Quotes of All Topics . Occasions . Authors
The look Anthony shot at his sister was so comically malevolent Simon nearly laughed. He managed to restrain himself, but mostly just because he was fairly certain that any show of humor would cause Anthony's fist to lose its battle with his brain, with Simon's face emerging as the conflict's primary casualty.
I have often caught sight of myself, my spine humped over, defining my hollowness, my head too heavy for my body, swinging like the oversized blossom of some cruelly bred plant; admiration for the world spread for the world to see on my gullible face-unlike my other face with the sour look of a starved peasant.
I think there was a bit of brotherly love, but I think everything has a motive when you're king. It's all about maintaining that power - securing that power - and I think Edward was very skillful at doing that. I think he was a great king. Opinions are split, if you look at what he's done and written about him.
XXIX Traveler, there is no path. The path is made by walking. Traveller, the path is your tracks And nothing more. Traveller, there is no path The path is made by walking. By walking you make a path And turning, you look back At a way you will never tread again Traveller, there is no road Only wakes in the sea.
There is one thing about Englishmen, they won't fix anything till it's just about totally ruined. You couldn't get the English to fix anything at the start. No! They like to sit and watch it grow worse. Then, when it just looks like the whole thing has gone up Salt Creek, why, the English jump in and rescue it.
Hillary Clinton was the one pressing the hardest for bombing, and look at what happened. They not only destroyed the country, but Libya has become the center for jihad all over Africa and the Middle East. It's a total disaster in every respect, but it does not matter. Look at the so-called global war on terror.
The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
Hey Rid?" She stopped and turned to look at him, almost ruefully. Like she couldn't help what she was any more then a shark could help being a shark, but if she could... "Yeah, Shrinky Dink?" "You're not all bad." She looked right at him and almost smiled. "You know what they say. Maybe I'm just drawn that way.
Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.
I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.
Nothing like one honest look, one honest thought of Christ upon His cross. That tells us how much He has been through, how much He endured, how much He conquered, how much God loved us, who spared not His only begotten Son, but freely gave Him for us. Dare we doubt such a God? Dare we murmur against such a God?
I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
We have already noticed the difference in the attitude of a spectator and of an agent or participant. The former is indifferent to what is going on; one result is just as good as another, since each is just something to look at. The latter is bound up with what is going on; its outcome makes a difference to him.
In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.
Nothing is safe from you. If I were to court a girl who lived on an iceberg in the middle of the ocean, sooner or later— probably sooner— I’d look up to see you swooping overhead on a broomstick. In fact, by now I’d be disappointed in you if I didn’t see you.” “Are you off to the iceberg today?” Sophie retorted.
I'd like to emphasize that when a reader finishes a great novel, he will immediately begin looking for another. If someone loves your book, it increases the chance that he or she will look at mine. So there is no competition between writers. Another writer's success helps build a larger readership for all of us.
Money has always been a particular problem for revolutionaries and anti-capitalists. What will money look like 'after the revolution'? How will it function? Will it exist at all? It's hard to answer the question if you don't know what money actually is. Proposing to eliminate it entirely seems utopian and naive.
All of us who study the origin of life find that the more we look into it, the more we feel it is too complex to have evolved anywhere. We all believe as an article of faith that life evolved from dead matter on this planet. It is just that life's complexity is so great, it is hard for us to imagine that it did.
Why on earth do you carry a mirror around with you?” “It's purely a defensive device. We seldom quarrel, and this is one of the reasons. Can you imagine yourself getting all worked up and contorted and illogical and then coming face to face with yourself, looking at yourself exactly as you look to everyone else?
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
That was enterprising," Will sounded nearly impressed. Nate smiled. Tess shot him a furious look. "Don't look pleased with yourself. When Will says 'enterprising' he means 'morally deficient.'" "No, I mean enterprising," said Will. "When I mean morally deficient, I say, 'Now, that's something I would have done'.
I don't want to be an object of consumption. I like to get out there and participate because I care about it. It's not because I've gotten filthy rich off the hides of young skaters that I feel some sickening obligation to act on, and make myself look like I'm not that bad of a guy. It's because I actually care.
The search for a life-style involves a journey to the interior. This is not altogether a pleasant experience, because you not only have to take stock of what you consider your assets but you also have to take a long look at what your friends call “the trouble with you.” Nevertheless, the journey is worth making.
Investors should be skeptical of history-based models. Constructed by a nerdy-sounding priesthood using esoteric terms such as beta, gamma, sigma and the like, these models tend to look impressive. Too often, though, investors forget to examine the assumptions behind the models. Beware of geeks bearing formulas.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
It's a form of violence, in the way that we look at women and how we expect them to look and be - for what sake? Not health, not survival, no enjoyment of life but just so you could look pretty. I'm constantly telling girls all the time, 'Everything's airbrushed, everything's retouched. None of us look like that.
Look, I think liberals have reasonable gripes with Fox News. It does lean to the right, primarily in its opinion programming but also in its story selection (which is fine by me) and elsewhere. But it's worth remembering that Fox is less a bastion of ideological conservatism and more a populist, tabloidy network.
