Quotes of All Topics . Occasions . Authors
Did you find any artists complaining who don't already complain all day long about everything? No. But have you ever met a dealer who thought it was okay? Well, you maybe. It's still the art world. It's meant to be extreme. It's supposed to stand for liberty or whatever but really it's an extremely conservative environment. Why does everyone wear jeans? Because it's practical. To say something is taboo-breaking is to assume you have a clear image of the quality of a dealer. But there are certain dealers who always work this way.
As you learn to consciously observe the transformation process, you will watch yourself repeating a lot of old patterns long after you seemingly know better. Spiritually and intellectually, you realize there is another way, but emotionally you are still clinging to the old habits. This is a difficult time. Try to be patient and compassionate with yourself. When you recognize the futility of an old pattern so clearly, it's about to change! A short time later, you will suddenly begin to respond differently, in a more positive way.
I've long had the idea that the factors that are most important in determining what we believe, how we live, and what we accomplish are matters of accident. That is, we did not choose where to be born, who our parents would be, or what we would look like. Yet those factors play an enormous role in almost everything about is. W/regard to issues of cosmopolitanism, the most obvious point is that how we identify ourselves in terms of nationality, cultural subgroups, and religion are all pretty much a function of where we were born.
Not only does the modern person often think that sight is more important than sound - there's no objective evidence to indicate that. Many people, even audiologists who study the science of human speech and hearing, have assumed for a long time that the human ear evolved to hear the human voice, rather than the voice changing to fit the human ear. And the human ear is actually not a perfect match if we map its sensitivity to the different frequencies in the human range of hearing; it's an unequal curve, it's kind of a wavy line.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
Then I place the blade next to the skine on my palm. A tingle arced across my scalp. The flood tipped up at me and my body spiraled away. Then I was on the ceiling looking down, waiting to see what would happen next. What happened next was thet a perfect, straight line of blood bloomed from under the blade.The line grow into a long, Fat bubbel, A lush crimson bubbel that got bigger and bigger. I watch from above, waiting to see how big it would get before it burst. when it did, I felt awesome. Satisfied, finally. Then exhausted.
Every time I would arrive in China I would go through a few days of depression from being reminded of both short-term and long-term ruin; the ruining of the city that is happening in the short-term, and the ruining of culture and history that has happened over decades. When you see a building that says so much about the culture that built it being destroyed, there are a lot of emotions. You feel a lot of anger when you see a building being destroyed and realize that it's just a small part of what's going on in the entire country.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
In these sacred documents are embodied eternal principles that no man, group of men, or nation has the right to withhold from others. Here is our basis for freedom of individual achievement. Our Constitution with its Bill of Rights guarantees to all our people the greatest freedom ever enjoyed by the people of any great nation. This system guarantees freedom of individual enterprise, freedom to own property, freedom to start one's own business and to operate it according to one's own judgment so long as the enterprise is honorable.
You're wrong," I told her. "I lost that faith a long time ago." She looked at me as I said this, an expression of quiet understanding on her face. "Maybe you didn't, though," she said softly. "Lose it, I mean." "Lissa." "No, just hear me out." She looked out at the road for a second, then back at me. "Maybe, you just misplaced it, you know? It's been there. But you just haven't been looking in the right spot. Because lost means forever, it's gone. But misplaced... that means it's still around, somewhere. Just not where you thought.
How can the oppressed, as divided, unauthentic beings, participate in developing the pedagogy of their liberation? Only as they discover themselves to be 'hosts' of the oppressor can they contribute to the midwifery of their liberating pedagogy. As long as they live in the duality in which to be is to be like and to be like is to be like the oppressor, this contribution is impossible. The pedagogy of the oppressed is an instrument for their critical discovery that both they and their oppressors are manifestations of dehumanization.
The hardest thing about being an outcast isn't the love you don't receive. It's the love you long to give that nobody wants. After a while, it backs up into your system like stagnant water and turns toxic, poisoning your spirit. When this happens, you don't have many choices available. You can become a bitter loner who goes through life being pissed off at the world; you can fester with rage until one day you murder your classmates. Or, you can find another outlet for your love, where it will be appreciated and maybe even returned.
There hasn't been a leak from one of the associates of the king saying, "This guy Trump, he already insulted us wanting ketchup with his steak, and then he wanted two scoops of ice cream on the falafel. It's not done. This guy's an absolute barbarian." And there hasn't been a leak from an associate of King Salman telling somebody in the Drive-By Media that Donald Trump looked at his son, the prince, and said, "Man, I hope you live a long time 'cause your son's a nut job." We haven't had leaks like this about the Trump foreign trip.
