Quotes of All Topics . Occasions . Authors
I used to bomb around London in my little Austin 10 throughout the raids to appear on stage and if there was a raid before the show was over I would be there, crouching on a floor wherever I could find a big thick wall.
I've already done things I never believed I would. Even stepping out of Northampton and being in London - London always seemed like the big city I might go to for Carnival, go for a party and a chill and then head home.
I love to add '90s trends mixed with modern day pieces I find along my many travels. Like these cool fun hats from Europe I have. I love to collect different ones from every country. I have them from London to Brussels.
I knew if I stayed in London my whole life would be dancing. I'd won almost every major title you can. I thought 'This really isn't my passion. I really want to sing,' and I knew I wouldn't be able to if I stayed there.
I wound up becoming an A&R man at London Records in the 1990s, during the boom of Britpop, the last great gold rush of the music industry. I saw incredible greed and terrible behaviour. I was greedy and terribly behaved.
'The Taming Of The Shrew' is probably the first time I've worked in this country for about ten years, apart from theatre, and it's not for want of trying. It was so fantastic to work in London - it felt really glamorous.
Dad thought something very fishy was going on when, at 22, I was offered a job for £1,000 a year - more than Dad paid his own staff - for inventing cheese recipes and writing leaflets at the Dutch Dairy Bureau in London.
I would say 'American Werewolf in London' is like an unconventional buddy movie: even if the buddy dies 20 minutes in, he still remains throughout the picture, and their partnership is one of the best things in the movie.
I used to work for Symantec AV: I worked as their in-house IT technician, and then I worked as specialized AV support, and then I worked for Hartford Life IT, in Dublin and London. I worked in IT from '99 through to 2007.
I have a more personal insight into the importance of core strength because my wife Louise runs a Pilates studio in London. I have enjoyed getting into Pilates. I am not the most supple but I enjoy Pilates more than yoga.
Motorists in London have got to be immensely careful of cyclists. At the same time, cyclists in London are too often unwilling to obey the road signs. I've seen regular examples of people who just bolt through red lights.
London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
Indian films have this obsession with hygienic clean spaces, even though the country's not so clean. They're either shot in the studios or shot in London, in America, in Switzerland - clean places. Everywhere except India.
I can walk about London and see a society that seems an absolutely revolutionary change from the 1950s, that seems completely and utterly different, and then I can pick up on something where you suddenly see that it's not.
When I left my family home and had finished university, I stayed in South London but moved closer to London's center, to Brixton and Herne Hill. Herne Hill is a tiny place that is ridiculously overstocked with lovely pubs.
I think London, New York, Paris, Milan, any big city has its own fashion. I don't know why they make such a big thing of Paris. I think maybe it comes from French New Wave films portraying the French girl as very feminine.
You only have to look at Manchester's Royal Exchange or Home to understand the huge energy outside London - there's enough talent around the country to have a Donmar and National in every city. It just comes down to money.
The British Fashion Awards gives us the chance to commend not only the winners but celebrate all of the individuals that contribute to the incredible achievements that make London the best fashion destination in the world.
I Kenneth Robert Livingstone, having been elected to the office of mayor of London, declare that I take that office upon myself, and will duly and faithfully fulfil the duties of it to the best of my judgement and ability.
I don't like the idea of stepping-stones in art forms: that you do your time at a regional theatre, and then you work in London and go to the West End, and then you do films. I've never felt like following that trajectory.
It got to the point where I sat on the side of the bed in a hotel room in London in early-1990 and said to whoever or whatever: 'If you are there will you please contact or leave me because you are driving me up the wall.'
Living in London as a student is tough. And my heart goes out to every single drama student in London because, as an actor, it's a creative process that you are taking on, and if you don't get to do it every day, it hurts.
I've been doing nineteen hours a day on London, nothing else, I mean this has been my whole life, and writing has been put on one side, and if I'm privileged enough to be the Mayor of this city, then I will not write again.
