Looks Quotes - Page 255

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Albert CamusJulius CaesarAbraham LincolnNelson MandelaBilly GrahamMarcus AureliusWalt DisneyPaulo CoelhoMartin Luther King, Jr.John F. Kennedy
ArchitectureComputersPetBusinessAloneLoveMoviesKarmaPowerUnrequited Love

Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyway. I'm working. You see, for a writer, lots of stuff that doesn't look like working is actually working. Looking out of the window, for example. Balancing a pencil on the edge of the desk in order to find its exact fulcrum. Playing 'Doom.

History is moving the furniture around in the house of mankind just about everywhere but the U.S.A. Things have changed, except here, where people come and go through the rooms of state, and everything looks shabbier by the day, and lethargy eats away at the upholstery like an acid fog, and the walls reverberate with meaningless oratory.

Nobody since Newton has been able to use geometrical methods to the same extent for the like purposes; and as we read the Principia we feel as when we are in an ancient armoury where the weapons are of gigantic size; and as we look at them we marvel what manner of man he was who could use as a weapon what we can scarcely lift as a burden.

I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.

I'm in my apartment in trendy Tribeca. I've been down here for 37 years, from before it was a fashionable neighbourhood. It's a wonderful place; it looks over the Hudson River. I can see 30 miles into New Jersey. My landlord would like me to die because the rent is very low. I'm trying to outlive him. He can get a lot more if I disappear.

Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.

Prince William looks good in uniform and Man-at-Hackett black and white tie (he has grown up wearing it constantly); less certain in his suits, which sometimes look borderline archaic; and variable in casual. But completely comfortable in the Sloane uniform of non-designer jeans and chocolate-brown suede loafers. He'll look fine in Boden.

Charles Burchfield would look at what you were working on and not say anything for several minutes. Then he would very sensitively respond - "Well, have you thought about?" or "Might you consider?" I respected that so much because I thought he was so sensitive to my work, and didn't want to offend me, but in the right way to encourage me.

Eric Schmidt looks innocent enough, with his watercolor blue eyes and his tiny office full of toys and his Google campus stocked with volleyball courts and unlocked bikes and wheat-grass shots and cereal dispensers and Haribo Gummi Bears and heated toilet seats and herb gardens and parking lots with cords hanging to plug in electric cars.

Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.

I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.

What I look for is a man who can be a friend, someone who is an equal and one with whom I feel comfortable. I want to be happy and loved, and not settling for something second best and less than I deserve. But a relationship of and by itself is not what is going to make this gal survive - a relationship is the cherry on the top of the cake

The world always looks straights ahead; as for me, I turn my gaze inward, I fix it there and keep it busy. Everyone looks in front of him: as for me, I look inside me: I have no business but with myself; I continually observe myself, I take stock of myself, I taste myself. Others...they always go forward; as for me, I roll about in myself.

People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.

I'm so glad that the peg-leg jeans thing is over. I'm over that, and I don't know why people think that the boyfriend jean looks good on everyone. Maybe if you're really tall and thin you can pull it off, or pull it off better than most. But being only five-foot-one and being more of a curvy girl, boyfriend jeans aren't the most flattering.

Continuously thou wilt look at human things as smoke and nothing at all; especially if thou reflectest at the same time, that what has once changed will never exist again in the infinite duration of time. But thou, in what a brief space of time is thy existence? And why art thou not content to pass through this short time in an orderly way?

I think I've always been ambitious. It just looks different on me. You know, I have friends who are actresses who go to every party they possibly can to be photographed and really try to make every connection they can, and I admire that and sometimes I wish I had a little bit more of that. Sometimes I feel like I don't have enough ambition.

I wanted to write about the transformative power of small acts of kindness. An old man falls in the street, you stop and make sure he's OK. Or even smaller acts than that, though - buying someone a cup of coffee, telling them their hair looks nice - sometimes you don't realise the transformative effect on people. I wanted to celebrate that.

