London Quotes - Page 26

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I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.

Not part of any London combination and you have to go a long way from London really to... to throw that feeling off. So, it's right and fitting that the Beatles came from Liverpool. If they hadn't, I wouldn't have got involved. It wouldn't have interested me. And they wouldn't have hired me.

You only have to look at London, where almost half of all primary school children speak English as a second language, to see the challenges we now face as a country. This isn't fair to anyone: how can people build relationships with their neighbours if they can't even speak the same language?

My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.

The Brexiteers promised their supporters wonderful things, almost none of which can ever come true. The billions that London transfers to Brussels will most certainly not land in the budget of the country's National Health Service. Brexit is going to be very bitter for many of its supporters.

Since I've been in an actor, I've lived in Italy, in London, in Stockholm - I had the fortune of working in different locations. If you live someplace long enough, you acquire slightly different systems of thought, and it influences your outlook on life. I just slowly adapted the way I speak.

I've seen a lot of brands fail because they went, 'Hey, look, we're from New York, and that's what we're all about.' But wherever you go, people are proud of where they are. So even though we're from New York, what we do is a mindset: it's got to work in Japan, in Los Angeles, London, wherever.

In the United States in 2009, more than 10.2 billion trips were taken on transit trains and buses. So far, the nation has not experienced a major transit attack since Sept. 11, but the March 2010 Moscow subway bombings and earlier train attacks in London and Mumbai show that we must be prepared.

I am proud that London is a city where, the vast majority of the time, Jewish people, Christians, Muslims, Sikhs, Buddhists, those who are not members of an organized faith, black, white, rich, young, gay, lesbian - don't simply tolerate each other but respect, embrace, and celebrate each other.

My experience growing up in London and growing up in a working class background is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, 'cause they don't feel the joy inside. Or they use humor to keep people out.

The first big thing that I did with my dad was the bicycle sequence in "The Great Muppet Caper," where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.

Theater in New York is nearer to the street. In London, you have to go deep into the building, usually, to reach the place where theater happens. On Broadway, only the fire doors separate you from the sidewalk, and you're lucky if the sound of a police car doesn't rip the envelope twice a night.

I live in South Africa. I'm proud to live there. I've always said I want to be a comedian from South Africa in the world. I will stay in places for a bit here and there and pop into New York for a while, maybe stay in London for a year, but my home will always be South Africa. I enjoy it too much.

We lived in a tall, narrow Victorian house, which my parents had bought very cheaply during the war, when everyone thought London was going to be bombed flat. In fact, a V-2 rocket landed a few houses away from ours. I was away with my mother and sister at the time, but my father was in the house.

Perhaps it is no surprise I became an entertainer because many of my relatives were natural performers. Dad, who had a fine pair of lungs, was master of ceremonies at East Ham working men's club in east London. I felt so proud when I saw him in his white gloves calling out the names of the dances.

I came to London constantly, working with Ninja Theory on 'DmC Devil May Cry,' and I kind of fell in love with this amazing architecture, where you have these buildings that have clearly been around a long time, and they have this amazing gothic look, and then on the first floor, it's a McDonald's!

When the Great Fire of London destroyed most of the medieval city in 1666, Christopher Wren was invited to design a new one. Within days, he had drawn up an elegant grid of broad boulevards leading to majestic squares, but it came to nothing - the existing landowners wanted things as they had been.

Should there be cameras everywhere in outdoor streets? My personal view is having cameras in inner cities is a very good thing. In the case of London, petty crime has gone down. They catch terrorists because of it. And if something really bad happens, most of the time you can figure out who did it.

I got into hairdressing and moved from Dorset to London, where I got an apprenticeship at Vidal Sassoon. This was around '83 or '84. I was working on South Molton Street, which was then the epicenter of all the shops. It was like a catwalk. So I did my apprenticeship there, but I wasn't successful.

I live in Leeds, which is about 200 miles north of London, and I get to go and do all the 'Harry Potter' stuff and make great films and be part of this wonderful thing all around the world, and then I get to go home and chill out with my friends in Leeds and go watch the football and go to the pub.

I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.

I live in Surrey, but up until the age of eight I lived in London. And the way I heard about this 'Peter Pan' film was there was an open-call audition that I'd heard about, or read about, and I just thought, 'Oh, I'll go along for the fun.' Because I never dreamed in a million years I'd ever get it.

The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'

Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.

I wanted to cut past the polemics and experience London's Muslim communities for myself. My first visit was to Tower Hamlets, an East London borough that is about 38% Muslim, among the highest in the U.K. As I walked down Whitechapel Road, the adhan, or call to prayer, echoed through the neighborhood.

As it happens, I have personally been something of an enthusiast for the London Olympic games, mainly on the grounds a) that a bit of wasteland will be made nice and b) that it tends to make everybody happy that their country should be the centre of world attention for a couple of weeks in their life.

