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speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them.

Even in Madison’s day, the practice of gerrymandering for partisan advantage was familiar. In the late seventeen-eighties, there were claims that Patrick Henry had tried to gerrymander Madison himself out of the First Congress. The term was coined during Madison’s Presidency, to mock Elbridge Gerry, the governor of Massachusetts, who in 1811 approved an election district that was said to look like a salamander.

When you making a piece of comedy entertainment, the audience is a big component there. You do have to end up getting rid of things that you love, but in the interest of making a movie that's not longer than two hours, and in the interest of when every joke hopefully is good enough, then everybody looks good. You cut things that you love, but ultimately it's for the greater good of making the whole movie better.

You know, there’s a philosopher who says, “As you live your life, it appears to be anarchy and chaos, and random events, non-related events, smashing into each other and causing this situation or that situation, and then, this happens, and it’s overwhelming, and it just looks like what in the world is going on ? And later, when you look back at it, it looks like a finely crafted novel. But at the time, it don’t.

Gods, religions and national boundaries are absolutely imaginary. They don't tend to exist. As soon as you pull back half a mile and look down at the Earth there are no national boundaries. There aren't even national boundaries when you get down and walk around. They're just imaginary lines we draw on maps. I just get fascinated by people who assume that things that are imaginary have no relevance to their lives.

When it’s all said and done, I want to be able to say I got the most out of my potential. I don’t want to look back, however many years from now, and say, ‘I wonder if I would have worked a little harder. I wonder if I would have done this or done that, how things would have turned out.’ I want to, when it’s all said and done, be able to put my head on my pillow and say, ‘I did everything I could do — good or bad.’

[Calvin and Hobbes are playing Scrabble] Calvin: Ha! I've got a great word and it's on a "Double word score" box! Hobbes: "ZQFMGB" isn't a word! It doesn't even have a vowel! Calvin: It is so a word! It's a worm found in New Guinea! Everyone knows that! Hobbes: I'm looking it up. Calvin: You do, and I'll look up that 12-letter word you played with all the Xs and Js! Hobbes: What's your score for ZQFMGB? Calvin: 957.

You know what the best kind of organic certification would be? Make an unannounced visit to a farm and take a good long look at the farmer’s bookshelf. Because what you’re feeding your emotions and thoughts is what this is really all about. The way I produce a chicken is an extension of my worldview. You can learn more about that by seeing what’s sitting on my bookshelf than having me fill out a whole bunch of forms.

There's a scene [in the 1990 film Welcome Home, Roxy Carmichael] in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.

How then to enforce peace? Not by reason, certainly, nor by education. If a man could not look at the fact of peace and the fact of war and choose the former in preference to the latter, what additional argument could persuade him? What could be more eloquent as a condemnation of war than war itself? What tremendous feat of dialectic could carry with it a tenth the power of a single gutted ship with its ghastly cargo?

I like to look at pictures, all kinds. And all those things you absorb come out subconsciously one way or another. You'll be taking photographs and suddenly know that you have resources from having looked at a lot of them before. There is no way you can avoid this. But this kind of subconscious influence is good, and it certainly can work for one. In fact, the more pictures you see, the better you are as a photographer.

The left looks at the Constitution and sees things that aren't there and then they find 'em. They look at things that are there and claim they're not there. Like the Second Amendment, nah, nah, it's not there, they really didn't intend that. No, no. Abortion. You can't find it, yeah, there it is, plain as day, see, it's right there in the 14th Amendment, the Tenth Amendment, the Ninth Amendment, the Fifth - no, it's not.

to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.

The things that don't happen to us that we'll never know didn't happen to us. The nonstories. The extra minute to find the briefcase that makes you late to the spot where a tractor trailer mauled another car instead of yours. The woman you didn't meet because she couldn't get a taxi to the party you had to leave early from. All of life is a series of nonstories if you look at it that way. We just don't know what they are.

We must not allow ourselves to become like the system we oppose. We cannot afford to use methods of which we will be ashamed when we look back, when we say, '...we shouldn't have done that.' We must remember, my friends, that we have been given a wonderful cause. The cause of freedom! And you and I must be those who will walk with heads held high. We will say, 'We used methods that can stand the harsh scrutiny of history.'

If you go back and you look at the presidency over the course of history, presidents tend to do what they campaigned on. In the 20th century, presidents between Woodrow Wilson and Jimmy Carter accomplished 73 percent of the things that they said they would do as candidates. Part of that is because once they get into office, their credibility, their ability to do anything depends on doing the things that they said they would.

The recent trading environment has felt something like walking into a place and having a sense that something is wrong and dangerous but not knowing exactly what will happen or when. “QE Infinity” has so distorted the prices of stocks and bonds that nobody can possibly determine what the investing landscape would look like, or what the condition of the economy and financial system would be, in the absence of Fed bond-buying.

The thing about eyewear is that it is so potent, There are very few accessories that, if you were not wearing anything, if you put on they would date you to a whole era. You could look the Thirties, the Fifties, and the Nineties just by your eyewear. It's like a pair of shoes because it is sculptural. It exists without a face. It tells a lot about where you are architecturally or aesthetically in a particular period in time.

