me, was creating a 'Star Wars' film, then sitting alone in a theater with George Lucas and showing it to him, the guy that created the word 'Wookiee' and R2-D2. That was pressure.
George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!
I just hate that Lucas... and it is not just Lucas, because everybody does it, where, boom, they get it out, and then there's a special edition for a movie that doesn't deserve a special edition.
Paul Lucas had a particularly amusing accent, so I chuckled. That was terrible; I shouldn't have done that, but he took it too big. He got up and said he couldn't work with people who laughed at him!
Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.
I was unusual looking - I didn't have the look of that time. If you look at 'Lucas' - and, basically, my first five or six movies - the characters are not described in the scripts as attractive people.
First of all, Craig Lucas' work, any of it, for any actor, is such good material. It's so alive in such a poetic, yet human way. It's theatrical, but it lets you emotionally connect with the characters.
I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.
We got to go to Lucas Ranch and, at that time, my brother was still living in a condo about a mile from Robin Williams, and so I made all of the other comics jealous because I got to get a ride home with him.
Perhaps the most significant thing George Lucas did in creating 'Star Wars' was to fictionalize the Tao - to spark a universe where we can talk about the Force in objective terms and show it in direct action.
I worked with people I admire; Josh Lucas, who I'd worked with many many years ago on a pilot called The Class of 61 and Kurt Russell, and so there were a variety of different people that I enjoyed working with.