Looks Quotes - Page 257

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I saw lots of music devices. I loved playing with music devices. And like most of the world, I thought of a music device as a music device. Steve Jobs tends to look beyond that, and he doesn't see a music device as having any importance at all - how fast it is, how many songs it can hold, and all that - he sees music itself to a person as a being the important thing.

Journalism without a moral position is impossible. Every journalist is a moralist. It's absolutely unavoidable. A journalist is someone who looks at the world and the way it works, someone who takes a close look at things every day and reports what she sees, someone who represents the world, the event, for others. She cannot do her work without judging what she sees.

Indifference looks like detachment, but it is not; indifference is simply no interest. Detachment is not absence of interest - detachment is absolute interest, tremendous interest, but still with the capacity of non-clinging. Enjoy the moment while it is there and when the moment starts disappearing, as everything is bound to disappear, let it go. That is detachment.

The veto is a President's Constitutional right, given to him by the drafters of the Constitution because they wanted it as a checkagainst irresponsible Congressional action. The veto forces Congress to take another look at legislation that has been passed. I think this is a responsible tool for a president of the United States, and I have sought to use it responsibly.

Mindful consumption is the object of this precept. We are what we consume. If we look deeply into the items that we consume every day, we will come to know our own nature very well. We have to eat, drink, consume, but if we do it unmindfully, we may destroy our bodies and our consciousness, showing ingratitude toward our ancestors, our parents, and future generations.

Look at the history of the printing press, when this was invented what sort of consequences this had. Or industrialization, what sort of consequences that had. Very often, it led to enormous transformational processes within individual societies. And it took awhile until societies learned how to find the right kind of policies to contain this and manage and steer this.

I always tell new people in show business. I say, "Look, show business pays you a lot of money, because eventually you're gonna get screwed. And when you get screwed, you will have this pile of money off to the side already." And they go, "OK, OK. OK, you ready? You ready?" "I got screwed." "You got the pile of money?" "Yeah, I'm fine." I mean, that's the way it works.

A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.

(there is) no other means of escaping from one's consciousness than to deny it, to look upon it as an organic disease of the terrestrial intelligence - a disease which we must endeavor to cure by an action which must appear to us an action of violent and willful madness, but which, on the other side of our appearances, is probably an action of health. ("Of Immortality")

You have to eat, all day, and you have to have the right fuel to get you through different physical and mental obstacles that fighters have to get through. Just dealing with the diet alone becomes an all-encompassing, fully immersive experience. And then, there's the physical side of it, having to put your body through everything required to make you look like a fighter.

Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.

Look at the pattern this seashell makes. The dappled whorl, curving inward to infinity. That's the shape of the universe itself. There's constant pressure, pushing towards pattern. A tendency in matter to evolve into ever more complex forms. It's a kind of pattern gravity, a holy greening power we call 'Viriditas' and it is the driving force in the cosmos. Life, you see.

One of the really key things to look at in terms of crafting strategy when you're in an economic crises is how do you maximize essentially your liquidity position? Your ability to both take kind of profits and revenues and business and then convert that into a stronger lead. And so those companies that can do that can actually, you know, get a march on their competitors.

Do you do that a lot? Move on?" "Maybe. But only because I travel a lot." She taps put a beat on the steering wheel, audible only to herseld. "Or maybe you travel a lot because it lets you move on." "Perhaps." ........ I look out the window. The jungle is everywhere. I look back at her. "Can you move on from something when you're not sure what it is you're moving on from?

Laurence [Fishburn] helped redo some of the dialogue [in John Wick 2], he and Keanu [Reeves] workshopped it. And he couldn't have been more respectful couldn't have been more brilliant on set. I said, "look, I'm gonna have to work you a little bit here cause I only get you for three days." He never left set, was always engaging, always working on his lines, it was awesome.

There was a lot of maneuvering on the part of the Roosevelt administration to get the stars aligned so that that attack would happen. There's just no question about that; you don't even have to look at the decoding of diplomatic cables or anything else. FDR's own admiral thought it was a bad idea to have the fleet confined in one place way out in the middle of the Pacific.

Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.

