People say, 'Burt Reynolds is so good-looking.'... I used to set him up for bait. I'd send him to the student union, and he'd come back with a beautiful girl and an ugly one. But his ugly girls were better than anything I'd get on my own. With his looks and my car, we'd kill 'em in Tallahassee.

I think that the American people are curious about who a candidate is, what their background is, who their family is, what their faith experience has been, their education, their work experience. All of those are factors that voters look at because they want to take a measure of the individual.

Look, I realize both of you could happily strangle each other across the table, but I don't think that's the most effective use of our time, and frankly, I don't think I have enough money to tip the waitress for that kind of clean-up. And look, here's lunch. Let's eat that instead of eachother.

I still don't feel I know Hitchcock at all. I find that the more one looks, the more elusive he becomes. But my admiration for Hitchcock the filmmaker remains undiminished. He is a giant of the cinema and the darkness in him informs his cinematic language. You can't separate one from the other.

Writing is a solitary existence. Making a movie is controlled chaos - thousands of moving parts and people. Every decision is a compromise. If you're writing and you don't like how your character looks or talks, you just fix it. But in a movie, if there's something you don't like, that's tough.

You must have this charm to reach the pinnacle. It is made of everything and of nothing, the striving will, the look, the walk, the proportions of the body, the sound of the voice, the ease of the gestures. It is not at all necessary to be handsome or to be pretty; all that is needful is charm.

I think being an artist is having the courage to be original. Many great artists, including Picasso, have all been influenced by the great master paintings... And then finally, they leap, they take off... they become themselves. Then it looks like they just came out of nowhere. Just like 'Pow!'

We know what the birth of a revolution looks like: A student stands before a tank. A fruit seller sets himself on fire. A line of monks link arms in a human chain. Crowds surge, soldiers fire, gusts of rage pull down the monuments of tyrants, and maybe, sometimes, justice rises from the flames.

I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.

I felt different from everyone else - like an alien. The looks I received when I was 320 pounds were ones usually reserved for three-eyed monsters, half-man half-woman reptiles, creatures with hideous rolls of skin that sweated profusely and jiggled when they walked. That last one really was me.

If you stand back and look at it in a global sense you'll find this [Irish people in music] was happening everywhere. Which is just another example of a wave of artistic endeavour that changes. It reaches a certain point, learn from what its done and move on. We seemed to have picked up on that.

I've seen a lot of political violence in my life. I know what it looks like. I know what it smells like. I know what motivates young men to do it. I've talked to them about it. I know what victims feel like, you know? I know the abominable effect it has on politics. I know how intractable it is.

The Koran claims for itself that it is "mubeen," or clear. But if you look at it, you will notice that every fifth sentence or so simply doesnt make sense. Many Muslims and Orientalists will tell you otherwise, of course, but the fact is that a fifth of the Koranic text is just incomprehensible.

Strengths are not activities you're good at, they're activities that strengthen you. A strength is an activity that before you're doing it you look forward to doing it; while you're doing it, time goes by quickly and you can concentrate; after you've done it, it seems to fulfill a need of yours.

A politician or political thinker who calls himself a political realist is usually boasting that he sees politics, so to speak, in the raw; he is generally a proclaimed cynic and pessimist who makes it his business to look behind words and fine speeches for the motive. This motive is always low.

I hadn't realized how much I'd relied on his scowls or his shrugs or his grudging looks of approval to help me figure something out-until they weren't there anymore. Or how I could talk to some people about a lot of things but only to him about everything. And how unbelievably valuable that was.

I know how I like my house. I like it cute and cozy and a little funky, and I like it to feel lived in and worn, and I like the things inside of it to work. That's all. And for me, it's fine that my house's interior suggests that I might not spend every waking moment thinking about how it looks.

I shudder at the very thought of being born again into this world. Life to me . . . has been a monstrous, painful, agonizing affair, and the idea of repeating such an existence - even if better in a way - is horrifying to me. . . . I gratefully look forward to oblivion, but I must be sure of it.

If you ask someone if they like music, they look at you strangely. It seems to be a universal given. Like asking someone if they like breathing. It is like breathing. Or air, rather. Flowing without and within. A matrix within which our lives are set. The setting for the tableware of our beings.

I have in my own life merely carried to the extreme that which you have never ventured to carry even halfway ; and what's more, you've regarded your cowardice as prudence, and found comfort in deceiving yourselves. So that, in fact, I may be even more "alive" than you are. Do take a closer look!

In an age where there's so much active misinformation and its packaged very well and it looks the same when you see it on a Facebook page or you turn on your television. Where some overzealousness on the part of, you know, a U.S. official is equated with constant and severe repression elsewhere.

I'm really trying to respond to the foods that are in the stores and just pulling the things that are the very best and cook what looks beautiful and is seasonal. That's the way to go. I love going to the grocery store and the market. None of it's drudgery for me. Washing dishes is the drudgery.

Doctors are mostly impostors. The older a doctor is and the more venerated he is, the more he must pretend to know everything. Of course, they grow worse with time. Always look for a doctor who is hated by the best doctors. Always seek out a bright young doctor before he comes down with nonsense.

If you're on the path you're meant to be on, everything falls into place; the Universe is telling you that. If you are not on the right path, you will experience roadblocks all along the way, and this is also the Universe telling you to stop, look, and ask if this is where you are supposed to be.

When women apply for a job, we ask ourselves, 'Am I qualified? Do I have the experience? Do I have the education? Do I have the abilities?' When a man looks at that job, he thinks, 'How much does it pay?' We need to stop second-guessing our abilities. We need to stand up and make ourselves heard.