I have a lot of women friends - I feel like I finally matured a little. But initially I was attracted to some of them. I liked everything they were about. I think men are just taught: "Okay, well then, I should try to have sex with them." I'm just lucky that it went in the friendship direction, and it became a much stronger bond that's lasted a long time. You wonder how many potentially great friends you lose along the way because you become lovers and it is so painful when it's over and you can't turn it into a positive friendship.
TEF is predicated on logic, a simple wager that every human faces: If a reasoning human being loves and values life, they will want to live as long as possible-the desire to be immortal. Nevertheless, it's impossible to know if they're going to be immortal once they die. To do nothing doesn't help the odds of attaining immortality-since it seems evident that everyone will die someday and possibly cease to exist. To try to do something scientifically constructive towards ensuring immortality beforehand is the most logical conclusion.
We need to realize that these industrial methods of farming have gotten us used to cheap food. The corollary of cheap food is low wages. What we need to do in an era when the price of food is going up is pay better wages. A living wage is an absolutely integral part of a modern food system, because you can't expect people to eat properly and eat in a sustainable way if you pay them nothing. In fact, it's cheap food that subsidized the exploitation of American workers for a very long time, and that's always been an aim of cheap food.
The mental disease of the present generation is impatience of study, contempt of the great masters of ancient wisdom, and a disposition to rely wholly upon unassisted genius and natural sagacity. The wits of these happy days have discovered a way to fame, which the dull caution of our laborious ancestors durst never attempt; they cut the knots of sophistry, which it was formerly the business of years to untie, solve difficulties by sudden irradiations of intelligence, and comprehend long processes of argument by immediate intuition.
Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is 'I-consciousness'. Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of 'I' exists. When the 'I' disappears, what is remains. That cannot be described in words.
I know for myself my big, long friendships they don't have the same problems any more, but they also-when you get together you often times just have a drink and watch football together. You're not really talking about everything so much the same way. You just need to be around each other, and yet you can look at each other and so much is said just between those minutiae- it's totally subtle is really what it is. I felt like that, you know, a life that's been so totally dramatic then becomes beauty in the fact that it's just so small.
And another thing. Don’t ever kid yourself about loving some one. It is just that most people are not lucky enough ever to have it. You never had it before and now you have it. What you have with Maria, whether it lasts just through today and a part of tomorrow, or whether it lasts for a long life is the most important thing that can happen to a human being. There will always be people who say it does not exist because they cannot have it. But I tell you it is true and that you have it and that you are lucky even if you die tomorrow.
I did speak out about celebrities because I thought it was appalling. I thought that if the cartoon became popular, it was only going to last as long as the career of the people who are in it. They didn't make up timeless voices. They used their own. They brought nothing to the table, in other words. There was no alchemy. That's why a cartoon was so alluring, was that a human being went into a place and created this supernatural sound, or whatever sound it was supposed to be that was totally unlike their own, and did it in multiples.
So long as millions of human beings in every country has to sell their labour-power to a small minority of owners, and to sink into the most wretched misery if they could find no buyers, the so called “equality before the law” remains a pious fraud, since the laws are made by those who find themselves in possession of the social wealth. But in the same way there can also be no talk of a “right over one's own person,” for that right ends when one is compelled to submit to the economic dictation of another if he does not want to starve.
Then it is in me, too, the psychotic streak. A psychotic world we live in. The madmen are in power. How long have we known this? Faced this? And-how many of us do know it? ... Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses-what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse, the truth...?
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
Suppose you were to come upon someone in the woods working feverishly to saw down a tree. "What are you doing?" you ask. "Can't you see?" comes the impatient reply. "I'm sawing down this tree." "You look exhausted!" you exclaim. "How long have you been at it?" "Over five hours," he returns, "and I'm beat! This is hard work." 'Well, why don't you take a break for a few minutes and sharpen that saw?" you inquire. "I'm sure it would go a lot faster." "I don't have time to sharpen the saw," the man says emphatically. "I'm too busy sawing!"
Once I had the voice, I knew I wasn't going to fall off the bicycle. I tap right back into it. It really was like learning how to ride a bike - you never forget, and I was able to carry it along with some ease. I never encountered any stumping problems that left me not knowing what to do, so I was mostly able to hold my ground. Of course, I should mention that it took me a long time to actually acquire the voice; there were a lot of frustrated attempts along the way, revisions to long sections and versions of the book that I abandoned.
