Long Quotes - Page 343

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And in the general hardening of outlook that set in ... practices which had been long abandoned ... -- imprisonment without trial, the use of war prisoners as slaves, public executions, torture to extract confessions, the use of hostages and the deportation of whole populations -- not only became common again, but were tolerated and even defended by people who considered themselves enlightened and progressive.

Several times in my life I've gone through long periods without sex or any other kind of physical contact. The hunger it produces is deep and low; it's possible to lose track of it, to forget or fail to perceive how it's emptied everything out of you and made the world papery and thin. Touch starved, you brush against existence like a stick against dry leaves. You become insubstantial yourself, a hungry ghost.

Resilience, timing, adaptation - these are the three pillars upon which the emergent properties of interacting systems rest. When the systems are the economy and the environment, understanding of the relationships among these concepts is crucial. This volume does a better job of explaining how to manage both money and nature to ensure humanity's long-term future than any other work I know of. Read and reflect.

The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.

This exchange marked the beginning of Mr. Malfoy's long campaign to have me removed from my post as headmaster of Hogwarts, and of mine to have him removed from his position as Lord Voldemort's Favorite Death Eater. My response prompted several further letters from Mr. Malfoy, but as they consisted mainly of opprobrious remarks on my sanity, parentage, and hygiene, their relevance to this commentary is remote.

God's love has a width, length, height, and depth, but we will never reach the end of it. Our capacity to experience God's love will be exhausted long before God's capacity to give it is strained. The picture of having Christ dwell inside us by faith presents us with compelling and comforting possibilities. What Christ does in us and through us will always be 'exceedingly abundantly above all we ask or think.'

We have inhabited both the actual and the imaginary realms for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age. We know a dozen Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there. Plus c'est la même chose, plus ça change.

There is no long interval between the sense of thirst and the trickling of the stream over the parched lip; but ever it is flowing, flowing past us, and the desire is but the opening of the lips to receive the limpid, and life-giving waters. No one ever desired the grace of God, really and truly desired it, but just in proportion as he desired it, he got it; just in proportion as he thirsted, he was satisfied.

To be brutally honest, for much of that time, I was the only person in the world with Parkinson's. Of course, I mean that in the abstract. I had become acutely aware of people around me who appears to have the symptoms of Parkinson's disease, but as long as they didn't identify with me, I was in no rush to identify with them. My situation allowed, if not complete denial, at least a thick padding of insulation.

As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each other’s angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep

Any pipeline company you look at -TransCanada or Energy Transfer Partners - they all have a long list of these kind of spills. Some of them a few thousand gallons, some a few hundred thousand gallons. That's precisely why people at Standing Rock were so right to say, "Do not put this across our water supply. We know what will happen. We do not know the day that it will happen, but we know that it will happen."

When you live on your own for a long time, however, your personality changes because you go so much into yourself you lose the ability to be social, to understand what is and isn't normal behavior. There is an entire world inside yourself, and if you let yourself, you can get so deep inside it you will forget the way to the surface. Other people keep our souls alive, just like food and water does with our body.

Allowing short selling is allowing people to sell - instead of having to buy the stock and then sell it, which doesn't do much; allow them to sell it, and then buy it. In which case they can express that information and the idea is that you would get more accurate valuation of companies by letting people express both their positive information and their negative information through either long or short selling.

What I think I've learned is that you're never going to get it all right, and you can't obsess about having a fact wrong or a date wrong or something like that, as long as you tried as best you could. If you've done the kind of research that you're sure is pretty good, then you just have to have confidence in it, so that nothing is perfect in life. I think that is what the criticism has helped me to understand.

I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.

The realization of what would happen next settled gradually over Harry in the long minutes, like softly falling snow. "I've got to go back, haven't I?" "That is up to you." "I've got a choice?" "Oh yes." Dumbledore smiled at him. "We are in King's Cross, you say? I think that if you decided not to go back, you would be able to…let's say…board a train." "And where would it take me?" "On," said Dumbledore simply.

So when I can, I try my best to meditate a little bit every day, and that helps a lot. I think that just taking a minute, or however long you can, and really acknowledging everything that you have. Acknowledging what you have, and at the same time, acknowledging what other folks don't have. And you know, you don't have to feel guilty about it, but definitely to feel grateful is the first step in giving it back.

She'll have to get over it, then. Are you going to let her drop out of Dauntless for a stupid reason like not being able to walk?" Zeke is quiet for a few seconds. His eyes shift over my face, and he squints, as if weighing and measuring me. Then he turns and bends and wraps his arms around me. it's been so long since someone hugged me that I stiffen. Then I relax, and let the gesture force warmth over my body.

