Quotes of All Topics . Occasions . Authors
At the beginning of each chapter, a heading tells us about what is happening in the chapter. We can ask, "What was going on here? What was this person feeling?" When we take time to look more closely at the scriptures, we can better understand what they can teach us. This will build our self-confidence and our testimony.
When you hear that my body has ceased to exist, please do not feel sad. Just look deeply and see that my life and work continue in so many friends, so many young people, in their own ways and through their work. I will continue in everyone and everything I have ever touched. I have nothinng to fear and nothing to regret.
We need to look at the repetitions in the stories we tell ourselves [and] at the process of the stories rather than merely their surface content. Then we can begin to experiment with changing the filter through which we look at the world, start to edit the story and thus regain flexibility where we have been getting stuck
If it is permitted to the enlightened but baffled Statesman, when deserted and fallen from his place, to appeal from the voices of the moment to the judgment of more impartial times, with what right can we call in question the loftier form of the same prophetic trust which looks to a present God rather than to future men?
I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
And when you look at the twentieth-century experiment with collectivism-that Ayn Rand, more than anybody else, did such a good job of articulating the pitfalls of statism and collectivism-you can't find another thinker or writer who did a better job of describing and laying out the moral case for capitalism than Ayn Rand.
When you grow up a fatherless son, in many ways you have to raise yourself. No one tells you what looks good on you, how to carry yourself, or provides the approval. Without a father, you grow up never knowing what you didn't have. There is no intimate model of who you want to become, so it's as if you're always guessing.
With Hairspray, we had a great experience. I always think of the last time I saw Divine: He was in the last booth in the back of the Odeon. Now every time I go in there, I look at that table. It was a wonderful night.Hairspray had been out a week; it was a hit. If I had to pick a night that was going to be the last night.
I have butt muscles, thigh muscles, and then my upper body is super skinny - except for in my shoulders, which you need for a little bit of strength to hold other players off the ball. So I think I've developed muscles 100 per cent from just shooting the ball and running. Every single thing about my body looks like soccer.
In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.
I like to think that people who really know me understand I am the same person - and that is something I will always fight to maintain. Obviously the money is there, but I want to stay the same. At the same time, I want my son to enjoy what I didn't have. My father-in-law often looks at all the toys and games Benjamin has.
I have a closet full of blazers and more striped shirts than any human could possibly wear. Somehow I think that I don't have striped shirts, and then I look at my closet and go, 'Oh, I have ten.' But then you always end up with your favourite striped shirt of the moment, and you don't end up wearing any of the other ones.
It's so hard when you're young to look at older people and understand that they have been where you are. It's the weirdest thing. You just can't get your head around that, can you? You can't get your head around the fact that someone who is 60 was once 16, if you're 16. But the fact is they have been, and they remember it.
In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.
Curran gave me a flat look. "I can always drive to a burger joint instead." "Oh, so you'd throw a burger down my throat and expect making out in the back seat?" He grinned. "We can do it in the front seat instead, if you prefer. Or on the hood of the car." "I'm not doing it on the hood of the car." "Is that a dare?" Why me?
I am no longer the left behind. I am the living. And I want everything this life has to offer. I stop for a second and look around at all the shops and stores and stalls. At all the people, going about their days, at all the moments they're living. This is what I want. I want to live every moment. I want to feel everything.
Look at Nelson Mandela. Why did people want to follow him? He's a lousy speaker. If he hadn't got all the other things, you wouldn't spend time listening to him. But people actually don't listen to what he's saying, in a way. They are listening to him because he has communicated that he is ready to put his life on the line.
Demean thyself more warily in thy study than in the street. If thy public actions have a hundred witnesses, thy private have a thousand. The multitude looks but upon thy actions; thy conscience looks into them: the multitude may chance to excuse thee, if not acquit thee; thy conscience will accuse thee, if not condemn thee.
I look back to the Great Depression, and what Roosevelt was able to do in very difficult times, to get Social Security through back in the time when it was seen as - well, it wasn't what it is today. It was sort of a last-ditch, if you really need it, you got it, but, today, it's much more a part of your retirement program.