In all of America, there is no more promising an urban area for revitalization than your own Over-the-Rhine. When I look at that remarkably untouched, expansive section of architecturally uniform structures, unmarred by clashing modern structures, I see in my mind the possibility for a revived district that literally could rival similar prosperous and heavily visited areas.

If you look into the mirror, you see that [every part of you] belongs there and you belong there, as you are. You begin to realize that you have a perfect right to be in this universe, to be this way, and you see that there is a basic hospitality that this world provides to you. You have looked and you have seen, and you don't have to apologize for being born on this earth.

I don't think that Women's Liberation will change much though -- not because there is anything wrong with their aims, but because it is already clear that the whole world is being shaken into a new pattern by the cataclysms we are living through: probably by the time we are through, if we do get through at all, the aims of Women's Liberation will look very small and quaint.

Adam swore harshly. "New werewolves are dangerous, woman. Especially when they are cold and hungry." He looked at Mac, and his voice changed completely, the heat and anger gone, "Mercy, come here." I didn't look down to see what he'd noticed in Mac's face. I took a step, but Mac was wrapped around my left leg. I stopped before I fell. "Uhm. I'm a little stuck for the moment.

What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.

Only people willing to work to the point of discomfort on a regular basis using effective means to produce that discomfort will actually look like they have been other-than-comf ortable most of the time. You can thank the muscle magazines for these persistent misconceptions, along with the natural tendency of all normal humans to seek reasons to avoid hard physical exertion.

The deeper we look, the more we shall be convinced that the one thing wanting, which we must strive to acquire before all others, is strength strength physical, strength mental, strength moral, but above all strength spiritual which is the one inexhaustible and imperishable source of all the others. If we have strength everything else will be added to us easily and naturally.

The person best suited to look out for your interests is you. The more you depend on yourself, the more positive control you have over every aspect of your life. Take personal responsibility for who you are, what you do, and how you live. You are the only person who knows what is best for you. And you are the one who is most able to achieve it!! You have GREATNESS within you!

What dazzles us in Stacy Schiff's Cleopatra are not the alluring mythologies about the evasive queen, but the astonishing if rare historical facts that Schiff has meticulously and lovingly excavated. Schiff offers not just Cleopatra's story but the story of an amazing era, one that has vanished but still affects us, questioning the way we look at myth, history, and ourselves.

There is a gift available to all of us-the gift of looking to God for direction. Here is an avenue of strength, comfort, and guidance. . . . "Look to God and live." This is the wonderful promise given so often in the scriptures. . . . Our capacity to see and comprehend is increased only in proportion to our willingness to look. God becomes more approachable as we look to him.

Emmies, for example, most of that's bullshit. Oscars are even worse. We have a strange, terrible affliction in this town. Everybody walks around bent-backed from slapping each other on the backs so much. It looks like arthritis but it isn't. It's hunger for recognition. And it's sort of like, well, I'll scratch you this time if you'll scratch me next time. That kind of thing.

To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.

Hidan: Hey, look at that, it's my headband! You went to the trouble of picking it up and keeping for me? I'm touched. You're a pretty nice guy, Kakuzu, you knwo that? Kakuzu: Shut up. Let's go. Hidan: Let me put it on at least! Okay, I'm coming. Admit it, you like me a little, doncha? Kakuzu: Either you shut up, or I'll kill you. Hidan: Haha, you're embarrassed! I understand.

I hold all idea of regulating the currency to be an absurdity; the very terms of regulating the currency and managing the currency I look upon to be an absurdity; the currency should regulate itself; it must be regulated by the trade and commerce of the world; I would neither allow the Bank of England nor any private banks to have what is called the management of the currency.

As the mother's womb holds us for ten months, making us ready, not for the womb itself, but for life, just so, through our lives, we are making ourselves ready for another birth...Therefore look forward without fear to that appointed hour- the last hour of the body, but not of the soul...That day, which you fear as being the end of all things, is the birthday of your eternity.

Don’t worry about being able to identify each of these plants (in your designs for clients). The world is full of botanists and horticulturists. All you have to do is design. You don’t have to be a botanist; you don’t have to be a bulldozer driver; you don’t have to be a fence builder; you don’t have to be an architect. What the designer has to do is look at the relationships.

