Women do not like CDs of live music. We only like the original recordings. If a song sounds different from the version we fell in love with, then it's awful.

In Europe, I do see a lot of women who were fans years ago bring their daughters and sons to shows and that's how my music gets passed down, and I love that.

I personally think Beyonce's a strong feminist. What she's done in music and for women is unprecedented. I love her. She definitely makes me feel like more of a woman.

The representation that I always go back to is a pop star - whether it's Lady Gaga or Madonna, I love the way those women in pop music have always made an effort to create a specific vision.

I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.

Find something you really love doing and mix it with something you really care about. That's why I've had such longevity as an artist. I really, really care about ending violence against women, and I really, really love playing music. It's super enjoyable!

I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.

I first fell in love with music when I was five years old because of 'Annie.' And then 'The Little Mermaid' really made me want to start singing. And then the fierce, amazing women of the '90s - Alanis Morrissette, Courtney Love, Tori Amos, Ani Difranco, Paula Cole, Patty Griffin - made me want to start writing.

Share This Page