Billy was fascinated by the television. At its most basic level, it occupied his time and shut out the demons of isolation. This was another irony because, for so long, he had shunned the tube for a similar purpose-to prevent it from bombarding his brain with demons of banality. However, each time he turned the machine on, he began to discover a world of assorted delights, as well as gain insight into the insidious manner in which this medium was shaping the mass psyche. If nothing else, he learned there was nothing innocuous about it.
Reagan said that government is not the solution to our problems, government is the problem. And he was going to dismantle that government. Well, long story short, he failed to do that. He built up the military to a much greater status, more people in it, and actually more employees after the end of the Reagan administration. And, to achieve his objectives, he did some of the very same things that Trump is doing to achieve his. What Ronald Reagan really wanted to dismantle was the welfare state. And he had limited success in doing that.
I have kept diaries, of course, but they can't be read for quite a long time. I'm always curious about people who are fascinated by writers' lives. It seems to me that we're always in our books, quite nakedly. I wonder, too, does the private life really matter? Who cares what is known about you and what isn't? Even when you make public something that's been private, most people don't get it - not unless they're the same generation and have gone through more or less the same experiences. So, in a sense, we're all private, by definition.
Your life is not predestined, as in Calvinist thought, where everything is written down in the book of life long before your birth and is inescapable. There are choices, accidents, hints and wrong paths, and the ego you, or whatever you call yourself, is a factor in all this. But there is still this other factor that keeps calling. At some moment, people turn, in despair or when they are unable to go any longer on a certain route, and this inner voice says, "Where have you been? I've been waiting for you to turn to me for a long time."
Swami cannot give peace of mind; you must work for it yourselves. First, stop the questioning and ask, 'who am I?'. This is my body, my mind, my intelligence. But who is this 'My'? Who is it that claims the ownership of that which is declared to be 'mine'? 'My' indicates ownership. That 'My' is the life. As long as the life is in the body, there is this connection between the 'my' and the intellect - 'my' body, 'my' house, 'my' land. But the moment you remove the life from the body, there is no 'my' or sense of possession. Life is God.
When I saw that scene [in ocean from the Aquarius] for the first time, it blew me away. It caused me to reflect on my age, my history and all that I've been through in Brazil. Having been away from Brazil for so long, while not speaking in my own tongue, when I saw that image, I felt like I was taking my first deep breath after nearly suffocating to death. It was like the plastic had been removed from my head. Even if this breath turned out to be my last, at least I got to have this one moment of release. At least I got this one chance.
When you are waiting for a train, don't keep perpetually looking to see if it is coming. The time of its arrival is the business of the conductor, not yours. It will not come any sooner for all your nervous glances and your impatient pacing, and you will save strength if you will keep quiet. After we discover that the people who sit still on a long railroad journey reach that journey's end at precisely the same time as those who "fuss" continually, we have a valuable piece of information which we should not fail to put to practical use.
But I am all for love, and I am against marriage, particularly the arranged kind, because the arranged marriage gives you satisfaction. And love? - love can never satisfy you. It gives you more and more thirst for a better and better love, it makes you more and more long for it, it gives you tremendous discontentment. And that discontent is the beginning of the search for God. When love fails many times, you start looking for a new kind of lover, a new kind of love, a new quality of love. That love affair is prayer, meditation, sannyas.
Dementors are among the foulest creatures that walk this earth. They infest the darkest, filthiest places, they glory in decay and despair, they drain peace, hope, and happiness out of the air around them. Even Muggles feel their presence, though they can’t see them. Get too near a Dementor and every good feeling, every happy memory will be sucked out of you. If it can, the Dementor will feed on you long enough to reduce you to something like itself — soul-less and evil. You’ll be left with nothing but the worst experiences of your life.
The purpose of problems is to push you toward obedience to God's laws, which are exact and cannot be changed. We have the free will to obey them or disobey them. Obedience will bring harmony, disobedience will bring you more problems... There was a time when I thought it was a nuisance to be confronted with a problem. I tried to get rid of it. I tried to get somebody else to solve it for me. But that was a long time ago. It was a great day in my life when I discovered the wonderful purpose of problems. Yes, they have a wonderful purpose.