I'm not one of those people who wakes up and thinks, 'Bring on the day!' I have to have about 7 pints of coffee before I'm even remotely awake. But I love the golden hour in the evening, as hokey as that sounds. Just as the sun is about to set and you get those lovely shadows and everything looks gold and yellow.
I fell in love with hip-hop a little bit late; I grew up on Another Bad Creation and Kris Kross. But my mom got me a TV in my room, and I remember seeing Biggie's 'Give Me One More Chance,' and I was like, 'Oh, this is how a house party looks!' I really, really fell in love with it when Tupac created 'Dear Mama.'
Something in the human psyche confuses beauty with the right to be loved. The briefest glance at human folly reveals that good looks and worthiness operate independently. Yet countless socializing forces, from Aunt Clara to the latest perfume ad, reinforce beliefs like 'If I were pretty enough, I would be loved.'
So is civil society prepared for the future? Probably not. Most organisations have to live hand to mouth, juggling short-term funding and perpetual minor crises. Even the bigger ones rarely get much time to stand back and look at the bigger picture. Many are on a treadmill chasing after contracts and new funding.
There is this tremendous amount of arrogance and hubris, where somebody can look at something for five minutes and dismiss it. Whether you talk about gaming or 20th century classical music, you can't do it in five minutes. You can't listen to 'The Rite of Spring' once and understand what Stravinsky was all about.
Try to forget what objects you have before you - a tree, a house, a field, or whatever. Merely think, 'Here is a little square of blue, here an oblong of pink, here a streak of yellow,' and paint it just as it looks to you, the exact color and shape, until it gives you your own impression of the scene before you.
Normally, you have all this knowledge from all the films that you've done that you've accumulated over the years, and you can constantly look back when you're in some sort of fix and say, "Well, on so-and-so film, we did this, and it worked out fine." You can point to these things, and you can have that assurance.
Aren't the stars beautiful? Thousands of them twinkling so far from us, yet so near. Who knows what it's like in the universe where they are? ... I can't breathe when I look at them. I bet somewhere out there we could understand what life is really about, and find a way to bring a bit more meaning into this world.
I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
I don't like standing near the edge of a platform when an express train is passing through. I like to stand right back and if possible get a pillar between me and the train. I don't like to stand by the side of a ship and look down into the water. A second's action would end everything. A few drops of desperation.
But writers experience the world and themselves in a unique way. We look for meaning. We see it even when we are not paying attention, which is seldom because, as writers, paying attention is what we do. We are scribes to the ticking of the days, and we have a job to do. We are not at peace unless we are doing it.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
The concept of 'obscenity' is tested when one dares to look at something that he has an unbearable desire to see but has forbidden himself to look at. When one feels that everything that one had wanted to see has been revealed, 'obscenity' disappears, the taboo disappears as well, and there is a certain liberation.
I look at some of the kids that I interact with, and they were born with so many disadvantages. And you could start off in your first interaction with them saying, "Unless they get a lot of compensatory help, they're not going to be able to compete; they're just so far behind, and they're wounded and they're hurt."
The old man was peering intently at the shelves. 'I'll have to admit that he's a very competent scholar.' Isn't he just a librarian?' Garion asked, 'somebody who looks after books?' That's where all the rest of scholarship starts, Garion. All the books in the world won't help you if they're just piled up in a heap.
Would all, who cherish such wild wishes, but look around them, they would oftenest find their sphere of duty, of prosperity, and happiness, within those precincts, and in that station where Providence itself has cast their lot. Happy they who read the riddle without a weary world-search, or a lifetime spent in vain!
Whoo-hoo-hoo, look who knows so much. It just so happens that your friend here is only MOSTLY dead. There's a big difference between mostly dead and all dead. Mostly dead is slightly alive. With all dead, well, with all dead there's usually only one thing you can do. Go through his clothes and look for loose change.
I am a very honest person, and I can only say there are moments in my life where I really did think I was being me in the sense of my morals and beliefs and the way I acted. But when I look back at certain things that I wore and my hair and make-up, I was like, 'Whoa! That wasn't me!' But I didn't know it back then.
I have had a very charmed life. I look at what's happened in my life, and I feel so lucky. I don't know how it occurred. I didn't plan it, but I got to be with my family when I needed to be with my family. I got to go and travel the world, doing these amazing projects, and I feel like I'm so privileged and grateful.
Today you see so many lady-boys in Bangkok roaming the streets where they have even removed their Adam's apple through surgery to look like girls. That's tampering with nature, but I feel if one needs to do little things to look good as we are in the looks business, then one shouldn't hesitate to do plastic surgery.
Let's take the nine states that have no income tax and compare them with the nine states with the highest income tax rates in the nation. If you look at the economic metrics over the last decade for both groups, the zero-income-tax-rate states outperform the highest-income-tax-rate states by a fairly sizable amount.
I must start at the beginning, if I can find it. Beginnings are elusive things. Just when you think you have hold of one, you look back and see another, earlier beginning, and an earlier one before that. Even if you start with "Chapter One: I Am Born, " you still have the problem of antecedents, of cause and effect.