Quotes of All Topics . Occasions . Authors
I love pushing my boundaries and seeing how far I can go without, you know, dying or injuring myself too badly. On set I was like, 'Give me some stunts! Give me whatever you want. Throw it at me. I want to do it all.'
I love pampering myself, so going for a massage or getting a mani-pedi makes me feel instantly better. When my nails are done I feel so much better - it's the little things that make me so happy, and you literally feel polished.
I would love to see myself as versatile - I think that's important as a player - but I think, realistically, I feel like kind of how the team sees me is probably more set in stone as a center-back defender, which is totally fine.
The tattoo on my wrist has the letters 'ES,' which stands for 'elephant shoe.' It's something I used to say when I was younger instead of 'I love you' and it reminds me to remain childlike at times and to not take myself too seriously.
My characters are always unlucky in love. It's annoying, but perhaps there is something in me that is suited to characters that have a darkness. Maybe it's why I play such damaged people when I'm not particularly damaged myself, I would say.
I was born 20 years after my eldest sister. I was the pampered child. That kind of love gives you an almost unbreakable backbone. My mother had three kids before me. She let me be completely free. I just never had anything to beat myself up over.
When you're on set, you're like, 'Everyone's judging me because I'm the director, and everyone thinks I'm doing this because I just love myself and I want to do everything.' Part of it's true: I do want to do everything, and I do kind of love myself.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
I love films that show people in a way that's so real it's almost unsettling, and that's what really inspires me because I write about people. I write about people that I know, so I want to portray them and portray myself in a way that is unapologetic.
When me and my sister were growing up, we just had very different personalities. I was sort of analytical and took myself too seriously, and she was sort of goofy and nuts and full of love - too much love, she had a crush on a different guy every week.
I love that first-time feeling that I can't build in myself anymore, where I can learn and emulate other filmmakers. Be it Ayan Mukherjee, Punit Mahotra, Karan Malhotra, Tarun Mansukhani or Shakun Batra, all of them have taught me something or the other.
I'm just not into trying to convince people like me. I always say to myself, 'It is what it is.' I walk into a situation knowing that people are either going to love me or they're not, and that's OK. I'm just going to be me. You can't be everything to everyone.
I love how much people are drawn to my 'impersonations' of Trump because they aren't really impersonations at all. I'm not trying to be Trump so much as I'm trying to make Trump me. In doing them, I simply ask myself, 'How would I, Sarah Cooper, say these words?'
I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
Everyone deals with sadness and lack of love when they're kids, and all this abandonment. Most people do. Hopefully you want to learn something new, and you want to move on to this other place, and I think, for me, it was like, I really didn't know how to calm myself down.
Drake doesn't realize, in many ways, he was like the big brother I never had. He set the example and paved the way for me to be myself. Now, whether I'm at the Grammys or whether I'm here or there or whatever, he'll show me love... People don't realize what that's like, what that means.
CrossFit is just another thing I've become passionate about. I like to continue to make gains and compete with myself. There's many ways to do that either with adding weight or competing with my own times or my previous records. It's been nothing but a benefit to me, and I love lifting weights.
It's when people come at you on Twitter and say really crazy things. That's the kind of stuff that I insulate myself from. All of that is not very interesting or helpful, but we have critics who sometimes really love us or sometimes don't, and it's really interesting for me to see what they don't like about it.
My motivation is paying the mortgage. No joke. Honestly. I still suffer with nerves and think, 'Why am I putting myself through this torture?' It's not actually the love of winning - it's that building of a partnership with a horse. Just riding horses every day keeps me going. And that threat of losing the mortgage.
Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
I still catch myself trying to become the object someone imagines me to be, but then there are other times, when I am free, when I am fluent, when I am unimaginable, that I start to feel like somewhere out there is the decolonized love for me, somewhere out there, there is a love that doesn't let any of us be so lonely.