I shopped at Harrods and Louis Vuitton, as they were top on my priority list. And that's when a friendly shopkeeper told me that I could get mugged as my luxury bags were screaming for attention. And he gave me garbage bags to cover them. So here I was walking around in London with garbage bags in my hand.

Writers of historical fiction are often faced with a problem: if they include real-life people, how do they ensure that their make-believe world isn't dwarfed by truth? The question loomed large as I began reading 'The Black Tower', Louis Bayard's third foray into historical fiction and fifth novel overall.

As a kid growing up St. Louis, Missouri, I lived in a predominantly black neighborhood. Any time people talked about slavery, it was always something like, 'If I was a slave, I wouldn't have been putting up with that. I would have been out in a heartbeat.' And it's like, sure, it's a very easy thing to say.

For several years, I have had my eye on second baseman Del Pratt of St. Louis. I cannot say that he is a better player than our own Joe Gedeon, but he has played better ball, and we wanted him. Well, how did I get him? I paid $15,000 in cash and gave away a number of good players for him. But what can you do?

Were it not for Jackie Robinson, Branch Rickey would be remembered, if at all, as a Bible-thumping midwestern Methodist windbag who neither played baseball on Sundays when he was a mediocre catcher for the St. Louis Browns and the New York Highlanders, nor attended games on the Sabbath as a baseball executive.

St. Louis is still a special place for me. I still have my home there. I live there in the offseason. I enjoyed playing in front of 40,000 people every day. I tried to do my best to help the organization win. I had success there. We won two World Series. We went to three. That's something you can't take from me.

I never make a movie for awards consideration. I will use the hope of getting an Academy Award a) to honor the people who work so hard and also b) it's the greatest Good Housekeeping seal in the world. It's the greatest brand. It's as good as Louis Vuitton and Dior in the world of moviemaking. It's the Super Bowl.

The big clubs will always talk about the same names such as Ancelotti, Mourinho, and Wenger. Louis Van Gaal is always in there as well. He has his own style and is a very determined man. He knows exactly what he wants. He's got direction, the ability and experience at big clubs such as Barcelona and Bayern Munich.

I have been training under Melvin Louis and Dimple Kotecha. They're very different people and their styles and training procedures are also different. Melvin is more into the improvised version, he mixes hip-hop, street style, Bollywood etc. He is more into the madness and gives me the freedom to try my own thing.

I was born in St. Louis; I lived there for three weeks and then my father graduated from St. Louis University, so we all got in the car and split. I don't really remember much. I grew up in Connecticut most of my life and then four years in Germany. My father worked for a helicopter company, so we went over there.

I won an MVP trophy with the St. Louis Amateur Baseball Association. I didn't even start. I was a sub on this team. This was, like, an All-Star game where we had athletes from different teams, different mixtures. We had, like, the only black team in the league, basically. We had four players go to the All-Star game.

Yes, I live a crazy, exciting, whatever life, but I do think it's quite relatable because it has to be - I'm just a girl from St Louis, Missouri that has lived life like anyone else. There are things that are crazy and over the top, but the basic thread is my family, my career, trying to live and pursuing my dreams.

Although it is hard to see why any sensible authority would feel threatened by the peaceful expression of one's point of view, there is a long history of trying to repress subversive depictions of political figures - back in the 19th century, for example, France's King Louis Philippe was depicted as a piece of fruit.

I really look up to Louis C.K. I think he's great. And obviously he's very popular, more popular than me. Years ago, I was thinking, naively, it would be great to be that popular. And then I thought about it and then I realized that, with his money and his level of notoriety, he has all of the same emotions that I do.

I plan to see St. Louis as a global competitor. As an international trade hub, as an incubator of new companies, as a place of culture and the arts, as a magnet for immigrants, for entrepreneurs, for animal lovers, and for gays, as a city of parks and trails, and as the sort of place that figures in young people's dreams.

That I am today the face of Louis Vuitton almost seems like a twist of fate. You dream back to front, wanting the rewards before putting the work in. And then you work, get on with life, and just sometimes these childhood dreams have a way of catching up with you. This is a true privilege for which I am eternally grateful.

