Quotes of All Topics . Occasions . Authors
So near are the boundaries of panegyric and invective, that a worn-out sinner is sometimes found to make the best declaimer against sin. The same high-seasoned descriptions which in his unregenerate state served to inflame his appetites, in his new province of a moralist will serve him (a little turned) to expose the enormity of those appetites in other men.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
More philosophically-minded critics regarded Einstein's argument for relativity as little more than a logical bait-and-switch ploy: "[T]he supposition of most expounders of the Special Theory, that Einstein has proved the relativity of simultaneity in general - or that his 'simultaneity' is something more than a logical artefact - must manifestly be given up.
Sure, I would have loved it, if we'd gotten 2,000 screens, but I never had that delusion. I was very realistic. I think it's a success, in that it turned out funny, I got everyone I wanted to be in it, and it will get seen. The hope is that it gets a little cult following. I think people will be surprised about who's in it and how funny it is. That's my hope.
The crucifixion saved him [Jesus]. He never had to deal with the fact that the kingdom of God wasn't ever going to come. His disciples, of course, had to deal with it, and little by little they had to realize that it's a metaphorical thing. Well, that's not what Jesus meant. I'm fairly sure he meant it literally. But he must have been the most fascinating man.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
You cannot have a thing "matter" by itself which shall have no motion in it, nor yet a thing "motion" by itself which shall exist apart from matter; you must have both or neither. You can have matter moving much, or little, and in all conceivable ways; but you cannot have matter without any motion more than you can have motion without any matter that is moving.
We are masters of our actions from the beginning up to the very end. But, in the case of our habits, we are only masters of their commencement - each particular little increase being as imperceptible as in the case of bodily infirmities. But yet our habits are voluntary, in that it was once in our power to adopt or not to adopt such or such a course of conduct.
Because I'm playing Dirk Gently [ in Dirk Gently's Holistic Detective Agency], I'm so fond of Dirk. I really see Dirk's vulnerability, and you get that, more and more. You'll start to see a little bit more of Dirk's backstory, why he behaves the way he does, and why he's doing what he's doing. I see a lot of his vulnerability, his sensitivity and his insecurity.
There was a producer from the Aspen Comedy Festival who happened to be there, as a friend of a friend, and she said, "I'd like to book you into the Aspen Comedy Festival," and we said, "Well, there isn't really a show to book in, this is just a little showcase and it's really our workshop." And she said, "No, it's great, I love it, just do exactly what you did."
You barbarians!' he yelled. 'I'll sue the council for every penny it's got! I'll have you hung, drawn and quartered! And whipped! And boiled...until...until...until...until you've had enough.' Ford was running after him. Very very fast. 'And then I will do it again!' yelled Arthur, 'And when I've finished I will take all the little bits, and I will jump on them!
That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.
Every little thing has a purpose, at the same time, it has no purpose because this whole thing is a game. It is the existence which is total, beyond purpose. So you can say, virtually there is no purpose. If at all you have to pin down to a purpose then the purpose of nature is to take you to the Source, is to remind you of the Source, connect you to your Source.
I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.
To get our universe, with all of its potential for complexities or any kind of potential for any kind of life-form, everything has to be precisely defined on this knife edge of improbability. [Y]ou have to see the hands of a creator who set the parameters to be just so because the creator was interested in something a little more complicated than random particles.
All I knew about Ireland before I went there was what I learned from watching soap commercials all my life. I was totally misinformed. I thought it was an Irish tradition where you don't even take a shower with your soap - you take your soap for a walk, you compliment the soap for a little while and then, suddenly, you just start hacking it up with a hunting knife.
The next phase and this is part of what I'm interested in doing after I get out of the presidency is to make sure that I'm working with that next generation so that they understand you can't just rely on inspiration. There's a little perspiration involved in bringing about change too. That you have to be organized, that you have to vote even when it's not exciting.
My SUV, assuming Hummer comes out with a model for those who find the current ones too cramped, will look something like the Louisiana Superdome on wheels. It'll guzzle so much gas as I walk out to my driveway there will be squads of Saudi princes gaping and applauding. It'll come, when I buy it, with little Hondas and Mazdas already embedded in the front grillwork.
From [Nikolai] Medtner himself, who I do not think was the best possible advocate of his own works. But that's my opinion: I find him a little uninteresting and cold, sometimes. Also, at first, the thematic material is not of a kind that makes the greatest appeal, but if you keep with Medtner, I think he will take hold of you, and you're very likely to become a fan.
