Quotes of All Topics . Occasions . Authors
I love my work, and I always get a jolt of adrenaline anytime I'm on set.
I'd love to do a duet, always wanted to work with Madonna, but she never asked.
I would love to work with Derek Cianfrance. Why not? You've always got to aim big!
I love all Goop products, but I'll always have the Revitalizing Day Moisturizer on my desk at work or in my handbag.
I liked that line in the movie 'Shakespeare in Love': 'How is this going to work out? I don't know, but it always does.'
I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
Doing love scenes is always awkward. I mean, it's just not a normal thing to go to work and lay in bed with your co-worker.
I love first chances, but unfortunately, first chances don't always work out for everyone, and I'm a perfect example of that.
The things I'm most excited about are projects I'm producing. But if a director I'd love to work with calls, I'm always game.
I have always loved story - I escaped within it as a child, I read every day, I love figuring out the complex layers of an author's work.
I love Philip Glass' work, not only as a film composer but also as a musician. The film score work that he does always amazes and shocks me.
When I'm in drag, I don't always want to be spoken to, but I love being looked at. Nobody puts that much work into how they look to be ignored.
I'd love the opportunity to continue to work in the U.S. with people I have always admired and I also want keep telling stories from where I'm from.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things.
I'd love it if doors open for me in America. There are directors I'd love to work with there. I'll always do theater, but I've got to pay the mortgage.
I've always been ambitious. I've always been able to roll up my sleeves and get to work. I like to stay busy. I love working, and I love being creative.
I love my sponsors. They make things so much fun for me. We do really fun and exciting things, so I always have a blast. It doesn't ever seem like work.
I'd love to work in Argentina but there aren't any possibilities to manage there. The managers always remain the same. They just swap clubs once in a while.
New York is always claiming East, and Los Angeles is always claiming West. It's in everything: acting, hip-hop, sports. But I love it. That rivalry makes you work harder.
For anything worth having one must pay the price; and the price is always work, patience, love, self-sacrifice - no paper currency, no promises to pay, but the gold of real service.
I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
I love to see what real human behavior looks like. I've always envisioned my job as just observing and noting that and, for the purposes of my work, just cutting out the boring parts.
I would love to be a singer if I had the talent for it. I'd love to be a graphic designer if I had the talent for it. Those are things I've always just admired - the work of other artists.
I love how Vietnamese cuisine always tastes like flowers, and how they had the ingenious idea of pairing that floral flavor with seafood: such a combination shouldn't work as well as it does.
I do love fashion. I certainly wouldn't suffer all the stress that comes with it if I didn't really love it. I always talk about the team of people I work with every day. They share that passion.
Love what you do. There's always going to be someone else who's smarter than you, but there's no substitute for passion. People who are passionate always work the hardest, and that sets them apart.
I just love doing broader work - I always get asked to do fairly heavy-duty, intense dramas and interesting, psychologically intense characters. But you know, it's nice to make people laugh sometimes.
I always think I love work, and I knew early on that I wanted to be an actress. Then I meet people who have truly dedicated their lives to acting, and I realise that I'm so completely in the back seat.
I always have been a busy person, doing my own housework, helping the Man of the Place when help could not be obtained; but I love to work. And it is a pleasure to write. And, oh, I do just love to play!
I am always a sucker for the underdogs. I love Batman and Superman, but when it comes to the guys who don't stand in the front of the line, Aquaman is one of the key guys for me. He's so much fun to work on.
I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.
I do love DVD and I've always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there's so much design involved. And in this one, we thought a lot about it and what could go in.
I really want to work with Eminem. I know it will never happen, but I would love if he let me do a hook on one of his songs or he featured on one of my songs. It would be incredible. I've just always admired him since I was young.
My favorite thing is when I work with anybody - crew, hair, makeup - I always love to ask who's the coolest person they've worked with in terms of who's been the kindest and most down to earth. A lot of people have said Meryl Streep.
If I'm a genre writer, I'm at the edge. In the end, they do work like genre fiction. You have a hero, there's a love interest, there's always a chase, there's fighting of some kind. You don't have to do that in a novel. But you do in a genre novel.
'Only Fools and Horses' was just one of those shows that could keep on going and going, that excited me. 'Hartbeat with Tony Hart' and 'Rolf's Cartoon Club' were my huge favourites, though. I used to love drawing and always sent work in to the show.
I've always been a big fan of Philip K. Dick; I love his work. There's a returning theme of identity and the fragility of our identity. Even when we are looking at what we think is a stark reality, it might actually be something completely different.
It's always a surprise to me when someone comes up to me and appreciates my work. I have a very limited body of work, so I feel very lucky to have gathered such an audience. I'm very thankful to them. I'm extremely grateful to them for showing such love.
What I love about working with Diplo is that it feels very free and fluid - we can work on a song apart from each other or in the studio, and it's always, 'Let's brainstorm, here are new ideas.' I like that kind of workflow, where it's constantly moving.
For me it's always about first impressions. I trust my instincts. I love to prepare if it's something that requires training. But I don't like to prepare the psychology too much. I enjoy the psychology of the character but I work better from a first impression.
I think it's very difficult, and people don't give enough credit to how hard it is to do in-game commentary. I'd have a lot of work to do, but I'd definitely be interested. I'm always interested in breaking down the game, and I'd love to see more females doing it.
Shakespeare and his work will always be relevant. He wrote those pieces hundreds of years ago and we haven't really changed as humans, have we? We have to deal with love, honour and adultery now - people were the same then, too - that's what's so wonderful and powerful.
I used to go to work with Dad on the weekend. We'd drive past an indoor go-kart track every now and then, and we went there a few times. I was never tall enough, so I always left upset. I think I was seven when I was the right height, and I was like, 'Please let me have a go.' It was love at first sight.
I've always loved fashion and, of course, enjoyed my experiences walking on runways, but I love watching the shows as well! Now I understand more why it's such a big deal for the industry and why people work so hard before and during fashion weeks. It's interesting to see the same things from a different angle.
Robert de Niro has always been fascinating to me. And if John Cazale were still alive, that would be a man I'd love to work with. I'm a big fan of Paul Thomas Anderson's films - I would be honored to work with him. I think he's a brilliant director, and he gets such compelling stories out of his actors and out of his crew.
I love to dance, so I'm definitely always the first one out on the dance floor. And when it comes to guys, I don't get shy. So if I wasn't with a date, I wouldn't have a problem going up to a guy and just saying, 'Are you gonna dance with me?' Trust me, it'll work for you too! Guys like it when you aren't afraid to make the first move.
I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.
I feel very lucky that when I'm burnt out of acting, I take to the pen, and I write something I want to direct. And then, when I'm tired of taking on too much responsibility as a director, I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.