Where I grew up in St. Louis, Saturday was country music day on television. We'd watch the Bill Anderson show, the Willie Nelson show, the Dolly Parton and Porter Wagoner show, and always the Grand Ole Opry. My parents were fans of that music, and my friend's parents would pull the TV out and watch those shows on the porch.

I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.

Do I want to be in St. Louis forever? Of course. People from other teams want to play in St. Louis, and they're jealous that we're in St. Louis because the fans are unbelievable. So why would you want to leave a place like St. Louis to go somewhere else and make $3 million or $4 more million a year? It's not about the money.

When we played the Dodgers in St. Louis, they had to come through our dugout, and our bat rack was right there where they had to walk. My bats kept disappearing, and I couldn't figure it out. Turns out, Pee Wee Reese was stealing my bats. I found that out later, after we got out of baseball. He and Rube Walker stole my bats.

People in Shanghai make a lot more money than the farmers in the rice paddies. The rice-paddy farmers are not buying Louis Vuitton bags, but the upwardly mobile ones in Shanghai, who are all working in Wall Street-type firms, are infinitely better-dressed than people in the West. Their women take this fashion thing seriously.

My mother used to say, 'You gotta exercise.' She would really pound on me to exercise every day. She was very physically fit; she was on the basketball team in high school in St. Louis in the 1920s, when women didn't do that. And she taught me to play tennis, taught me to walk and run, and I ran for 30 years pretty religiously.

The first decade of the twentieth century was not a great time to be born black and poor and female in St. Louis, Missouri, but Vivian Baxter was born black and poor, to black and poor parents. Later she would grow up and be called beautiful. As a grown woman she would be known as the butter-colored lady with the blowback hair.

When you look at every studio in the '20s or '30s, from Louis B. Mayer to Jack Warner, you see people who started with one plan and quickly shifted gears to adapt to a changing world. One of my favorite stories is that Walt Disney mortgaged his house to make 'Snow White.' He saw there was a real opportunity to change the world.

When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.

For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.

My father was a San Francisco firefighter. He also was an amateur artist. Art ran deep on his side of the family, which originated in Spain. He painted our portraits. My mom, Jacqueline, was Scots-Irish. They met in 1947 when dad played for the Houston Buffalos, a minor league baseball team affiliated with the St. Louis Cardinals.

All the champions - you go and ask Mike Tyson or Joe Louis, Rocky Marciano, Lennox Lewis and myself included, and I'm sorry for putting myself in line with all the other great names - but the champion's attitude is it doesn't matter who is in front of me, I am going to conquer this person and win the fight and knock the person out.

I became so disciplined when I was on tag. I would be at home by eight o'clock, and because I had boxing, I lived the disciplined life. I started reading because I learnt that so many champions educated themselves. Joe Louis, Mike Tyson, Bernard Hopkins. Before, it was 'act now, think later' - but the discipline and reading changed me.

All my grandchildren bake. On a Saturday, Annabel's boys, Louis and Toby, always bake. Louis makes a chocolate cake, Toby makes banana or lemon drizzle. They're 12 and 10, and they can do it totally on their own. My son's twin girls, Abby and Grace, are 14; they make birthday cakes and like to do it on their own with Mum out of the way.

I grew up in the Great Depression, and the jazz artists and Dixieland musicians were at the core of our communications and enjoyment. They were not passing fancies. They are something that is, and will be, listened to again and again. I have a space of reverence for some of those old jazz stars such as Sydney Bechet and Louis Armstrong.

First off, I don't consider Tyron Woodley a teammate. He trains with Duke Roufus; Roufus is in his corner every fight. He's been doing his training camps at Roufusport. He has an ATT affiliate in St. Louis, but OK, whatever. Just because he branded an ATT so he can make some money, and he had an investor, I don't consider that a teammate.

When I was a little girl, the only real form of entertainment I was exposed to was theater, being raised in St. Louis, and I still love theater, and I think sitcoms are similar to that, in there's a live audience, and you know, I definitely like the comedy of it, too. I like to make people laugh, and I definitely think laughter is healing.

When this ugly gangster told Joe Glaser that he must take the name of Armstrong down, off of the marquee, and it was an 'order from Al Capone,' Mr. Glaser looked this cat straight in the face and told him these words: 'I think that Louis Armstrong is the world's greatest, and this is my place, and I defy anybody to take his name down from there.'

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