Arnold Rampersad's stunningly revealing biography has, at long last, unveiled-in magisterial prose-the very complex and vulnerable man behind Ralph Ellison's own masks and myths. One of the nation's most brilliant writers emerges as all the more fascinating precisely because he was so very human. Painstakingly researched and compellingly written, Ralph Ellison is a masterwork of the genre of literary biography.

Even if they end up together, which I highly doubt, given the strength of that particular bond-...-but even if Schuyler still loves him, or thinks she does, it doesn't matter. Because Jack is going to leave her one day. i know he will. He's too much for Schuyler. They're wrong for each other. Anyone can see that. And when he leaves her, I'll be there. However long it takes, I'll still be there for her. Waiting.

It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.

Poverty assumes so many aspects here in India. There aren't only the poor that you see in the cities, there are the poor among the tribes, the poor who live in the forest, the poor who live on the mountains. Should we ignore them as long as the poor in the cities are better off? And better off with reference to what? To what people wanted ten years ago? Then it seemed like so much. Today it's no longer so much.

The Regime has become so smug it can't tell the difference among the revolutionary, the innovative, or the merely various. The high command knows so little about the outside that if I came back with a fully equipped chemical laboratory and told them I'd found it in a cave, they'd probably believe that, so long as I brought it back piecemeal in my saddle bags, thus proving I hadn't known it was there beforehand.

Rhett: Don't start flirting with me. I'm not one of your plantation beaux. I want more than flirting from you. Scarlett: What do you want? Rhett: I'll tell you, Scarlett O'Hara, if you'll take that Southern-belle simper off your face. Someday I want you to say to me the words I heard you say to Ashley Wilkes: "I love you!" Scarlett: That's something you'll never hear from me, Captain Butler, as long as you live.

You've seen President Trump act decisively when it comes to Syria. It didn't take him long to pull the trigger in regard to a response to the chemical attack. That's a decisive leader and that's who the G20 leaders saw in Hamburg, as someone who is decisive, someone who is not afraid, someone who doesn't kowtow, and stands up for himself when it comes to issues of disagreement like trade and the Paris agreement.

I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.

When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.

Life begins at the end of your comfort zone. You won't find glory at the center of safety, but at its edge. You won't find love at a place where you are covered, but in the space where you are exposed. You gotta take some risks. You have to not only pick up the dice, but roll'em. So go ahead, take the gamble. You have nothing to lose except the chance to win. Life is not long enough to spend it on the sidelines.

Yes, this is what I thought adulthood would be, a kind of long indian summer, a state of tranquility, of calm incuriousness, with nothing left of the barely bearable raw immediacy of childhood, all the things solved that had puzzled me when I was small, all mysteries settled, all questions answered, and the moments dripping away, unnoticed almost, drip by golden drip, toward the final, almost unnoticed, quietus.

If the animators could hide something so secretly that I could watch it numerous times, both on the computer and on the screen, and not pick up on it, then it deserves to be in the movie. But if they had more overt things, I'd often tell them to cut it out. In general, as long as they captured the spirit of the character, then they're fine. But sometimes it took a while, and we had to replace a lot of animators.

Magicians are manipulating your consciousness. They are showing you something impossible. They're getting you to construct a narrative, which simply isn't true. So that means they know how to make you aware of certain things and blind to other things. What I'm hoping is that magic, this entertainment vehicle that has been around for a long time, will give us a real insight into the deep mysteries of consciousness

You invest a lot in your kids, from the sleepless nights early on and the frightening trips to the emergency room, to homework assignments and a million miles of taxi driving. The great thing is that everything you put in counts, and with a bit of luck, one day they will realize it. Love adds up to something. It's indestructible and immortal and carries long on after your own life is over. Who could ask for more?

Vague and mysterious forms of speech, and abuse of language, have so long passed for mysteries of science; and hard or misapplied words with little or no meaning have, by prescription, such a right to be mistaken for deep learning and height of speculation, that it will not be easy to persuade either those who speak or those who hear them, that they are but the covers of ignorance and hindrance of true knowledge.

This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.

God's solution for "I can't live that way anymore" is basically, "Good! Don't live that way anymore. Set firm limits against evil behavior that are designed to promote change and redemption. Get the love and support you need from other places to take the kind of stance that I do to help redeem relationship. Suffer long, but suffer in the right way." And when done God's way, chances are much better for redemption.

