Quotes of All Topics . Occasions . Authors
I didn't think of 'Thelma and Louise' as a feminist movie.
'Thelma & Louise' really hit a nerve, and I loved that movie.
One thing about 'Thelma & Louise' we can't forget: Brad Pitt. Oh, yes.
When people know I wrote 'Thelma and Louise,' they don't want to mess with me.
I'm taking my rats. Those are my friends for the tour. Thelma and Louise. They're so cute.
Louise Wilson told me she wanted to see more of the 1997 show. And so I needed to reissue that.
I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.
Why is it so difficult to have films seeing the world from women's perspective like 'Thelma and Louise?'
People still come up to me and ask whether I am Louise Brown or if they've seen me somewhere else before.
Louise Frogley is a brilliant designer. I always find her wardrobe fittings really informative and creative. Together, you kick images and ideas around.
At the time I made 'Safe,' I was really intrigued by the whole culture around AIDS, which was turning to people like Louise Hay and these other West Coast New Age thinkers.
Louise de Keroualle, being a Frenchwoman from the French court, was feared by most Englishmen for how she might influence their king, and that fear quickly turned to hatred.
I listen to NPR a lot. And I can tell you that Mary Louise Kelly is one of the very few hosts on there who actually seems fair and is not totally biased against President Trump.
I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.
I don't use 'best friend' often especially with someone I've only known for a year but Louise Redknapp completely changed my life and the two of us became these kind of wonderful confidence boosters for one another.
I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
I have a more personal insight into the importance of core strength because my wife Louise runs a Pilates studio in London. I have enjoyed getting into Pilates. I am not the most supple but I enjoy Pilates more than yoga.
At night, I read. I read for two hours. I just finished a marvelous book by Louise Erdrich, 'The Round House.' But mostly I read 20th-century history and biography. I lived then. I was either a child or at school or at work.
Louise Bonnet is a Los Angeles-based painter of round, fleshy, almost obscene shapes and people. But hers is a very clean, friendly cartoon world, so there's this tension between harmlessness and perversion that is totally unsettling.
The wedding ring on my left hand was bought by my grandfather, Samuel Miliband, in Brussels in 1920. I never knew him, as he died when I was one. But his ring was kept by my aunt until it was placed on my finger by my wife Louise 32 years later.
My name is Frances Louise McDormand, formerly known as Cynthia Ann Smith. I was born in Gibson City, Ill., in 1957. I identify as gender-normative, heterosexual, and white-trash American. My parents were not white trash. My birth mother was white trash.
'Thelma and Louise' was a pretty important film for me and still is. It's a social film about many things - gender, freedom - and it puts someone like me into the place of these protagonists. Watching that movie, you are living through the eyes of these women.
Every once in a while, a book so possesses me that I happily give up a couple of consecutive nights of sleep - as well as the evening news broadcasts and latenight talk shows - to finish it. That's what happened when I opened the novel 'Shadow Tag' by Louise Erdrich.
Louise Brown's birth marked the end of the beginning of human IVF, acclaimed at the Royal College of Obstetricians and Gynaecologists. This event was snubbed by some clinicians now styled as 'pioneers', who shouted that the test-tube claim was a fake! They did not matter.
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
I went to high school in Columbia. I met my first wife, Richards, whom I married while I was working on a B.S. in chemistry at Georgia Tech. She bore Louise, and I studied. I learned most of the useful technical things - math, physics, chemistry - that I now use during those four years.
The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
All of the guests on 'Faces of America' were deeply moved by what we revealed about their ancestry. We were able to trace the ancestry of Native American writer Louise Erdrich back to 438 A.D. We found that Queen Noor is descended from royalty, and that's before she married King Hussein of Jordan.
This is actually something no one knows, but my mom was really the one who created the entire style for 'Teen Witch.' I'm dead serious. She was super involved, and is super creative, so I wore a lot of my actual clothes in the movie. Truly, Louise was my mom's vision. She really created an iconic character.
More than two decades after the birth of Louise Brown, and all the hysteria that surrounded her 'test tube' conception, we should know that institutions, not technologies, create dystopias. Artificially conceived children are everywhere, beloved by their parents, and they haven't radically altered our world.
About 3 million IVF babies have been born since Louise Brown's birth in 1978. Bizarrely, when this life-giving treatment was first considered, it was massively controversial. A storm of vitriolic protest came from many religious leaders, journalists, politicians, regrettably even other scientists and doctors.
In a strange way, Louise Erdrich is perhaps our least famous great American writer; she is not reclusive, but she is reticent, and her public appearances give the impression of a carefully controlled performance. But Erdrich has also shared many of her most intimate emotions and experiences, in some form, in her novels.
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
There are a lot of people who dream of overnight success, of being Brad Pitt getting discovered for 'Thelma and Louise,' but that doesn't always happen. I represent that stick-to-it-ness that it takes to build a career over time, guest spot by guest spot. Looking back from here, I wouldn't have wanted the journey to go any other way.