[Chickens] are very frenetic. So if you think about it and you look back in other movies, like if someone's taking a crazy bus ride somewhere and it's like, 'Oh, what makes this bus ride crazy?' There's a chicken in the aisle, or like there's a chicken in a crate. So I just think the presence of chickens makes things crazy.
When I eat cilantro, it's like someone sprayed perfume down my throat. It closes up my throat, even if there's only a little piece. I like Mexican food, and I'll go out to a Mexican restaurant and tell them, 'Look, I will die if you get cilantro in my food.' Then there's always that one little piece that falls in, and I gag.
There are two consequences in history; an immediate one, which is instantly recognized, and one in the distance, which is not at first perceived. These consequences often contradict each other; ... look to the end of an accomplished fact, and you will see that it has always produced the contrary of what was expected from it.
These people in the establishment have been telling us they're the ones to fix everything and everything they've tried to fix, they've botched - TARP, the recession fix such as the stimulus bill. Look at the college - college education is an impediment because of how much it costs. A college education is no longer a step up.
When I was younger, I'd go to the Museum of Television and Radio in New York and watch this beautiful clip of Billie Holiday playing with a bassist, a pianist and Gerry Mulligan, who was a friend of mine, on baritone sax. At one point, she looks over at Gerry, and they just smile. When those moments happen, it's just lovely.
Gryffindor leads by eighty points to zero, and look at that Firebolt go! Potter’s really putting it through its paces now, see it turn — Chang’s Comet is just no match for it, the Firebolt’s precision-balance is really noticeable in these long —” “JORDAN! ARE YOU BEING PAID TO ADVERTISE FIREBOLTS? GET ON WITH THE COMMENTARY!
Luck took me right out of myself - I read it in one gulp, and it never let me down. Sharp and surprising but always responsible, no tricks for tricks' sake; so satisfying, with its shifting and puzzles. So much fiction turns out to be diversion, in spite of fancy claims, and doesn't really look at anything. Well - this does.
Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria. Bubbles go up very slowly as euphoria builds. Then fear hits, and it comes down very sharply. When I started to look at that, I was sort of intellectually shocked. Contagion is the critical phenomenon which causes the thing to fall apart.
If Jessica [Simpson] looks hot in something, I can definitely tell her that. But for me, out of the entire Simpson family, and out of all the Simpsons on the planet, and all the girls in the universe, the hottest one is the one I married. She could be sitting there in a pair of sweatpants and she beats out any girl in Maxim.
Bob Dylan had been a big sort of presence in my life but I'd never quite registered what he was trying to tell me. He was always this kind of figure, a sort of bear-like figure in the corner of the room. You know, every time I imagined what Bob Dylan looked like, he looked a bit like Steve Earl used to look - with the beard.
Poetry is not efficient. If you want to learn how to cook a lobster, it’s probably best not to look to poetry. But if you want to see the word lobster in all its reactant oddity, its pied beauty, as if for the first time, go to poetry. And if you want to know what it’s like to be that lobster in the pot, that’s in poetry too.
Take a look at the bombing of Serbia in 1999. The US was quite open about the reasons for the bombing. A main reason was to preserve stability and credibility. Serbia was interfering with stability, meaning that it was the one part of the Balkans that was not integrated into the Western-dominated (mostly US-dominated) system.
OPEC production went from 30 million barrels a day to 33 million. They flooded the market, and it's lost them a lot of money. Look at the Saudis: they just floated a $17.5 billion debt offering, they earlier borrowed $10 billion from a group of international banks; they're selling part of Aramco - they're desperate for money.
You know that kind of quiver that trembles around through you when you are seeing something so strange and enchanting and wonderful that it is just a fearful joy to be alive and look at it; and you know how you gaze, and your lips turn dry and your breath comes short, but you wouldn't be anywhere but there, not for the world.