I remember clearly that when I was little it was explained to me [that] the way that babies were made was that God put the baby into some lady's stomach, right? And, at some point, I learned how it really happened, and really that was the beginning of the end of my belief in God. Up until that point, it had always been a really weird act of intervention on God's part.
I would say that God is much bigger than all of this. I've been through difficult times where it just seems like hope is nowhere to be found, but those are some of the greater moments where we run to Christ a little faster and hang on a little tighter. Through the hardest times in life, I hope people turn to him and realize he's still a sovereign God; he's in control.
I came," she said, "hoping you could talk me out of a fantasy." Cherish it!" cried Hilarious, fiercely. "What else do any of you have? Hold it tightly by it's little tentacle, don't let the Freudians coax it away or the pharmacists poison it out of you. Whatever it is, hold it dear, for when you lose it you go over by that much to the others. You begin to cease to be.
The Treasury plan is a disgrace: a bailout of reckless bankers, lenders and investors that provides little direct debt relief to borrowers and financially stressed households and that will come at a very high cost to the US taxpayer. And the plan does nothing to resolve the severe stress in money markets and interbank markets that are now close to a systemic meltdown.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
In terms of driving, I actually don't have a driver's license, and it's kind of ridiculous. I've lived in Los Angeles for a couple of years and just have somehow managed to avoid taking the test, which I did last week and failed. I couldn't find the honker. I felt bad about it, but it's just a little bit embarrassing, I guess, to be in this film and not have a license.
Even in chimps there is true altruistic behaviour; behaviour that doesn't fit into the sociobiological model that says you either help a close relative and thereby your own genes, or you help somebody else now in return for their help in the future. When a very high-ranking male chimpanzee rescues a little orphan, saving his life, that kind of explanation doesn't work.
There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
Barry Harris had a club called Jazz Cultural Theater and there were sessions there on a regular basis. I remember being there and sitting in with [Charles] McPherson and Barry being there, and just smiling at me. He didn't talk to me much at the time, he just came up and gave me a smile, which meant a lot. I've since gotten to know him and been around him a little bit.
I just came back from - with Trump when I endorsed him in Iowa, in Marshalltown, a little town - 27,000 - have a lot of Hispanics working there from Mexico in a private business, so they're still here. I'm not saying they're here illegally but they still come and they work, make money for their families, send the money back to Mexico or whatever, so it's a big problem.
My films have always had an element of immediate autobiography, in that I shoot any particular scene according to the mood I'm in that day, according to the little daily experiences I've had and am having - but I don't tell what has happened to me. I would like to do something more strictly autobiographical, but perhaps I never will, because it isn't interesting enough.
Leverage your time more by spending a little more time every day imagining and a lot less time every day doing. Do a little more imagining and a little more less doing. Until eventually most of what's happening is happening in the cool, calm, anticipatory state. Just imagine yourself into the successes, and watch what happens. Imagine a little more and act a little less.
We are bound first to imform ourselves concerning so great a matter as the revolt of millions of people- what they are struggling for, what they are struggling against, and how the struggle stands- from day to day...as best you can; and second, to spread this knowledge among others, and endeavor to do what little you can to awaken the consciousness and sympathy of others.
Heinrich Zimmerhe had a little saying : The best things cant be told - because they are transcendent, inexpressible truths. The second best are misunderstood : myths, which are metaphoric attempts to point to the way toward the first. And the third best have to do with history, science, biography, and so on. The only kind of talking that can be understood is this last kind.
I was really intrigued by them, became fascinated by them because they were asking questions that couldn't be answered almost, or were making statements that you couldn't quite understand. Like, 'I'm investigating things that begin with the letter M.' That took me through a whole stratosphere of possibilities, and doing a little research and discovered that the M is mercury.
The trouble with a great many men is that they spread themselves out over too much ground. They fail in everything. If they would only put their life into one channel, and keep it in, they would accomplish something. They make no impression because they do a little work here and a little work there....Lay yourselves on the altar of God, and then concentrate on some one work.
The public discourse on global warming has little in common with the standards of scientific discourse. Rather, it is part of political discourse where comments are made to secure the political base and frighten the opposition rather than to illuminate issues. In political discourse, information is to be 'spun' to reinforce pre-existing beliefs, and to discourage opposition.
