I've had lots of fans who come out and say, 'Listen, I can relate to Cyborg because I lost a limb,' or 'I have this cochlear implant.' It's one of those things when you actually start seeing it, when you actually start hearing about it, that made Cyborg more relevant to me than I think he ever had been up until that point.

I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.

My sense of politics and justice was deeply shaped in adolescence by my involvement with the underground punk - rock scene, and though lots of social and political issues had come forth in my comics, it wasn't until my late 20s that I felt properly equipped to address certain issues of race, power, and violence in my work.

When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.

Mental health is an area where people are embarrassed. They don't want to talk about it because somehow they feel they're a failure as a parent or, you know, they're embarrassed for their child or they want to protect their child, lots of very good reasons, but mental health, I feel, is something that you have to talk about.

In Philly, there are a lot of social programs. If you have a degree, you can go and apply. I was basically a social worker, but I became sort of a sub teacher in a special program, helping kids with reading or math. But we would also do plays, learn about music... We were doing lots of fun stuff, but that was such hard work.

At a certain point, I felt the need to submit to a higher level of religiosity... to move away from my intuition and to accept an ultimate truth. I felt that in order to become a good person, I needed rules - lots of them - or else I would somehow fall apart. I am reclaiming myself. Trusting my goodness and my divine mission.

Young people, particularly in their teens and 20s, are not consuming sports the way my generation did. They are doing lots of things; they are multitasking. They are getting downloads; they are getting alerts on their computers or on their cellphones, and they are consuming sports in a more real-time but less full-time basis.

When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.

Facebook is inherently viral. There are lots of sites that include a contact importer, and for lots of them it doesn't really make sense. For Facebook it fits so well. It wasn't until a few years in that we started building some tools that made it easier to import friends to the site. That was a huge thing that spiked growth.

All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.

If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.

On the first 'Indiana Jones' movie, I tore an ACL in one of my knees - can't remember which knee. The scene in which I was fighting the big German mechanic on an airplane called a flying wing, I was run over by the landing gear and injured my knee, but I can't remember which one it was. Lots of bumps and injuries along the way.

Ever since I became better acquainted with classical music, I've wanted to try my hand at longer forms, but I could never really see my way to it. And after I got divorced, all of a sudden I had a lot of pent-up energy and lots of stuff that had gone into trying to make this failing relationship work that kind of got reapplied.

It's not about composition. It's the way you feel about how your objects should relate to each other. I've got lots of African statues and things, and the cleaner arranges them like soldiers, which drives me mad. So I have to rearrange them, and I must drive her mad, because I'm doing anarchy and she's doing military manoeuvres.

When I was ten years old, my dad and brother did judo, so I went along because I felt like I was missing out. They eventually gave up, and I continued, then moved into Tae Kwon Do, kickboxing and various other martial arts. I did lots of different things, but mostly things like Wushu, Jeet Kune Do, Krav Maga and stuff like that.

We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.

Philiosophers like Hume and Descartes and Hobbes saw things similarly. They thought that mental images and ideas were actually the same thing. There are those today that dispute that, and lots of debates about how the mind works, but for me it's simple: Mental images, for most of us, are central in inventive and creative thinking.

There are plenty of people out there talking about how difficult it is for some of us to just deal with all the stuff we already have, from packed closets that need organizers to storage spaces to maintenance costs, etc. Lots of people are reevaluating whether or not they need giant garages full of stuff and finding that they don't.

At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene.

Most women have learned a great deal about how to set goals for our First Adulthood and how to roll with the punches when we hit a rough passage. But we're less prepared for our Second Adulthood as we approach life after retirement, where there are no fixed entrances or exits, and lots of sand into which it is easy to bury our heads.

The reality is even if you are a hands-on Mayor or Governor or chief executive, at best, you must know about 10 or 20% of what's going on. Otherwise, you never get through the day... I was very hands on, and there's lots of stuff I didn't know, and lots of things that either went wrong or right that I would find out about afterwards.

My parents took me to see plays, starting from when I was very little. Oftentimes, I was too young to understand. I don't know what my parents were thinking - 'Who's Afraid of Virginia Woolf' when I was eight years old, that kind of thing. So lots of times, I didn't understand what was going on, but I just loved the sound of dialogue.

World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.

Skilling is one area where some researchers are looking at outcomes and finding that while there are lots of people who are joining and completing skilling programmes, it is not getting fully translated into getting and keeping jobs. We need to understand how to fix this problem. The returns to having high quality skills are very high.

You look at what One Direction has done and just say, 'That is just lucky;' it is not. It is happening because they are talented boys, good looking lads; and yes, their songs might not be the typical songs that lots of radios want to play, but they are great songs, pop records, that are massive across the world selling in huge numbers.

There's a confusing message that we're sending people now, that lots of money can made off of simply having a lot of followers and having no discernible skills or talents. I don't know if I'm in a minority or if it's just a guilty pleasure for people, but I think the preponderance of reality shows is of great detriment to human beings.

Animals raised on corn produce fattier meat, but it's not just that it's fattier, it's the kinds of fats. Corn-fed beef produces lots of saturated fats. So that the heart disease we associate with eating meat is really a problem with corn-fed meat. If you eat grass-fed beef, it has much more of the nutritional profile of the wild meat.

I'm in love with lots of different things. I do love love, though. I don't think love should make you feel uneasy. When you feel sick, I don't think that's love - that's infatuation. Someone who makes you feel like that is exciting - it's the one that you imagine when you think of an amazing affair - but that's not actually a stable love.

Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.'

Eric Schmidt looks innocent enough, with his watercolor blue eyes and his tiny office full of toys and his Google campus stocked with volleyball courts and unlocked bikes and wheat-grass shots and cereal dispensers and Haribo Gummi Bears and heated toilet seats and herb gardens and parking lots with cords hanging to plug in electric cars.

Our communication space is very fragmented today. We have a million different tools for different things with lots of different kinds of overlaps. The most natural way to try and solve that problem is to take all those different tools and try to make them smaller and fit into a single package and maybe integrate them across the boundaries.

I was a vegan for two years, and I really enjoyed it. Then, I got to a point in my life at which I wanted to do something else, so now I'm a vegetarian. You should make your diet one that best fits you and how you feel. Listen to your body. The most important thing is to exercise, drink lots of water, and take really good care of yourself.

I like to wear shoes that are cool but also practical. The same goes for bags. Your bag is a big deal in New York. You can't just carry around a little clutch, because you don't have a car or anywhere to stash things during the day, so you need to carry your whole life with you. That's why I like big, chunky bags with lots of compartments.

Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.

In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.

I did grow up in a military family but lacked the perspective to grasp the cognitive dissonance carried by most people who serve in the armed forces or the circumstances that push lots of folks into the military. I don't blame G.I. Joe or Rambo for that atmosphere, but they certainly reflected the final stage of a two generation cultural myth.

There are lots of examples of routine, middle-skilled jobs that involve relatively structured tasks, and those are the jobs that are being eliminated the fastest. Those kinds of jobs are easier for our friends in the artificial intelligence community to design robots to handle them. They could be software robots; they could be physical robots.

When Elon was 17 and my daughter was 15, they really wanted to move to Canada, where my family is from. I said no, because I wanted to do a Ph.D. in Johannesburg, and I was getting lots of modeling work there. But Elon and I went over to visit, and while I was gone my daughter sold my home and my car and had a big garage sale with all my furniture.

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