When you've always worked hard in the theatre, you find that, when you stop playing, at the end of a run, the evenings seem very long indeed. You have to find something to keep yourself occupied with because you're so used to gearing yourself up to that eight o'clock curtain, but to find any kind of real, absorbing alternative is impossible. Nobody is as interesting to spend an evening with as a really good part.

I am more of a sponge than an inventor. I absorb ideas from every source. I take half-matured schemes for mechanical development and make them practical. I am a sort of a middleman between the long-haired and impractical inventor and the hard-headed business man who measures all things in terms of dollars and cents. My principal business is giving commercial value to the brilliant but misdirected ideas of others.

What do you know about yourself? What are your stories? The ones you tell yourself, and the ones told by others. All of us begin somewhere. Though I suppose the truth is that we begin more than once; we begin many times. Over and over, we start our own tales, compose our own stories, whether our lives are short or long. Until at last all our beginnings come down to just one end, and the tale of who we are is done.

Entertainment companies always have to stay on the edge of trying to catch that certain thing that will grab people's attention. And that thing is always changing. Nintendo has been doing this for a long, long time. Originally, we weren't even a video game company, but we were still an entertainment company. So I can't say what that next thing is, but I can say, at Nintendo we're trying to create new ways to play.

If the benevolent ruler stays in power long enough, he eventually concludes that power and wisdom are the same thing. And as he possesses power, he must possess wisdom. He becomes converted to the seductive thesis that election to public office endows the official with both power and wisdom. At this point, he begins to lose his ability to distinguish between what is morally right and what is politically expedient.

Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.

I feel like my public life isn't necessarily my own. I'm starting to get used to how to maneuver and operate in New York in a way that I don't get stopped all the time. I just pretty much say "Thank you." But one of the things is to try to keep moving. Not to stop too long, because people try to get into a conversation with you all the time. The hardest thing is on the subway, or when people try to chase you down.

I think we spend a lot of time denying our mothers. We understand other women earlier than we understand our mothers because we're trying so hard to say, "I'm not going to be like my mother" that we blame her for her condition. If we didn't blame her for her condition, we would have to admit that it could happen to us, too. I spent a long time doing that, thinking that my mother's problems were uniquely her fault.

When you're a producer on top of that, just havin' a beat that's hot is not enough. Now you know your sound, 'cause you've been workin' on your sound for so long, and now you're extra picky. You might do a beat that's ill, that the average rapper would pay big money to get on, but you don't wanna do it because you're like, "Ehhh... it's not what I'm looking for, it's not what I'm goin' for." So you're extra picky.

Be that as it may, there is fixed in my mind a certain opinion of long standing, namely that there exists a God who is able to do anything and by whom I, such as I am, have been created. How do I know that he did not bring it about that there is no earth at all, no heavens, no extended thing, no shape, no size, no place, and yet bringing it about that all these things appear to me to exist precisely as they do now?

Now shut the engines off. Come down and flatten out, feel the long float, and at the given moment pull the stick right home. She's down. Now taxi in. Switch off. It's over - but not quite, for the port engine, just as if it knew, as if reluctant at the last to let me go, kicked, kicked, and kicked again, as overheated engines will, then backfired with an angry snorting: Fool! The best is over ...But I did not hear.

Daniel Radcliffe was actually a fan of the show and excited to be on it. Some of it is we've gone long enough that we're legitimate. Even if they don't know the show, they know we are a show and not some weird thing that's going to go away. Also, the more celebrities we get on BoJack show, the more it feels like a club to be in: "If Naomi Watts will make a fool of herself, I guess I can make a fool of myself, too."

With someone like Barack Obama, I think the whole America, the whole world will coalesce. Every election is about change, and change takes a long time because there are big issues that can't be changed overnight. But the one thing that will change dramatically is how we're viewed around the world. Once Obama is in there, the world will view Americans in an entirely different light. And that, to me, is a good thing.

In terms of bridal dress, I've tried everything. I've tried short, long, deconstructed, constructed, bustiers, working in fabrics, working in color. I've been working in color in bridal for probably 15 years. Who else would do an entire collection dipped in tea? I did that one year. My design team dipped every single dress in tea in a bathtub. I did that just because I wanted to work out of the vocabulary of white.

We do not know whether it is good to live or to die. Therefore, we should not take delight in living, nor should we tremble at the thought of death. We should be equiminded towards death. This is the ideal. It may be long before we reach it, and only a few of us can attain it. Even then, we must keep it constantly in view, and the more difficult it seems of attainment, the greater should be the effort we put forth.

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