When she expressed a doubtful hope that Tinker Bell would be glad to see her, he said, ‘Who is Tinker Bell?’ ‘O Peter,’ she said, shocked; but even when she explained he could not remember. ‘There are such a lot of them,’ he said. ‘I expect she is no more.’ I expect he was right, for fairies don’t live long, but they are so little that a short time seems a good while to them.
I think there's great value to the Associated Press and to Reuters, but if you wanted to generate original content, maybe written by local writers, it just takes a little bit of openness to open your pages up to a wider freelance writer pool, and then you might find new voices and a wider array of voices, and definitely more original content that can't be found anywhere else.
[T]his is another reason why the children of illegals are sought for public schools: They'll put up with it. The children of illegals will put up with these dilapidated schools because for them, it is a huge step up. And these schools become little indoctrination centers for the children of illegal immigrants, as they are brainwashed and programmed to become Democrats as adults.
We may feel bitterly how little our poems can do in the face of seemingly out-of-control technological power and seemingly limitless corporate greed, yet it has always been true that poetry can break isolation, show us to ourselves when we are outlawed or made invisible, remind us of beauty where no beauty seems possible, remind us of kinship where all is represented as separation.
Conversation is a traffick; and if you enter into it, without some stock of knowledge, to ballance the account perpetually betwixtyou,--the trade drops at once: and this is the reasonwhy travellers have so little [good] conversation with natives,--owing to their [the natives'] suspicionthat there is nothing to be extracted from the conversationworth the trouble of their bad language.
What I really like to do, especially because we're all busy so sometimes you forget to do something, I always keep wrist weights with me. If I just put them on throughout the day, then I'll just be doing stuff and it's kind of just toning without me doing anything. Sometimes that's just my little trick. I have ankle weights and wrist weights and I just keep them with me at all times.
Oh, it was awful, and I vowed to myself I would never, ever push myself to the edge that much again. It was really frightening. Because absolutely everything seemed to be impossible to deal with, just little things became major - noise, if someone had a radio on, or even the sound of traffic, or being in someone's company for longer than 10 minutes - I started to find it all too much.
We scornfully decline, because of one whom we love and who will some day be of so little account, to see another who is of no account to-day, with whom we shall be in love to-morrow, with whom we might, perhaps, had we consented to see her now, have fallen in love a little earlier and who would thus have put a term to our present sufferings, bringing others, it is true, in their place.
Some of my colleagues are surprised by how little personal interaction I've had with "my" authors, but I don't translate to go fishing for friends. Part of me suspects that they wouldn't like me, or that I wouldn't like them, which would inevitably get in the way of the mission. None of the theory built around translation matters to me anyway: much of the process, I find, is intuitive.
I was very struck by the fact that Colin Powell said he would produce evidence and then never produced it. Then Tony Blair produced a document of seventy paragraphs, but only the last nine referred to the World Trade Center, and they were not convincing. So we have a little problem here: If they're guilty, where is the evidence? And if we can't hear the evidence, why are we going to war?
Barry Bonds was like Joe Namath or Muhammad Ali. He could make a statement and go out and back it up. Not a lot of guys can do that. In fact, managers usually cringe when guys make statements about what they're going to do. In Barry's case, I liked it. I think he did it on purpose to motivate himself. In a lot of ways, it's easy for Barry. I think he needs a little controversy around him.
……, but as I am a scholar I feel obliged to document what it is like here, most of the time, between the dramatic climaxes. In truth it is like this: You cannot imagine how time can be so still. It hangs. It weighs, and yet there is so little of it. It goes so slowly and it is so scarce. If I was writing this scene it would last a full 15 minutes. I would lie here and you would sit there.
What’s goin’ on?” I ask as I take a seat. “Obviously not this.” He tosses me my shirt from last night. “I found it on the floor of the den. It’s obvious there was some hanky-panky going on.” Okay, so he knows we fooled around. But at least he didn’t find Kiara’s bra on top of my shirt. “Yeah . . . things kinda got a little heated after you and Mrs. W. left the den last night,” I tell him.
Our universe cannot even be stated symbolically. And this touches us all more directly than one might suppose. For example, artists, who have been very little influenced by social systems, have always responded instinctively to latent assumptions about the shape of the universe. The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art.