Now you say, alas! Christianity is hard; I grant it; but gainful and happy. I contemn the difficulty when I respect the advantage. The greatest labors that have answerable requitals are less than the least that have no regard. Believe me, when I look to the reward, I would not have the work easier. It is a good Master whom we serve, who not only pays, but gives; not after the proportion of our earnings, but of His own mercy.

I'm trolling through the recesses of my mind for the things I did with my kids when they used to like to do things with me. They don't want to be around me now. I look back on these times - all those little funny pottery dishes that you'd pay for, and they'd paint, and they were ugly, and you glazed them, and you'd go back, pick them up, and it's like, "Oh, now I've got to put this on my desk." There's all that kind of stuff.

You know what we pride ourselves on that - although I wouldn't mind if my backside was a little smaller. But look at the original divas... take Aretha Franklin for example - I've seen her live in the States and she was mammoth, but she had that crowd under control and they doted on every movement she made! We're not little midgets but the music industry is not about that, it's about loving the music and respecting what you do.

Remember this, and remember this well: when someone is telling the TRUTH and exposing information that is meant to be hidden from the masses, the side that is being attacked and accused will use all their resources and associations to try to discredit and discount the professional and moral character of the person revealing the threatening information. They will do everything to make that person look smaller than they really are.

We must look upon the world, with all its delights and all its attractions, with suspicion and reserve. We who love our Lord and whose affections are set on Heavenly things voluntarily and gladly lay aside the things that charm and ravish the world, that our hearts may be ravished with the things of Heaven; that our whole being may be poured forth in constant and unreserved devotion in the service of the Lord who died to save us.

There are people who put their dreams in a little box and say, 'Yes, I've got dreams, of course I've got dreams.' Then they put the box away and bring it out once in awhile to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, 'How good or how bad am I?' That's where courage comes in.

What I meant when I say that the media are bots, I don't want anybody misunderstand this. I'm watching CNN and one of their infobabes is doing this report on Al Franken questioning [Jeff] Sessions during the confirmation hearings. I'm convinced - and they played an edited version of it. It was edited by somebody to make it look like it was something other than what it was, and I'm convinced this infobabe hasn't the slightest clue.

I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.

When your 18th, 19, 20 years old like we were at that time, its just like anyone else, you look at like Silverchair and bands like that that are super young and sound extremely derivative of bands that were out at that current moment. As they sounded like 'Nirvana in pajamas' as we called them, we sounded like Bon Jovi and Skid Row and Motley Crue, because we were only influenced by what was out at the time because we were so young

Most human subjugates are young,” said Will. “Vampires like to acquire their subjugates when they’re youthful—prettier to look at, and less chance of diseased blood. And they’ll live a bit longer, though not much.” He looked pleased with himself. “Most of the rest of the Enclave wouldn’t be able to pass convincingly as a handsome young human subjugate—” “Because the rest of us all are hideous, are we?” Jem inquired, looking amused.

The bad economist sees only what immediately strikes the eye; the good economist also looks beyond. The bad economist sees only the direct consequences of a proposed course; the good economist looks also at the longer and indirect consequences. The bad economists sees only what the effect of a given policy has been or will be on one particular group; the good economist inquires also what the effect of the policy will be on all groups

The only way to be turned off to being famous is to be famous. And I only have like a tiny, tiny bit of that, and I'm already disgusted by it. But I realize that the only way to be disgusted by fame is to be famous, because otherwise it looks amazing. Then people stop you on the street, and it's like the most annoying thing in the world. The first time it happened it's great, and then the second time you have to shake somebody's hand.

Hey, big spender,” I said. He looked appreciative but more amused than anything else. He reached into his pocket and pulled out a one dollar bill. “Hugh,” I said. “Don’t insult me.” With a sigh, he produced a five and tucked it underneath my bra strap. “Hey, Seth,” Cody suddenly said. I looked up and saw Seth standing in the doorway. A look of comic bemusement was on his face. “Hey,” he said, studying me. “So…you’re paying for dinner?

All creations are one with the universe. Look at the world around you. Can you effectively separate yourself from everything else? After seriously pondering this, most of us rapidly conclude that we cannot. To even make the statement that I exist as a unique entity requires comparison with something else. (If you exist as a distinct being, your distinctiveness is in comparison to other creations. No other creations, no individual you.)

In the past things were either in your head (subjective, imaginary, fantasy) or else they were part of the outside world - cold, hard, concrete materialistic reality. If you want to look at it in terms of poetry, there was surrealism and objectivism. Now there's the veil of the virtual in between. The old opposition between inner and outer doesn't quite capture it, especially as it contains elements of both. It's real but not concrete.

At a certain point we need to grow up; we need to look inside ourselves for our inner guidance. There are things most human beings know; they just don't want to know them. They know deep down that certain things in their lives are working or aren't working, that certain parts of their lives are functional and others are dysfunctional. But sometimes, as human beings, we don't want to know what's not convenient. So we pretend not to know.