I didn't consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in.

Thankfully, due to the United Kingdom and the commitment of the Westminster government we are able to ensure that money brought in, whether it be from the City of London or from North Sea oil, can be pooled and directed to wherever it is needed most. That is what being in the United Kingdom is all about.

I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.

I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.

My agent in Sweden used to send off interview tapes but I decided to take it upon myself and come to London to visit casting directors which is when things first started taking off for me. I love Sweden but the industry out here is quite small so when I was given the chance to go internationally I took it.

Even with the 'Top Boy' series with Ashley Walters... I've been talking like on the creative direction wave with Drake about the series. Making greatness with it. The whole style of what's going on in London, the sound, is real. It's an actual thing that actually happened. So it deserves to be on the telly.

Coming to New York is like a big hug, everyone is so welcoming. There's something about here, everyone makes you feel so at home. I miss my family of course, but I don't miss London that much. I was worried, but I feel really at home. Everyone says that who comes here from London, but I didn't believe them.

'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.

I grew up as a British kid - I went to school in London, roamed the streets of London - but having these interactions with my roots and going back to Ghana, I'm like, 'Yeah this is sick.' I love my country and my people, and the energy and vibes that they bring back. So I want to rep that and be a part of it.

London cabs always dis me. I purposefully give them a good tip because I'm trying to straighten up the image where they don't want to pick up some shady-looking, bummy kid like myself. I'm trying to teach them that if you pick up the bummy-looking kid, you still get tipped, man. But they still jerk me around.

I played soccer for nine years, so I took that route instead of singing. I played on the outside team as well as in school, so I was always playing soccer. It wasn't until I moved back to London that I really, like, started investing in music again and realized, OK, yeah, this is definitely what I want to do.

I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.

I move countries every three or four years. I was born in London, and we lived in Canada. Then we lived in Saudi Arabia until the Gulf War broke out, when we were forced to leave. Then we hop-scotched for a while from Holland back to Canada back to Saudi Arabia. Then there was D-day, so we had to get out again.

Hitchcock's got a very interesting voice; it's a very controlled, measured rhythm that's quite slow and, in that sense, also felt quite controlling in its pace. He retained something from his childhood, that London sound, as well as adopting some of the L.A. sounds... All of this helps you create the character.

I was very fortunate to grow up with parents who love to travel, so I traveled from a young age. My dad's a heart surgeon and goes to conferences all over the world. By the time I was seven, I traveled outside the country for the first time. We went to Paris. The next year, we went to London, and then Brussels.

The struggle for Zimbabwe lit up the imagination of people around the world. In London, New York, Accra and Lagos, bell-bottomed men and women with big hair and towering platform shoes sang the dream of Zimbabwe in the words of the eponymous song by Bob Marley: Every man has the right to decide his own destiny.

I was brought up to understand Darwin's theory of evolution. I spent hours and hours in the Natural History Museum in London looking at the descriptions of how different kinds of animals had evolved, looking at the sequence of fossil bones looking gradually more and more and more and more like the modern fossil.

I want to clear this once and for all. I was born in Hong Kong. I grew up in Japan and China. London is not home for me. I was there only for three years before I moved to India, but that's probably why I am connected with it. London is definitely not the place I consider my home. It's India that I consider home.

I love Soul, R+B, Electronic, and good pop. Really, the only thing I don't listen to is country and heavy metal. I love Marvin Gaye, John Legend, Al Green, Fat Freddys Drop, Sade, Grace Jones, Bazoo Bijou, Prince, John Lennon, London Grammar, Daft Punk, Dr John, Dusty Springfield, Peggy Lee, Gotye, and on it goes.

In 2008, I was in a London park when I came across a fledgling crow that had fallen from the top of an oak tree. A woman happened to be passing, and she said that she rescued animals, so she invited me back to her house. It turned out she was the wife of Jeff Beck. Jeff was there, and we ended up jamming together.

I gained a first class degree in Physics at Imperial College London in 1968 and did research in solid state physics, but did not pursue meteorology matters until gaining an M.Sc. in astrophysics from Queen Mary College London in 1981, after which I investigated and attempted to construct theories of solar activity.

I'm homesick everywhere I go, but England has a negative effect on my spirit to a profound degree. That trip from Heathrow into London is worse than the flight over there. It's just so grey, and I'm not a pub person, and the traffic in London gives me a heart attack. It's not a comforting place, on any level, to me.

In the case of 'Disobedience,' the very secretive way of life and religion and tradition that the North London Orthodox Jewish community has was a huge invitation to explore an unknown world. And also a possible trap, and I tried to overcome that by portraying it, hopefully, with great nuance and detail and texture.

London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble; we had severe energy problems; we were under constant terrorist attack from Irish terrorist groups who started a bombing campaign in English cities; politics were fantastically polarized between left and right.

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