Quotes of All Topics . Occasions . Authors
I'm sure that it's a universal experience, but I wonder if it gets exacerbated more in Los Angeles, where people are constantly looking over at the other people, going, 'Why don't I have that? I want that. Their table looks warmer.'
I try to travel as light as possible to avoid baggage issues. Los Angeles airport is notorious for baggage delays, so I'll often FedEx a suitcase ahead or back so I don't need to stand around; it also minimises problems at check-in.
I still remember going to a smart restaurant in Los Angeles, and the maitre d' knew my name and showed me straight to a table even though we hadn't booked. I get stopped for autographs by people from Sweden on the tops of mountains.
Part of the reason that I moved to Los Angeles is that even though my mom introduced me to all kinds of music, I really wanted to work on having my own identify, on being who I am and doing what I do, and seeing how people responded.
Even in Los Angeles, where we lived, when we would date somebody or go out with them, if we went out with somebody else the next night, we often found that women were banging on our windows while we were bedded down with other women!
During my participation in the Manhattan Project and subsequent research at Los Alamos, encompassing a period of fifteen years, I worked in the company of perhaps the greatest collection of scientific talent the world has ever known.
Sometimes people come to my shows and think I'm a Christian artist, and they put their hands up in the air, like they do. But first of all, I'm a Jewish girl from the Valley, and I'm from Los Angeles. It's funny to be misinterpreted.
Halloween is bigger than Christmas in America. I've experienced it in New York, Los Angeles and Washington D.C., and if you're in the right neighbourhood, every house is decorated with spooky ghosts, spider webs, and jack-o-lanterns.
I live in Los Angeles where there is not that much in the way of theatre, so the La Jolla Playhouse is pretty much the only place that is on my radar, and when they have something going on, and I am available, I will certainly go in.
After graduation, I moved to Los Angeles to do more theater, not realizing there is very little theater in L.A. It was a lucky mistake, though, because after just 2 1/2 months of waiting tables, my TV and film career really took off.
I started out in New York, and New York has a way of countering a Southern accent, naturally; when I moved to Los Angeles for a job, and I just stayed, the dialect out here doesn't really counter, and my Southern started coming back.
In Los Angeles, parenting is a competitive sport. From Beverly Hills baby boutiques to kids' yoga classes, L.A. fuses high style, industrial-strength materialism, and parental outsourcing into our own unique version of child-rearing.
It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
I first drew the attention of my future husband when we were fourteen, on the freshman school bus for an epic field trip from Riverside, Calif. to Los Angeles, where we were taken to the L.A. Zoo as well as the Natural History Museum.
I finished 'Ice Age: Continental Drift' in 2012, and I'm living in my agent's guest bedroom in Los Angeles because you don't make a ton of money writing an animated film. The movie makes a billion dollars, and you make 'twelve cents.'
I think you should check out 'Battle: Los Angeles' because it really is a sci-fi movie, but it's not. It's not like anything you've seen before. The best way to describe it is it's a war movie that happens to have aliens as the enemy.
Louise Bonnet is a Los Angeles-based painter of round, fleshy, almost obscene shapes and people. But hers is a very clean, friendly cartoon world, so there's this tension between harmlessness and perversion that is totally unsettling.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
If you don't know Tom Lehrer, you should - in addition to being a classical pianist, mathematician, songwriter, satirist, researcher at Los Alamos and, he claims, inventor of the Jell-O shot, he is just delightfully funny and graceful.
When the government picked companies and gave them monopoly rights to frequencies in San Francisco and Los Angeles and New York and Chicago, it was picking the winners of the competition; it wasn't setting the terms of the competition.
The original reason to start the project, which was that the Germans were a danger, started me off on a process of action, which was to try to develop this first system at Princeton and then at Los Alamos, to try to make the bomb work.
The least sexy city is Los Angeles. And it poses as the most sexy. As you grow up, L.A. is being sold to you as home of the bikini-clad party girls. And then you get there, and it's full of very goal-oriented, yoga-obsessed careerists.
In Atlanta, with a large African-American population, Sosa is often considered a black man. In Miami and Los Angeles, with larger Hispanic populations, he is a Latino man, and the black label is rejected as robbing Hispanics of a hero.
