Quotes of All Topics . Occasions . Authors
Currently, I work as an actor, but I still love music.
I love music, but the people in the music don't wanna work.
I'd love to work with Frank Ocean. I really like his music.
I have a crazy work ethic. I'll do 20 songs a day. I love music that much.
I love the music, I love who I am. So that is the driving force to make everything else work.
I love truly forward-thinking music, and I'm not even sure I'd describe my work as that, even.
I love Snoop - I grew up with his music - but I never thought for a second that we'd work together.
Music is my passion - it's what I love and it's in my blood. You can never take me away from my work.
I used to feel that I wouldn't be able to marry, since I am not a responsible person. I love two things - my work and music.
Music has always been my first love, and I appreciate how a great musician can bring awareness to tough issues through their work.
I'd love to work with Kanye West. He's gone through a lot of stuff in the public eye, but his music is genius. He always takes risks.
Even though I am signed to an American label, I want Australia to fall in love with my music because if it doesn't work here, it won't work anywhere.
The work I've done through my Common Culture Music series has enabled me not only to share my joy of music at scale but also promote the artists I love.
I would love to work with Karlie Kloss and model for Chanel. And I would love to be in a music video with Lady Gaga or Taylor Swift, my two favorite artists.
I love the tradition of male coming-of-age films like 'Saturday Night Fever' or 'Mean Streets' or 'Go.' I love those films that work music into those stories.
Through my work, I've learned that if I love it, whether it's music, acting or any type of entertainment, I can overcome any of the obstacles that come my way.
I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.
I really like the grittiness of early Amon Tobin - I'm a huge fan of his old music, and I tried to borrow from it, not emulate it. I don't love my own original work.
I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
I can't work on something if I don't believe in it. I love music, and I am inspired to work harder and spend more energy. I feel lucky that I was born with this passion.
I love arranging my music, not in alphabetical order but by mood, creating playlists for when I have energy and want to work out or go-out party mixes and music to chill out to.
I've grown to love California: It's the dream of every English musician to come here and work in the sunshine. To walk up Sunset Boulevard, knowing you're going to make music - that's it.
You're born with a certain love of something. Music was my first love, and that's the world I work from. Growing up, I was surrounded by artists, so my upbringing supported this lifestyle.
I love music. I love filmmaking. I love law enforcement. I love doing a lot of the green work that I do, the charity work that I do, and I don't think that any one person has to be just one thing.
I tried to mix country music into my sets in L.A., and I noticed that was when people checked out. And I was like, 'That doesn't make sense. The genre that I love the most is the one that doesn't work.'
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
In the film work, I love to work mainly from the script and from talking to the directors, so a lot of the music, big portions of the scores that I've made, have been composed before the movies were even shot.
People are more willing to dislike your music and want to find faults in you when you are given opportunities like in my case. But I think in my case, people love my work and that's why I have to work doubly hard.
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.
A lot of my favourite songs have Eno involved, but I love the work he does on the first two Roxy Music albums. He's creating atmospheres as opposed to composition, and it's a beautiful mixture with everything else in that band.
DJ Sliink is amazing, and his production is on the next level. There are a lot of EDM producers that I'd like to work with, not for the sake of having an engineered record, but for the fact that I love their production and music.
What I'd love to do is work with kids in the U.S. to raise their awareness and encourage them to be global citizens. We're all connected these days; we can listen to the same music as kids all around the world and share our ideas.
I've been trying to do this music stuff and work it out for so long... I was like, 'Let's do it for ourselves.' All these songs, we've travelled the world - no record label, nothing. We just did this for us, but the love is very appreciated.
Toplines usually suck. I'll send a song to a band or artist whose entire body of work I love and I'll ask them to do a vocal for one of my songs and I'll get it back and I'll hate it so much. It might have to do with my possessiveness over my music.
My way to think about creation is like the end of the world. I love confusion. So music and image, picture, fabrics, people, person, talk: That's my way to work. And food. And perfumes. I love perfumes. And flowers and plants, and dresses and vintage.
I'd like to actually work with a lot of other people, and whether it's someone who is completely unknown who I love and think is a talent, maybe I'll work with them, or, like, maybe I'll work with some of the biggest pop stars and write music for them.
I love 50 Cent. I know it sounds weird 'cause a lot of kids might not say that right now, but I definitely want to work with 50 Cent, Jay-Z, Coldplay: I want to work with different artists that are going to push my music to a new level. Not just in urban music.
I have very eclectic tastes. I love soul and Motown; I listen to some rap - Stormzy, Tinie Tempah, Drake. I also love classical music, American country and the folk tradition. I often start the day with gospel on my way to work. The only thing I have never got into is punk.
I'm not a big fan of the thought that you can become a star by winning a contest. I'm sort of old-fashioned. I think people need to get out there and they need to work and they need to do their music because they love it. If they become successful, then great, and if they are not, whatever.
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
I love to learn, and I started doing a lot of studying of Spanish-style music and really started getting into it and how it is just a completely different form of guitar playing. It is just like if you started speaking in a different language like Japanese or something. It is something that you have to study and work at a lot.
It's so wide; that's what I love most about my career. It's been varied, and the music has been varied, because I find myself getting bored pretty easily. So for me, to work in the studio has been great. I didn't go on the road; I just worked on a different project every day, a different kind of music, and that's the challenge I love.
I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.