Quotes of All Topics . Occasions . Authors
Now that I have a 16-month-old son, my weekend ritual has changed - but it's better than ever. We get up early and go for a walk on one of the hiking trails near my home in Los Angeles, then meet up with friends at a diner. There's nothing better than sipping coffee, eating scrambled eggs, and taking three hours to do it.
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
For the most part, I keep it true to who I am with Southern, trendy, and comfortable looks. I like to bring that element when I go to places like Los Angeles and New York City because I know a lot of people have a set look there, and I like to be different, and I am still going to wear my Daisy Dukes and my denim overalls.
If you're eight and you live in Los Angeles and everybody has toys and you go to a country that has a Marxist dictatorship and there are no toy stores and nobody speaks English and it's blazing hot every day and they only have fish, which you don't like, then you tend not to appreciate the cultural lessons you're learning.
I don't just live in a bubble in Los Angeles. I'm on the road all the time. I say hello to people everywhere. That way, you get to see what despair is around the holidays. People are making terrible choices: Do I have heat in the winter or food on the table? Decisions between filling the gas tank or buying a gift for a kid.
We had put our son into a little preschool in Los Angeles, and it was just not going well, so we brought him back home. We had every intention of putting him back into a traditional school setting, but we just really couldn't find the right match for him. And then we moved to Georgia and again couldn't find the right match.
London has such an unbelievable respect for theater, where L.A. does not. You go to a play here, and the dude next to you is sleeping. In London, if you're not in your seat when it starts, they lock the door. In Los Angeles, you can stroll into school late with a cup of coffee. In London, you get your butt to class on time.
After I finished school, I headed for Los Angeles, thinking, 'Movies. Beaches.' But I wanted to do serious stage work, so I upped sticks and moved to New York to study. I did the usual day jobs to support myself - waiting on tables, washing dishes, parking cars, anything to pay the rent. I was a terrible waiter, by the way.
I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
I did a lot of musicals when I was younger. And then I went to Northwestern University, and I did more musicals. I went on to do more work in Chicago, and then while I was in college, I got flown out to Los Angeles to do a screen test for 'Back to the Future.' When I got to Los Angeles, I was like, 'Hmmm, this is different.'
My brother and I did theater in high school, and were both in Pennsylvania Youth Theatre. It was awesome. When you go to Los Angeles, it's a rough city, and it's hard. You drive around in your car in your own little bubble, and there's tons of rejection. Being from the Lehigh Valley helped because it was something so stable.
I always wanted to be a zookeeper when I was growing up, and I've wound up a zookeeper! I've been working with the Los Angeles Zoo for 45 years! I'm the luckiest old broad on two feet because my life is divided absolutely in half - half animals and half show business. You can't ask for better than two things you love the most.
I had my years of struggling. Some of my shows failed miserably, and I was upset by it, and it dented my confidence. But I never stopped. I kept going for it. And when I returned to New York from Los Angeles, I mean, it was make it or not - that was my last chance. And what a great chance it was, to make it in my own hometown.
One of the problems with any kind of talking about the media landscape is that we've just been through an unusually stable period in which, for fifty years, English language media was centered in three cities - London, New York, and Los Angeles - around a very stable group of people working in a relatively stable set of media.
I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.
I've worked with the Los Angeles Zoo for 45 years, and we have this magnificent photographer, Tad Motoyama. He takes these wonderful, wonderful animal pictures. All through the years he's given me copies of these pictures. Well, I have all these gorgeous ones, so I said, 'Tad, I want to do a book with your picture on one side.'
I trained with the FBI in Portland and I also had many conversations with female FBI agents in Los Angeles, as well. That was again something that also came in very handy for Basic, because I'd learned already how to handle a gun and how to behave just physically when you're in a situation, a threat. That was very good to know.
I know most Americans don't have this luxury, but we are in Los Angeles and are lucky enough to be able to grill outside almost all year long. It's my favorite way of preparation because it's so clean and it gives it such a great flavor. You need very little oil and the protein can be really cleanly prepared and perfectly cooked.
You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.
I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.
I'm in the NFL now, and it's nothing like what we did at USC. Not at all. The only difference between my college and other colleges is the games we won and the attention we got because of it. Obviously being in Los Angeles plays a huge role in the publicity. We don't have a football team in L.A., so we kind of are like the pro team.
My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job.
In 'Blade Runner,' the here is quite enough: a vision of dark, cramped, urban squalor. This is Los Angeles in the year 2019, when most of the earth's inhabitants have colonized other planets, and only a polyglot refuse heap of humanity remains. Los Angeles is a Japanized nighttown of sleaze and silicon, fetid steam, and perpetual rain.
The global phenomenon of poverty tourism - or 'poorism' - has become increasingly popular during the past few years. Tourists pay to be guided through the favelas of Brazil and the shantytowns of South Africa. The recently opened Los Angeles Gang Tour carries visitors through battle-scarred territories of urban violence and deprivation.
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.
I'll co-host 'TODAY' from Los Angeles Saturday morning and then make my way up to Merced for that evening's graduation ceremony. I'm still touching up my remarks, but my challenge to the Class of 2010 will be to break through the deafening and too often negative echo chamber of the digital era and become critical and independent thinkers.
I drive out to this quail farm, where I get a lot of these incredible quail eggs, which I eat all day long. And I eat a lot of superfoods like goji, cacao and chia seeds, things like that. And I like unpasteurised milk of the goat and the sheep. They send it once a week from Pennsylvania, from the Amish farms, and I get it in Los Angeles.
I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.
When someone hears that I've written a book about 1897, I'm usually met with blank stares. And the first thing they say is, 'Was there even an L.A. back then?' A lot of people don't even think there was a city before the movies appeared. That concept of Los Angeles is so strong in the popular imagination that celebrity overrides everything.
The thing about living in Los Angeles and doing a lot of movies is that you get to go to a lot of premieres, and, regardless of whether or not you're a celebrity, you still get to walk down the red carpet and then have everyone sort of screaming your name. The pictures never get printed anywhere, but they are nonetheless taking your picture.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
I got agitated at the idea that racism is a Southern thing. Did you hear about the cross-burning out here? A black family moved into an upper-middle-class Los Angeles suburb and found a cross burning on their lawn. Swastikas are being painted on synagogues. I'm moving to France. I don't think this 'kinder, gentler nation' bit is working too well.
I know some people who live this much more insulated life in Los Angeles, where their feet never touch public ground. They walk out of their bathroom, their living room, they get into their garage, their car, and the next thing you know, they're at the valet parking of the restaurant or the store or the office. They're in a bubble the whole time.
Certainly what happened to the dinosaurs was not good - that was a terrible day for the dinosaurs, very sad. But I have to say, there are a lot of threats we face as people and, as someone who lives in Los Angeles, I'm personally more likely to die from driving on the freeway than I am from an asteroid, so you have to put that risk in perspective.
A New Way of Life is a safe house that women can come to after they're released from prison in South Los Angeles. It's a place for women to detox the trauma, the torture of incarceration, be welcomed and embraced and live and begin their new path to - if it's recovery or receiving mental health services, go back to school, get their children back.
I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.