I went from broke and homeless sleeping on couches. Couldn't even figure out what I was doing in Los Angeles. Now, I'm paying my own bills. I'm about to move my mama in with me at 19. I'm on tour now, and this is all off of one mixtape.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
'A Different World,' for me, was in a lot of ways responsible for me going to college. I wanted to go to a black college, and I wanted to get out of Los Angeles. It's just a natural part of all of our journeys, that idea of leaving home.
Friends in the Midwest often ask me what it's like to raise a family in Los Angeles. I say it's just like where they are, but warmer and with more traffic. I also tell them people here seem a bit more tolerant of those who are different.
Los Angeles is a very magical place when you take the entertainment industry out of it. You have beautiful beaches and amazing mountains here. I'm a big rock climber. I head out into the mountains whenever I have free time. It's amazing.
So many of my friends and family will go to Palm Springs as their weekend getaway destination, but when I need a break from Los Angeles, I'll head to Joshua Tree instead. There's something so magical about the energy of the Mojave Desert.
I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.
I've never been anywhere in my life like it and I only really noticed it when I returned to Los Angeles and then Berlin. Everybody is much better off in these places, there is not poverty like in Cuba, but everybody complains about things.
One of the first places I was ever recognized after 'The Office' came out was at Target in Los Angeles. Someone came up to me, and she said, 'Are you Phyllis from 'The Office?'' We were in different aisles, but she had recognized my voice.
I was playing surf music with my band when a girlfriend of mine who had come from Los Angeles took me to a James Brown concert. That show really changed my whole outlook and thought processes, especially about music and different cultures.
I certainly think that the publishing houses have to learn more about this informal network of literary blogging and get over the idea that sending an author on a book tour - to Dallas, Houston, Los Angeles - is a successful model anymore.
When I was in college, there were dollar movie nights. I went to see 'The Long Goodbye,' which was based on one of Chandler's books but was contemporary and set in Los Angeles in 1973. I loved the movie, which motivated me to read the book.
We were living in California, and it just wasn't conducive for the lifestyle that we wanted with kids. Los Angeles is tricky to get around, there's paparazzi to deal with, and I had this feeling that I just wanted to move back to Australia.
I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
Australia is so cool that it's hard to even know where to start describing it. The beaches are beautiful; so is the weather. Not too crowded. Great food, great music, really nice people. It must be a lot like Los Angeles was many years ago.
I love that kind of edgy, rock n' roll punk thing that we do so well in England. But my style adapts to where I am. When I'm in Los Angeles, suddenly I'm like, 'I need a sandal, and I need a beige dress, and I need some flowers in my hair.'
It's a small city where I have a lot of time to think. The orchestra and I have had a chance to connect very well in this time. I think of all the millions of people in Los Angles. There aren't that many millions of people in all of Sweden.
I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
Every time you look at a house in Los Angeles, the real-estate agent will tell you that someone famous once lived there. It always seemed irrelevant to me: Does a property gain value just because Alfred Hitchcock used to eat breakfast there?
If you grow up in the South Bronx today or in south-central Los Angeles or Pittsburgh or Philadelphia, you quickly come to understand that you have been set apart and that there's no will in this society to bring you back into the mainstream.
Home is a relative concept for me. I've been in Los Angeles 10 years, and I definitely feel at home here, but I also feel at home in a lot of places. I'm not too attached to anywhere, really. Home is where the people you love are at the time.
I'm contemplating moving to London for a period of time. I've been in Los Angeles for 15 years and I'm really tired of it. I'm continually uninspired by what's being sent to me. Even by huge films that they're doing there. They're just awful.
I live in New York, and I love New York as well, but I think Los Angeles is a place where if you have the right person with you, there are all these little worlds that you would never guess by just looking at the exterior of what the city is.
In the neighborhood where my studio is, in South Central Los Angeles, there are a lot of immigrant-owned businesses. I'm constantly amazed at the level of work they do. It's above anything. For me, I think I pattern myself on that work ethic.
Today, I regularly attend two Buddhist organizations, the Zen Center of Los Angeles and Against the Stream, but I also attend certain Christian functions. I try to cultivate a generous, kind spirit and am open to anything to help get me there.
I loved Tristan in Nancy Collins' run. I love Vampirella having a werewolf paramour; it's too fun. Coleridge had to come with them, of course, to set up her spooky new manor up in the hills of Los Angeles, and also because he's just a delight.
I think that 'Station to Station' is a nomadic project not only in a literal sense, as it's traveling by train from place to place. Some of these places are New York City or Los Angeles, but some of these places are rather off-the-grid places.