Quotes of All Topics . Occasions . Authors
I like the energy of live performance.
I hate every moment of live performance.
Nothing beats a live performance. Nothing.
When it's a live performance, anything can happen.
My first live performance was the lead in 'Peter Pan.'
One of the things I love about music is live performance.
I'm much more energetic now; you might say live performance is my mission.
I enjoy theatre tremendously, and there's nothing like a live performance.
It's easy listening to a record, but a live performance is so personal and real.
I actually acted onstage before I'd ever seen a live performance, and I loved it.
I love musical theatre because I love doing a live performance eight times a week.
My live performance, it just comes from feeling an energy and emotion from the crowd.
Every time I see a live performance of something, I'm like, 'I want to be doing that!'
When I started doing drag, I always put together multimedia elements for live performance.
I also think something that makes the whole live performance fun for me is that I love my music.
We gave up on the idea of trying to make the record a good representation of the live performance.
I believe that intermittent live performance has cut short the writing lives of touring musicians.
I come from theater and captured theater has a bad rap of being never what the live performance was.
My hair's a pain in live performance. I'm always inhaling it: I almost choked to death a couple of times.
When you have a live performance, you're going to be pitchy here and there, unless you have perfect pitch.
The adrenaline of a live performance is unlike anything in film or theater. I can see why it's so addictive.
I'm very excited about the resurgence of vinyl which seems to parallel a growing interest in live performance.
The live performance aspect of shooting a multicamera sitcom is wonderful. You have that instant audience reaction.
I like a performance, a live performance, so I like little mistakes because that's what makes perfect - the mistakes.
The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
A live performance is the same no matter what genre it is. Wrestling, rock 'n roll, hosting, acting - it's the same thing.
Live performance is everything. First of all, I have terrible stage fright. But beyond that, once the music starts, it's OK.
As a musician, I have always strived for my albums and live performance to render a sound as close as possible to perfection.
I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.
Get out of your house and go see some live performance, for God's sake. There are people creating things just outside your window.
I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.
When you're shooting concert scenes in films, we try to bring in, where appropriate, as much of a sense of live performance as possible.
Live performance really terrifies me. I haven't done it, really, in years. I think that's why I retired from my brief career in stand-up.
In most cases, my favorite Jethro Tull songs will be determined by how I feel about them as live performance songs, not by the recorded identity.
In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.
I love watching live shows from different artists from different stages of their lives. I'm always interested in the mastery of the live performance.
Artificial intelligence is taking over a lot of things. Jobs are going to go but artists and theatre are not going anywhere because it is live performance.
A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
From the business point of view - not to overstate it - intellectual property is dead; long live intellectual process. Long live service; long live performance.
I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
My first live performance was when I was in the military. I went to some bar, and they had open mics. You could just sign up and perform. Nobody cared. Nobody liked it.
There's something distinct and interesting about a live performance. There's this weird immediacy that's, for me, really invigorating, and it just feels really rewarding.
I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
Every acting gig isn't the same, every writing job isn't the same, every live performance isn't the same - the challenge is the level of difficulty or ease, and that may vary.
I'm always happy and most at home on the stage. I love film and television, but I love live performance... your immediacy with the audience, it makes all the difference in the world.
The stage is my first love. It gives me immense self-satisfaction, a sort of power because a stage actor carries the audience along; it's a live performance; spontaneity is its soul.
I love every aspect of live performance and putting our shows together and approaching it from the standpoint of, 'What would we want to see if we were a fan sitting in the audience?'
I thought the world of live performance and busking was where I was going to thrive. I had no idea that digital streaming platforms and radio and that world would be for me, you know?
As much as I love live performance and as much fun as it can be to travel around, it really is nice to be able to stay at home and make a living and pay the mortgage and spend time with my wife.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.