I have seen quite a few folk whom I know to be both fair minded and, as it happens,[Bob] Dylan fans, take up cudgels for this position. To them, it's not necessarily that Dylan doesn't merit the highest honour. It's that he doesn't merit this specific highest honour [Nobel prize], in the way a champion pole vaulter shouldn't be given a medal for the long jump. It is in this group that the Wahey!s are mainly to be found, firing off jests, or mock solemnly reciting Dylan's sillier lyrics as if these are entirely representative of his oeuvre.
It was a struggle for a long time. My parents were rightly cautious, in the sense that they were like, "We want you to do what you want to do. We just also want you to not have to sleep on an air mattress for the rest of your life." What was beneficial for me was that I did everything I could to let them be a part of my life and show them how seriously I took comedy. This is my way of helping people and contributing something to society, and I'm doing everything I can to be as funny as possible without embarrassing them. They're proud now.
Approach or come: refers not to the physical act of coming, but to the mental attitude; the heart is mentioned for sincerity. When they sincerely promise not to fight against you, do not pursue them. Remember that if they had fought against you, your difficulties would have been increased. Their neutrality itself may be a great advantage to you. So long as you are satisfied that they are sincere and their acts support their declarations of peace with you, you should not consider yourself justified in pursuing them and warring against them.
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
Curiously enough, the only two plays that I've done very much revision on were the two adaptations - even though the shape of them was pretty much determined by the original work. With my own plays, the only changes, aside from taking a speech out here, putting one in there (if I thought I dwelled on a point a little too long or didn't make it explicit enough), are very minor; but even though they're very minor - having to do with the inability of actors or the unwillingness of the director to go along with me - I've always regretted them.
What is there to understand? The significance of life? How long will it take to understand the significance and the meaning of life? 20 years? 30 years? And the same question will be here in another 20 years, I guarantee you. Until you stop asking that question. When that question is not there, you are there. So that's the reason why you keep asking the question: you do not want the question to come to an end. When that comes to an end, there will not be anybody, left there, to find out the meaning, the purpose and the significance of life.
Who said that justice is what you imagine? Can you be sure that you know it when you see it, that you will live long enough to recognize the decisive thunder of its occurrence, that it can be manifest within a generation, within ten generations, within the entire span of human existence? What you are talking about is common sense, not justice. Justice is higher and not as easy to understand - until it presents itself in unmistakable splendor. The design of which I speak is far above our understanding. But we can sometimes feel its presence.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
I was so unsuccessful for so long. I was used to the word no. I was used to you're not good enough or not quite there or you need to fix this about you. So I am honestly walking in faith every single day that I am going to be able to handle whatever God has for me. I am not used to being in a place where people appreciate my work and understand my work and want to be a part of my work and getting something out of my work because for so long it was so misunderstood. The success part for me is the hardest part and everyday I'm still battling.
I think Alexander McQueen was very, very special. When I went to his first show, I couldn't speak because I was so enthralled. I was saying to myself, "What am I looking at here? What's going on here?" Because, I'm really a loner. I've been a loner for a long time, because I guess I prefer that. For me to get the best out of myself, I have to trust my judgment. And so while watching an Alexander McQueen collection, I would feel isolated. Even though I was surrounded, I would still feel isolated by what I was looking at, if that makes sense.
We don't control everything. There are genetic influences. There are environmental exposures we don't control. I cannot guarantee anyone I counsel that by following what I hope is the good advice I offer them, they will live long and prosper. That's what I'm hoping for but I can't guarantee that. What I can tell them is this: "Look, I can help you firmly grip the wheel, and you can steer the ship. You're never going to control the winds and you're never going to control the seas. But if you sail well you can get through just about anything."
I've always looked at people like Carine Roitfeld, Donatella Versace, DVF...people who when you walk on a set you feel like they still have so much excitement for what they're doing every day and they just have so much youth even though they've been doing it for so long. Every day just working to keep a young spirit - because even when you're young that's hard to do, because you get so caught up in things. I just think it's so important to make an effort every day to have a young spirit. Then when you get older, you always kind of keep that.
Drawing the kind of comics that I do takes so long that to specifically address something as transitory as a political matter in it would be about as effective as composing a symphony with hopes that it would depose a despot. On top of that, I personally don't think that my version of art is the best way to deal with political issues at all, or, more specifically, the place to make a point. Not that art can't, but it's the rare art that still creates something lasting if its main aim was purely to change a particular unfair social structure.