When you fight something like cancer, you not dealing with a person that looks at where you come from or what's your background or what race you are or what ethnicity or whatever. Whatever your culture is, it doesn't care about that. It doesn't sleep - it doesn't get tired - so if you make it about yourself, you're going to fail every time.

This sense of being made in God's image calls us all constantly to look for it in others and to do what we can to help them acknowledge it and to realize it by joining in worship. We thereby carry to others the answer to their inmost longing, a yearning for union with the Trinity, a thirst to respond with adoration to the God who made them.

I am now about to set seriously to work upon preparing for the press an account of my theory of Logic and Probabilities which in its present state I look upon as the most valuable if not the only valuable contribution that I have made or am likely to make to Science and the thing by which I would desire if at all to be remembered hereafter.

I just really like ground and pound. The way I do it, it looks like I'm just throwing bombs, but there's some technique to it too. I make sure I'm controlling the hips, palming his face to the ground, just little things like this that make sure that the ground and pound works and I'm not letting him tie me up to where I can't throw punches.

When I was growing up, I always saw brides around me under tremendous stress. The pressure to dress a certain way, wear a certain amount of jewelry and make-up... I saw how uncomfortable it was. So I decided that, if I do get married, I'll be someone who puts comfort first, and then looks at her options for cut, color, embroidery or jewelry.

I rebelled by not getting straight A's and not following the path that my elder sister did. She was valedictorian and is very exemplary in her way. I look a lot like her, so I just had to do the opposite. Not that I got bad grades, but I was all about performance and just finding any way that I could to be involved in any kind of production.

In fact, during the postpartum period, many mothers don't feel attached towards her new born. So during such times they are quite sensitive and require special care. Still there are people who don't think twice before making hurtful comments about how a mother looks. I fail to understand what satisfaction they get out of body shaming others.

We boast of our system of education, but why stop at schoolmasters and schoolhouses? We are all schoolmasters, and our schoolhouse is the universe. To attend chiefly to the desk or schoolhouse while we neglect the scenery in which it is placed is absurd. If we do not look out we shall find our find schoolhouse standing in a cow-yard at last.

When, you know, when Nic became addicted, I was completely uneducated, and basically everything I assumed at the time turned out to be wrong. I guess the main thing is that I was so blindsided, that I had this idea of, you know, what an addict looks like, and it didn't look like Nic. And I realized that, you know, anybody can become addicted.

Funny enough, if you are looking at people these days who are putting Botox in their face and getting all sorts of plastic surgery, we look at them and go, I can tell you've had Botox. I can tell you've had plastic surgery. You look really strange to me. But no one's saying anything. We're just accepting the fact that they're strange-looking.

If you look at Gothic detailing right down to the bottom of a column or the capital of a column, it's a small version of the whole building; that's why, like dating the backbones of a dinosaur, a good historian can look at a detail of a Gothic building and tell you exactly what the rest of the building was, and infer the whole from the parts.

During the fashion month, I have a very busy schedule and not much time to dedicate to my hair, but I cannot neglect it if I want to maintain it healthy and always perfect. Taking care of it with the right products while keeping it healthy allows me to wear strong and shiny hair even without having to avoid experimenting new styles and looks.

I have no problem with the idea of comfort, but it is not an important thing aesthetically. If you look at a shoe and immediately say it looks very comfortable, in terms of design, it is not going to excite me. Of course, I am not putting nails in my shoes to ensure everybody is in pain, but a heel is not a pair of slippers and never will be.

I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.

I've tried Botox, I've tried them all. I'm definitely not one of those people who says, 'You shouldn't do this.' Everyone can individually do what they want. For all time women have wanted to, for the most part, look their best. It's just that what we have available to us today is what it is today and if you want to take advantage of it, yeah.

When we're young, everyone over the age of thirty looks middle-aged, everyone over fifty antique. And time, as it goes by, confirms that we weren't that wrong. Those little age differentials, so crucial and so gross when we are young erode. We end up all belonging to the same category, that of the non-young. I've never much minded this myself.