I like to help others and count it as my greatest pleasure in life to see a person free himself of the shadows which darken his days. These shadows look so thick to him and weigh him down so that when he finds they are shadows and that he can see through them, walk through them and be again in the sun, he is enormously delighted. And I am afraid I am just as delighted as he is.

I wonder if they realize how much I notice about them They probably haven't a clue because I never look at them or show the slightest interest. But I'm very aware of everything. I remember seeing an old film once where a father says to his son: "Son when your mouth's open you're not learning anything." If that's true then I'm well on the way to becoming the world's wisest woman.

Some words have multiple meanings. Scholastic, aware that I'm allergic to preservatives, kindly got someone to translate the phrase "I can only eat food without preservatives" into Italian. They warned me, however, as they taught me how to say it, that the Italian word for "preservatives" is the same as the word for "condom." So that I should be careful how I look when I say it.

Ronan merely invested a look with as much contempt as he could muster. A lady reached over the top of Noah to pat Matthew's head fondly before continuing down the aisle. She didn't seem to care that he was fifteen, which was all right, because he didn't, either. Both Ronan and Declan observed this interaction with the pleased expressions of parents watching their prodigy at work.

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.

Our love of lockstep is our greatest curse, the source of all that bedevils us. It is the source of homophobia, xenophobia, racism, sexism, terrorism, bigotry of every variety and hue, because it tells us there is one right way to do things, to look, to behave, to feel, when the only right way is to feel your heart hammering inside you and to listen to what its timpani is saying.

And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."

Goodness gracious me,” exclaimed Alexia, “what are you wearing? It looks like the unfortunate progeny of an illicit union between a pair of binoculars and some opera glasses. What on earth are they called, binocticals, spectaculars?” The earl snorted his amusement and then tried to pretend he hadn't. “How about glassicals?” he suggested, apparently unable to resist a contribution.

If you want a symbol of Roman power and strength look no further than the Praetorian or Imperial Guard. We could take this one step further. It was this world of Roman power into which Christ came, in which the Apostles ministered, in which the New Testament authors wrote, and in which Christianity came into being. And to all of those things, Rome stood opposed, violently opposed.

Value in relation to price, not price alone, must determine your investment decisions. If you look to Mr Market as a creator of investment opportunities (where price departs from underlying value), you have the makings of a value investor. If you insist on looking to Mr Market for investment guidance however, you are probably best advised to hire someone else to manage your money.

We would like, still the numbers to increase, and so we're hoping that there's far - there will be many more women in the cabinet. It appears there will be and we're hoping that will happen. And - but the ones that have been picked, by and large, we have worked with. There's a couple that we haven't, but there - they look like their bio's are great and so we're - we're pushing on.

Edward can do everything, right?" I explained. Jasper snickered and Esme gave Edward a reproving look. "I hope you haven't been showing off-it's rude," she scolded. "Just a bit," he laughed freely. "He's been too modest actually," I corrected. "Well, play for her," Esme encouraged. "You just said showing off was rude," he objected. "There are exceptions to every rule," she replied.

There are moments in my life when I feel like I’m exactly where I’m supposed to be, doing exactly what I’m supposed to do. I pay attention to them. They’re my cosmic landmarks, letting me know I’m on the right path. Now that I’m older and can look back and see where I missed a turn here and there, and know the price I paid for those oversights, I try to look sharper at the present.

Along this road, we won't stop moving forward Not even if we become separated from one another. For us, most of all, there was never a time, never a place where you could just stand still But even so, if there were times when we were afraid, when we'd look back on it all and wonder We'd just say that is was our destiny, wouldn't we? So we started off, all walking down the same road

I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.

When you are in the line of your duty, it is like standing in front of a line of posts, and every post is in line. But step one step aside, and every post looks as though it were not quite in line. The farther you get away from that straight line, the more crooked the posts will appear. It is the straight and narrow path of duty that will lead you and me back to the presence of God.

People constantly requesting government intervention are casting their problems at society. And, you know, there's no such thing as society. There are individual men and women and there are families. And no government can do anything except through people, and people must look after themselves first. It is our duty to look after ourselves and then, also, to look after our neighbours.

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