Quotes of All Topics . Occasions . Authors
For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'
I began auditioning for acting jobs at the ripe old age of 12. Thirty years later, including a 15-year run on television, I sometimes just get offers for work. Often, however, I am still required to run pell-mell around Los Angeles or New York, interviewing for film and TV jobs.
We started very slow in America. It was small acoustic shows. We played places like Los Angeles, New York and Chicago and everywhere there has been a great reaction. It has been really lovely. They listen to the lyrics and the melody over there and the reaction has been fantastic.
Lyft Line came out of the vision that we've had from the beginning, which is how do we get the most affordable ride to everyone? Eighty percent of seats at all times on the road are empty. In Los Angeles, average car occupancy is 1.1, and if it were 1.3, there would be no traffic.
The perfect party for me is having six to 12 people for dinner Friday or Saturday - good, fun friends, a lot of artists. I have a beautiful deck that looks over the canyon and Los Angeles on one side, so it's very pretty at night. It's a great opportunity to catch up with friends.
I first met Michael in the early days of the Jackson 5 at the family home in Los Angeles, and the memory that stands out is that Michael, as cute and wide-eyed as an 11-year-old could be, was eager to get through the interview so he could watch cartoons before having to go to bed.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
When I turned 11, my dad decorated a room at the Standard hotel in Los Angeles in a '60s, Austin Powers style. There was human bowling: You run inside a giant inflatable ball and try to knock down pins. To this day, adults say it was one of the craziest parties they've ever been to.
I grew up in Cleveland and started doing plays in high school. And I went to the University of Illinois, and I majored in drama. And after school, I went up to Chicago, because I didn't really know anybody in New York or Los Angeles, and I knew people who were doing plays in Chicago.
I moved to Los Angeles in January 2004 because a buddy of mine, who I met at a friend's wedding, said he could get me a room in his apartment for $500 a month. I took it thinking that it would probably only be about six months before I moved back to Chicago, but I fell in love with it.
I started out pursuing an acting career out of college when I lived in Los Angeles. When I got an entry into broadcasting, I preferred it. I liked being me, rather than dressing up to be someone else. Now I'm 30 and doing a career of my own and have been in this career for eight years.
In the 1950s and '60s, America's natural resources were in bad shape. Communities were so polluted that clouds of smog lingered over cities like Los Angeles. Rivers and lakes were filled with chemicals. In my hometown of Boston, the harbor was among the nation's most polluted waterways.
I chose not to go home and struggle with the New York scene. My size sort of locked me out. I was too short for the stage. I would have been doing character roles, so I went to Los Angeles. There is a lot more happening out there. I also felt it was important to break away from my family.
Food was always a big part of my life. My grandfather was one of 14 kids, and his parents had a pasta factory, so as a kid, he and his siblings would sell pasta door to door. After he became a movie producer, he opened up De Laurentiis Food Stores - one in Los Angeles and one in New York.
I've always had a love affair with New York City, and I've threatened to get an apartment there one day. But it just made sense for me to set 'Burlesque' on the Sunset Strip in Los Angeles. It's a place I know intimately well and love, and I think there's a great story to be told with L.A.
I had a band with David Gates. There was just a lot of opportunity at that time. But I left for Los Angeles the week after I graduated high school, and I actually left to try to get into the advertising business. That was really why I went out to L.A. My music career was almost an accident.
When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!
I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
When I left the San Francisco DA's office, I went down to the Los Angeles district attorney's office, and I was able to try a tremendous amount - very serious cases and working in gang neighborhoods, impoverished neighborhoods - really make a difference and be impactful in those communities.
In Los Angeles, I drive a hybrid and live in a very simple home. Anything you do from carrying a canteen of water to starting a recycling program in your office makes a difference. Reusing what you already have has always been green - from clothes to boxes to glass jars from the supermarket.
One summer, when I was on break from architecture school in Tijuana, my aunt gave me a summer job cleaning up and peeling garlic, and I got to see her in her element. She was so passionate and such a good teacher, I decided to quit architecture school and go to culinary school in Los Angeles.
What I've realized is that, especially in Los Angeles, a lot of people are on some kind of path, even if they're not completely conscious of it. I've sort of always been on a path to find more peace, more security within myself. I've always felt like I needed something to help me feel better.
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
Los Angeles has been my home since the days even before Motley Crue, so I am beyond excited that 'The Side Show' has found a home on 98.7 FM. This is the station I listen to - my friends listen to it, my family listens to it. It's the station I wanted to be on, and I'm psyched to get started.
Shooting on location and dressing locations in Los Angeles is shockingly expensive, especially when you're talking about webseries-level budgets, so the opportunity to build our sets in YouTube's space gives us a lot more room in our budget in being able to create the world of 'VGHS' properly.
I started at Howard in the drama department. At the same time, I was a fledgling member of the Black Repertory Company in Washington, D.C. When I graduated, I had the great fortune of being in the Los Angeles production of 'For Colored Girls'... And all these years since, I've done stage work.