When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.

The more money you get, the bigger target you become. That's true. It's sad but it's true that you have to be aware of every person that comes to you with the next greatest deal. You just have to look at every single person with a fine lens. That's the way my life is going to be from here on out.

Essentially, I look for what is interesting to me, out there in the three-dimensional world, and translate or interpret so that it becomes visually pleasing in a two-dimensional photographic print. I search for subject matter with visual patterns, interesting abstractions and graphic compositions.

We are not responsible for our feelings, as we are for our principles and actions. ... Our care, then, should be to look to our principles, and to avoid all anxiety about our emotions. Their nature can never be wrong where our course of action is right, and for their degree we are not responsible.

The part you don't expect when you start out is all the people who come into your life wanting a piece of you, not caring about your wellbeing. The insane schedule is very difficult. Touring looks very glamourous but it's hard and gruelling - the travelling, the meet-and-greets - it was too crazy.

I always have this red nose in my pocket, and if it looks like I'm taking things too seriously, or the person I'm talking to is taking them too seriously, I put the nose on. It doesn't matter what we're doing or talking about, it doesn't matter if we agree or disagree, the nose changes everything.

Brad Pitt is a dude who just wants to make good movies. He's not afraid to surround himself with the greatest actors, which I always appreciate because I've also seen actors who only want to surround themselves with weak actors because it makes them look better. That ends up making a poorer movie.

Religion looks forward to the destruction of the world.... Perhaps half aware that its unsupported arguments are not entirely persuasive, and perhaps uneasy about its own greedy accumulation of temporal power and wealth, religion has never ceased to proclaim the Apocalypse and the day of judgment.

I'd love to get fat on camera. Wouldn't that be great? I'll tell you what's almost as hard though, getting bulked up, getting that big. Here we are in LA and you see guys walking down the street and everyone looks like Arnold Schwarzenegger. That's really quite grim, if you haven't done it before.

I don't like to risk - I'm actually not a tough guy at all, make no mistake about it, so I'm not going to do something that I'm scared of. So, if something looks dangerous, at the time I didn't think it was, because I'm the first person to cower away from a risk of injury if there seems to be one.

I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me -as an artist, the only notable thing- ought to look carefully at my pictures and try and see in them what I am and what I want to do.

Age simply doesn't enter into it! The older the friend, the more he is valued, particularly when he shows so visibly the characteristics that we all look for in friends. You have only to look at a genuine teddy's face to see at once the loyalty, common sense, and above all, dependability behind it.

If you take a diamond that's raw and you put one face to it, it has that one face, and then you've gotta find another face. At the end, you're going to have this diamond that's everything you've done. I feel that's the way you should look at it because that puts you in a constant state of progress.

When you're shooting that fast end to end, you wake up in a hotel and you don't know where you are. You're dreaming of Singapore, you wake up in Hong Kong. Or you just lose track. It's one of the reasons I'm staying in hotels that I know I've stayed in before, and they don't look like other hotels.

You look at a clock and it tells you it's eight o'clock, you know the number of hours that has been before eight; you know the number of hours you've got after eight. You can now measure your time to see if you can get done a number of things you've got to get done. History serves the same purpose.

Why, man alive, Laura! Just look about you a little. What do you see? A world full of common people! All of 'em born and all of em' going to die! Which of them has one-tenth of your good points! Or mine! Or anyone else's, as far as that goes - gosh! Everybody excels in some one thing. Some in many!

When you see a person, do you just concentrate on their looks? It's just a first impression. Then there's someone who doesn't catch your eye immediately, but you talk to them and they become the most beautiful thing in the world. The greatest actors aren't what you would call beautiful sex symbols.

I'm trying to photosynthesize like a plant. I'm off eating. Although I am making a lot of banana daiquiries in my room in the blender I've got, with lots of powdered vitamins in them. This tour I'm going to get some Afghani hangings and put them in my room, so that my hotel rooms look like mosques.

Many of you have asked the Lord, looking at Him: Why, Lord? And the Lord answers to each one of you, to your heart, Christ responds with His heart. It's the only thing I can tell you. Let us look to Christ, He is the Lord and He understands us because He underwent all the trials that we go through.

From my earliest years I had always wanted to be a writer. It was not that I had any particular message for humanity. I am still plugging away and not the ghost of one so far, so it begins to look as though, unless I suddenly hit mid-season form in my eighties, humanity will remain a message short.

When you're young, and you head out to wonderful, everything is fresh and bright as a brand new penny, but before you get to wonderful you're going to have to pass through all right. And when you get to all right, stop and take a good long look, because that may be as far as you're ever going to go.

MAC is truly at the forefront of trendsetting, which reminds me every time I see a MAC campaign or the incredible looks their artists create backstage at fashion weeks around the world. It's an honor to partner with a brand with such an incredible heritage and unrivaled expertise in makeup artistry.

I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between.

There is a purpose to our lives, even if it is sometimes hidden from us, and even if the biggest turning points and heartbreaks only make sense as we look back, rather than as we are experiencing them. So we might as well live life as if - as the poet Rumi put it - everything is rigged in our favor.

Now for the hitch in Jane's character,' he said at last, speaking more calmly than from his look I had expected him to speak. 'The reel of silk has run smoothly enough so far; but I always knew there would come a knot and a puzzle: here it is. Now for vexation, and exasperation, and endless trouble!

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