It must be said that Brighton, unlike London, makes driving seem very appealing. Instead of glowering faces and angry horns on all sides, we have the coast road in front of us and the Sussex Downs just 10 minutes behind us.
There's something very special about seeing history so clearly in front of you through that architecture that you just don't get in the U.S. If I was asked to choose where I'd most like to live, I would always choose London.
Last time I was in London, I visited Number 5, Bruton Street, which is the address I gave to Violet Bridgerton, the matriarch of the Bridgerton clan in my novels. It was a bit disconcerting to learn that it's actually a pub.
In Britain, we ought to be in a position where doctors and therapists are able to prescribe mindfulness, acupuncture, osteopathy de rigueur, and it not only be available in certain fantastic surgeries in London and Brighton.
When I was in London a Kachin youth criticized me for not condemning the Burmese military for their offensive in Kachin State. I answered "condemnation is not the solution." We want to build reconciliation, not condemnation.
When I first started coming to New York in the early Nineties and seeing the vitality of the programme compared to what was going on back in London or Paris, it was just in a different league. It's like a 16th-century court.
Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
I undertake that, in the exercise of my functions of that office I will have regard to any guidance with respect to ethical standards issued by the secretary of state under Section 66 of the Greater London Authority Act 1999.
In that sense, I became politicized because the people in the coal mining villages who were involved in the struggle knew why they were there. But they couldn't understand why some pop star from London would want to be there.
Neil Amin-Smith and I met playing in classical orchestras when we were children. We are from the same area of London. We met Jack Patterson when we were studying at Cambridge University, and decided to start the band together.
Our universe - it's three-dimensional, but we can pretend it's two-dimensional so it's like this sheet of paper - and we live in Pasadena over here and London is over there, and it's thousands of miles from Pasadena to London.
London seems to be one step ahead of everywhere else which I like because you see things first. It's where British fashion is developed and there are so many little vintage shops and boutiques; there are always loads on offer.
Like many black men growing up in London, I have been stopped and searched by several policemen. I was 12 years old when I was first groped and frisked by police for walking down the road. It terrified me so much I wet myself.
When I was younger, my father was in the Foreign Service and we lived in Nigeria, Panama, and London, but for the most part I grew up in the South and D.C. I got the travel bug as a little person and I've bounced around a lot.
In 1688, Edward Lloyd opened a coffeehouse on London's seafront popular among underwriters, men in powdered wigs with mathematical minds and steely constitutions who offered to compensate owners if their boats were lost at sea.
I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
I've put myself forward to be involved. Whether I get picked, we'll have to wait and see. Obviously everybody is excited about it, about the Olympics coming to London and the football being played in different parts of Britain.
There is no conflict between best in British class and being a global newspaper. We are an international newspaper rooted in the City of London, and I think people understand that. The 'FT' stands out as a global niche product.
When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
One of the reasons I had moved to London to pursue my career was that I could go to the clubs in the evening and maybe meet my heroes, people like Donovan and Bert Jansch and Dylan. I actually did see Dylan in a club one night.
In my gap year between college and drama school, I taught art at a hospice and worked at a little coffee shop across the street from Shakespeare's Globe Theatre in London when everything around it was still a construction zone.
I am comfortable being gay. Most of my adult life, it's never been a secret. I knew I was gay when I was in high school. I am just fortunate I have lived in two of the most gay-friendly places in the world: New York and London.
When I was younger, I always assumed that when I grew up, I would be living in the country, and my kids would be going to a state school. But that's not how things have turned out. I can't see myself being able to leave London.
London exists normally in a state of bleach bypass. There's the artistic context of "Blow Up" and "Performance" and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
I'd met Simon [Segars] for the first time in London. He struck me as a quiet, natural-born engineer and an orthodox successor [to East]. He has a home in Silicon Valley, and he said it's just a few minutes' drive away from mine.
Theres just a big group of actors in London. There are new ones coming in all the time, who are looking for work, and established actors who are interested in working and like to work. To be a working actor in England is a life.