I moved to Los Angeles, and 'The Office' became successful, and the charity/cocktail party circuit is really not my scene. But I played golf, and I started getting invited to charity golf events, and I just fell in love with the game ten-fold, and at a lot of these events, there were athletes.
I stayed in the East for about a year after I graduated. Then, I came out to Los Angeles and started knocking on doors and working my way up. This was the '70s. I had been told how tough it was for a woman trying to make it in Hollywood, but I sort of had blinders on. I just did things anyway.
I've seen a lot of brands fail because they went, 'Hey, look, we're from New York, and that's what we're all about.' But wherever you go, people are proud of where they are. So even though we're from New York, what we do is a mindset: it's got to work in Japan, in Los Angeles, London, wherever.
When I went to Los Angeles right after high school, I got some acting jobs, and I never, ever wanted to be an actress! Public speaking and acting make me want to vomit. But I have never been nervous singing. When it comes to public speaking, I stumble on my words, sweat, and pull at my clothes.
I did grow up in Los Angeles. I actually didn't start acting until I was sixteen, so I was very removed from the Hollywood scene. I had always been in my school plays, but my mom and dad wanted to keep me out of the business until I was old enough to know who I was and not let anyone change me.
I went to work in a woman's home in Los Angeles as a mother's helper. I worked there about two years. Went to school with all rich kids. I was the only poor kid in the school, and I was already insecure. But my voice saved me because I sang in school, and I was real popular because of my voice.
I grew up in the '70s and in Los Angeles during the new blockbuster era. 'Star Wars' was the first film that I saw in the movie theater. I wanted to be an actor; then it turned out to be this 'Wizard of Oz' story: I was 10 or 11 years old, and it turned into something that I didn't think it was.
I know the way this city works. We have one of the most corrupt cities in the country. The reason it's so corrupt is because everybody thinks it's honest, and it's not. You know the truth when you go to Chicago. The difference here in Los Angeles is you believe it's honest - and that's dangerous.
The L.A Trilogy is a series of three novels starring Ray, a robot detective, and his boss, a computer called Googol. Set in an alternative version of 1960s Los Angeles, each book will be more or less standalone but together will form an overarching story arc with 'Brisk Money' as the origin story.
Tobey Maguire and I had a tough relationship - it was a tough working relationship. We butted heads, and ultimately, I lost the Los Angeles game because of differences with him. But then I moved to New York and built a bigger game, five times bigger, making more money, and that was pretty exciting.
I moved out to Los Angeles with the idea of becoming a director, which thousands, if not tens and hundreds of thousands, of people do, every year. It's a very competitive field, of course. I immediately got swept away into the visual side of things, starting with visual effects, and then designing.
In certain parts of the world - where I'm at right now in New York, you're going to pay a whole lot more. In Los Angeles, your average starter home is a million dollars. So I need more money in Los Angeles to live like a normal person. If I live in another city, Iowa maybe, I wouldn't need as much.
I prefer to make my own coffee at home because I love the experience of measuring out the beans and finding the right grind setting, messing with water amounts, etc. It's truly an art form, and I'm obsessed with it. In L.A., I love Blue Bottle and Intelligentsia and used to hang at Bru in Los Feliz.
When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
The handwriting is on the wall: if you want to have your franchises viable, then you can't have a situation where New York and Chicago and Los Angeles are doing very, very well, and some other teams are, but, I would say, a significant percentage of the teams in our league are struggling financially.
A lot of the people in Northern California and parts of Oregon have decided that we are not on the same page as San Francisco and Portland and Los Angeles. I don't know if six states is a solution because is Washington, D.C. and the rest of the country really going to give California 10 new senators?
'Battle: Los Angeles' - I've got to say this was easily one of the most physically trying things that I've ever done in my life because I play a Marine in the film, and they had us training with real live Marines for, like, three weeks. It gave me a whole new respect for just the armed forces, period.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
I was in a bookstore one afternoon, and I stumbled across this book called 'A Guide to Film Schools.' I always loved movies growing up and had never even conceived that it was something you could do for a living. Realizing most of them were in Los Angeles and knowing that was warm, I ended up applying.
The first time I performed at the Comedy Store in Los Angeles, I was in the back of the room doing vocal exercises. 'Me-me-me, my-my-my, mo-mo-mo.' And I'm looking around, and no one else is doing it. I'm like, 'They must have done it before they came to the club.' I came to realize that I was an idiot.
I think private school is much better at customer service and making the parents feel better, especially in Los Angeles. It's almost like a spa for the parents where you drop your kids off, where they give you a beautifully baked thing and let the parents write their own newsletter about global warming.
Wells Fargo's internal review only covers unauthorized accounts dating back to 2011. News reports and court documents suggest these problems might have existed long before then. The 2013 'Los Angeles Times' articles led to the L.A. city attorney's office investigation into Wells Fargo's sales practices.
When I was 11, I moved to Los Angeles to live with my father and stepmother and my half brothers. I became really close to my stepmother, and I am still very close to my brothers. My stepmother is the actress Shirley Jones, who was in 'The Partridge Family' alongside me, so we worked together for years.