I know there's Botox and all these skin-firming treatments, but I'm afraid they'll make me look weird.

People would look at me weird. You know, like, 'Why is this guy's hands always in his pockets?' But I was embarrassed by the size of my hands.

For ages, I had this mullet until someone on the street stopped me and said, 'Darling, can I cut your hair for free? Because you look a bit weird.'

I'm really not that weird. I'm a combination of a lot of different things. Maybe it's just easier to make me look weird than another model who is specifically Caucasian.

It's really weird because my house is very ornate, but my writing lair is very, very blank. It's white, the furniture is white. It gives me nothing to look at, so I just have to concentrate!

When I'm 65 and still performing every week, I'd like people to say, 'You know, when that guy was a kid, he made these weird, crazy videos?' And they'll have to go look for them - rather than it being the first thing they know about me.

What was weird for me after 'Amelie' was how people look at you. It moves all your relationships and sometimes even your intimate ones, and you don't understand why suddenly everything around you changes, because you are exactly the same person.

My hair - it's baby thin and feathery and drives me crazy no matter what I do with it. It's weird because you see people with thicker hair that just kind of stays put, but if I'm in any sort of weather, I look like Bill Murray in 'Kingpin' when it starts to all come unleashed.

I've been having this really weird anxiety dream about arriving too late or too early, and the people in charge are like, 'You have to leave! You have to go back to the hotel and get ready!' And I use the wrong exit, and I'm running down the red carpet in pyjamas, like, 'No! Don't look at me!'

When I first got sick, they told me I had a year to live, and I was writing my memoir really fast. There were really weird things happening with my nervous system and my heart and stuff, and it didn't look like I was gonna make it, so I was writing really fast, and then I couldn't write anymore.

Once, when I was about eight, my mum handed me a sandwich, and I remarked: 'What are those weird things on your hands?' I was referring to the visible pores, which were such a contrast to my own alabaster-smooth skin. My mum looked mortified, while my grandma laughed and said: 'They're nothing - look at mine!'

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