We humans are basically content with a two-dimensional world, which is what we-ve always occupied. We travel mostly on the ground, have traffic jams, parking problems , and we-d do a lot better to look up a little bit because there is that great aerial highway that-s always ready to go, you Don't have to pave it and the benefits are very great.

Yeah, I mean I've definitely had a bunch of action scripts sent to me, but again I'm a stickler for directors. If it's like an action flick with a great director then it's like 'Oh let's look at this thing,' but if it's just like a shoot-em'-up with a first time director. I don't know if that's the trajectory I want to take with what I'm doing.

The threat posed by Bank of America isn't just financial - it's a full-blown assault on the American dream. Where's the incentive to play fair and do well, when what we see rewarded at the highest levels of society is failure, stupidity, incompetence and meanness? If this is what winning in our system looks like, who doesn't want to be a loser?

I am looking for the word which is there and shouldn't be there. I wonder, why is it there? Or I look for problems: the Akedah [the Binding of Isaac - Genesis 22]. It still baffles me. Each time I read it - and I read it at least twice a year - each time I discover new layers in it. Always. So this is of more concern to me than the minimalists.

What wasdat, sir? What wazzat sir? What wassat, sir?” “Wayne, what are you babbling about?” Waxillium asked. “Practicing my pretzel guy,” Wayne said. “He had a great accent...” Waxillium glanced at him. "That hat looks ridiculous.” “Fortunately, I can change hats,” Wayne said in the pretzel-guy accent, “while you, sir, are stuck with that face.

If editors truly want to improve their byline ratio, they need to stop lamenting the fact that few women journalists send them cold pitches and start taking a hard look at their stable of regular contributors. How many women are on the masthead? How many women columnists or bloggers are on the payroll? This is how real change is going to happen.

When I am getting ready to cross a street, I look both ways before crossing. My bones, my muscles, are not what they used to be, so I am careful when I go up and down stairs, because I've heard stories of older people falling and having very disabling injuries. I have enough things that begin to go a little bit wrong as I get a little bit older.

What bother me, not "bother me," exactly; that's not the right way to put it. But especially in the horror genre, once a movie like Paranormal Activity comes out and becomes popular - and that's a totally fine and valid movie - everyone starts copying it. Everything becomes a found-footage movie that looks like somebody shot it with their phone.

Either you look at the universe as a very poor creation out of which no one can make anything, or you look at your own life and your own part in the universe as infinitely rich, full of inexhaustible interest, opening out into the infinite further responsibilities for study and contemplation and interest and praise. Beyond all and in all is God.

Documentary film is the one place that our people can speak for themselves. I feel that the documentaries that I've been working on have been very valuable for the people, for our people to look at ourselves, at the situations, really facing it, and through that being able to make changes that really count for the future of our children to come.

Pressed up against him, I can feel the thud of his heart against mine, his ribcase expanding and contracting rapidly against my chest, the warm whisper of his breath tickling the side of my neck, the brush of his leg against my thigh. Resting my arms on his shoulders, I pull back a little to get a look at his face. But he isn't smiling any more.

It's so funny. I honestly thought every one of those people on the show could beat anyone at any time anywhere. You just have to have a slightly off day or moment or two or you missed a touch of acid. It has nothing to do with credentials. Anyone could've chopped anyone at any time. I had to look at myself as the one who could lose this the most.

She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.

I think as a woman, the more you embrace who you are, and your own opinions, and how you feel, and the body you have been given- I think the more confident you are and the more beautiful you look. I definitely feel that my confidence has grown as I've entered my 30s. I have my own opinion - it's very valid - and that shows on the outside as well.

When I was doing 'Scarface,' I remember being in love at that time. One of the few times in my life. And I was so glad it was at that time. I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.

Any scene that involves stripping off is hell. You just know it's going to take a day or more to get it right. It never gets any better and it's always uncomfortable, and all you can do is grin and bare it. I just pray it's never gratuitous and that it doesn't look so fake that all you hear in the audience is, 'Well, that's not really her, is it?'

Share This Page