God never intended us to want anything more than we want Him. Just the slightest glimpse into His Word proves that, Look at what the Bible says about God's chosen people, the Israelites, when they wanted food more than they wanted God: 'They willfully put God to the test by demanding the food they craved' (Psalm 78:18). Yikes
Music is the universal language, it evokes an emotion in all of us. That, we can all look at each other and we may not speak the same language, but that song or that melody can make us feel the same thing. And we can look at each other and agree and be like, "that did something for us". It makes us feel unified and connected.
As I look back on my fondness for the outdoors, and specifically the elements in nature that I find visually stimulating, I am surprised at how often the theme of dead trees arise. I guess it's that each one seems to have a story of its own, representing many years of living through everything that nature could throw at them.
Life is all about evolution. What looks like a mistake to others has been a milestone in my life. Even if people have betrayed me, even if my heart was broken, even if people misunderstood or judged me, I have learned from these incidents. We are human and we make mistakes, but learning from them is what makes the difference.
Isn't the small and common the field we live our life in? The large comes into a life through small-paned windows. A breath is small, but everything depends on it. A person looks at you a single, brief moment longer than is necessary, and everything is changed. The smaller the clue, the larger the meaning, it sometimes feels.
You know, it's very clear, as one looks back on history again of the Cold War that, following the crisis in Cuba, following the Khrushchev - beating down of Jack Kennedy in Vienna, that President Kennedy believed that we had to join the battle for the Third World, and the next crisis that developed in that regards was Vietnam.
If we are too busy, if we are carried away every day by our projects, our uncertainty, our craving, how can we have the time to stop and look deeply into the situation-our own situation, the situation of our beloved one, the situation of our family and of our community, and the situation of our nation and of the other nations?
When I look upon the faces of intelligent beings I look upon the image of the God I serve. There are none but what have a certain portion of divinity within them; and though we are clothed with bodies which are in the image of our God, yet this mortality shrinks before that portion of divinity which we inherit from our Father.
You know, if you look back in the 1930s, the money went to infrastructure. The bridges, the municipal buildings, the roads, those were all built with stimulus money spent on infrastructure. This stimulus bill has fundamentally gone, started out with a $500 rebate check, remember. That went to buy flat-screen TVs made in China.
I also like to look at the dynamic that takes place between religion and science because, in a way, both are asking the same questions: Who are we? Where do we come from? Why are we here? Where are we going? The methodologies are diametrically opposed, but their motivation is the same; the wellspring is the same in both cases.
There are popular celebrities, there are unpopular celebrities and then there are the walking dead. You know the walking dead when you see them: they look like Mel Gibson, still striving for drunken charm in an L.A. County mug shot, after getting picked up on a DWI charge that included anti-semitic slurs directed at the police.
That is why he appears to us who are deeply life-hypnotized, obsessed about being alive in any way, as life-negating. To us, just to be alive seems to be the end. We are so much afraid of death that Buddha appears in love with death, and that looks abnormal. He seems to be suicidal. This is what many have criticized Buddha for.
If someone is interested in working with me, I would much rather them email me and we sit down or get on the phone, than them look at a client list and decide if I'm worth it or not. It should be based on work, and based on how we get along. As opposed to like, "Oh, he's worked with this, this, and this. Let's go. That's fine."
A close friend of mine, Annie Leibovitz, who I've known for forty years, photographs celebrities every single day of the week but they all seem to look the same even though she's one of the most creative photographers alive. They all just look the same. Brad Pitt is a great actor but all the pictures of Brad Pitt look the same.
Capitalism is like this fractal thing where anything that contains an element of capitalism anywhere inside it is just something that turns into capitalism. It is an incredibly defeatist attitude. If you choose to look at reality that way, I suppose you can, but you have to do enormous violence to reality to do so consistently.
When I've written episodes of 'Doctor Who', when it comes to the monster chasing somebody, it's the Doctor and the companion, running down the corridor, being chased by a guy with a stick and a tennis ball on the end. Whereas, when I see the rushes of 'Being Human', we're actually looking at the werewolf, and it just looks real.