When one forgets the distinction between method and truth, one becomes foolishly prone to respond to any question that cannot be answered from the vantage of one's particular methodological perch by dismissing it as nonsensical, or by issuing a promissory note guaranteeing a solution to the problem at some juncture in the remote future, or by simply distorting the question into one that looks like the kind one really can answer after all.

When you look at the Bible, and I read the Bible very seriously, for a lot of my life, I believed the Bible ordained the death penalty, and the Bible seemed to be very clear about that. But the more I look, the more troubled I became because it's not that simple. In the Bible, there's some 30 death-worth crimes, like working on the Sabbath, or disrespecting your parents. Are we that fundamental that we should bring back that death penalty?

The second noble truth states that we must discover why we are suffering. We must cultivate the courage to look deeply, with clarity and courage, into our own suffering. We often hold the tacit assumption that all of our suffering stems from events in the past. But, whatever the initial seed of trauma, the deeper truth is that our suffering is more closely a result of how we deal with the effect these past events have on us in the present.

When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they're not obvious at the time. So, when I look back at my own work, I could easily write a very convincing sort of account of it that made it look like I had planned it all out from day one and that this led logically to that and then I did this and then that followed quite naturally from that. But that's not how it felt.

I have a bunch of calendars I used before I went digital. Every once in a while, I'll open up one from 1991 and look at all the names and appointments and things that, at the time, seemed so important. Meetings that I was really worried about, things that I was getting calls four times a day about, and I wonder, "Where did it all go? Where are they now?" It's so strange, everything has disappeared. The only thing that stays behind is the work.

I'm standing under a sign that says, 'Budweiser is king of beers,' and everybody's got their beers here today," I told them. "But I'm here to talk about the King of Kings. I know I might look like a preacher, but I'm not. Here's how you can tell whether someone's a preacher or not: if he gets up and says some words and passes a hat for you to put money in, that's a preacher. This is free. This if free of charge, which proves I'm not a preacher.

Although I am fully convinced of the truth of the views given in this volume under the form of an abstract, I by no means expect to convince experienced naturalists whose minds are stocked with a multitude of facts all viewed, during a long course of years, from a point of view directly opposite to mine... I look with confidence to the future, to young and rising naturalists, who will be able to view both sides of the question with impartiality.

Never make heads straight on the shoulders, but turn them aside to the right or to the left, even though they look down, or upward, or straight ahead, because it is necessary for them to look lively and awake and not asleep. And do not depict the front or rear half of the whole person so that too much straightness is displaced, one half above or below the other half; and if you should wish to use stiff figures, do so only in portraying old people.

If you go around a time when you're hungry, around mealtime, then you have a desperate search to find something to eat and you have this interplay between approach and avoidance. You go in a place, you smell, if it doesn't smell so good you go to the next place, you look at all the people, they're happily eating, and then you choose that place. So having to reconnoiter, having to go on a kind of treasure hunt for food is one of my favorite things.

For women in my lifetime things have changed quite a bit, but not enough. They have only changed for women that have education and access to health care in the Western world. But look at the rest of the world. Still in many places, women are sold into premature marriages, prostitution, forced labor; they are forced to have children that they cannot support or that they don't want. They are abused, tortured, exploited and even killed with impunity.

Where all the people who used to say they were unbiased and uninterested in the outcome, all of that's off the table and we're up against some of the most vicious partisans everywhere we look, and Trump is the answer. That's why [Donald] Trump supporters are not abandoning him. That's why the left can't force his supporters away. That's exactly why they haven't been able to put him away so far, because Trump answers that question: "What can we do?"

You almost have to step outside yourself and look at you as if you were someone else you really care about and really want to protect. Would you let someone take advantage of that person? Would you let someone use that person you really care about? Or would you speak up for them? If it was someone else you care about, you'd say something. I know you would. Okay, now put yourself back in that body. That person is you. Stand up and tell 'em, "Enough!

You don`t have any problems - only this much has to be understood. This very moment you can drop all problems. because they are your creations. Have another look at your problems: the deeper you look, the smaller they will appear. Go on looking at them and by and by they will start disappearing. Go on gazing and suddenly you will find there is emptiness - a beautiful emptiness surrounds you. Nothing to do, nothing to be, because you are already that.

The rest-the vast majority, tens of thousands of days-are unremarkable, repetitive, even monotonous. We glide through them then instantly forget them. We tend not to think about this arithmetic when we look back on our lives. We remember the handful of Big Days and throw away the rest. We organize our long, shapeless lives into tidy little stories...But our lives are mostly made up of junk, of ordinary, forgettable days, and 'The End' is never the end.

Only then did I see. Something was amiss with Patrick's snap-on one piece, or "onesie" as we manly dads like to call it. His chubby thighs, I now realized, were squeezed into the armholes, which were so tight they must have been cutting off his circulation. The collared neck hung between his legs like an udder. Up top, Patrick's head stuck out through the unsnapped crotch, and his arms were lost somewhere in the billowing pant legs. It was quite a look.

I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.

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