Quotes of All Topics . Occasions . Authors
Being someone that grew up in a biracial household I never really felt accepted by black people when I was a little kid, I didn't feel fully accepted by black kids and I definitely didn't feel fully accepted by white kids cause I just felt like I could never be neither one.
When I first signed to RCA, I was sort of excited and shocked that it was happening. But over the next couple of years, it really started to feel like that game you play when you're a little kid - the one where you put your nose on a bat and then spin around and try to walk.
As a little kid in a sometimes hard place, I went to the movies as often as I could. Movies - making them, seeing them - is not something that could ever lose its pleasure for me. That puts them on a short list of things that eternally give me joy - love, family, food, movies.
When I'm a little kid watching Chicago Bears games, hot salsa would be on the table and the first time I was like, 'Ah, this is hot Dad, get mild salsa,' and he was like: 'Not in my house. We have real salsa. And if you can't handle real salsa then you can just eat dry chips.'
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
When I've got all the makeup on and all the spit, polish and glue together, I look fine. But I know what I really look like, and I'm still that same little kid under there. I don't think I look that great. I think I did a good job of creating Morgan Fairchild. But I created her.
I've been drawing since I was a little kid, but it's not something I love to do every day. If there's one thing I love to do every day, it'd probably be acting. I can act every day. I'd happily do it, you don't have to pay me. But that's one thing I'd love to do and get paid for.
People didn't like me; I was loud and aggressive. People can take it from a 42-year-old, but when you're a little kid, and people are like, 'You're loud and awful,' you think, 'I guess I am awful,' so writing and figuring out how to put things into words was the way I felt better.
I love 'Threepenny Opera'; I was exposed to it as a little kid because my parents, my mom and my dad, had bonded, when they were dating, over 'Threepenny Opera' and introduced it to me, a child, who could barely understand it. But I immediately gravitated even from that early age.
I fell in love with the ocean when I was just a little kid, four or five years old, I was a junior ranger, I was going out and doing intertidal stuff, walking around and sticking my finger in my first sea anemone and picking up starfish and all that. It gripped me when I was young.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
I have a very strong imagination and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
As a little kid in the late 1960s, I was afraid of the world. Even if I didn't get caught in the draft that was sending American teenagers to Vietnam, there was always the possibility of a Soviet nuclear attack. I made constant escape plans and imagined a life going from port to port.
So, I remember when I was a kid, I was waiting for my mom to come home when she was working late, and, you know, I was like, 'Oh my God, what happened to her? Is she OK? Did something happen to her getting in the car?' I was a little kid. But those are actually early onsets of anxiety.
There's a lot of trainers in my career, between Terry Taylor and Arn Anderson, who've always told me to keep my damn feet on the ring mat, and there's just that little kid in me - I may be 45, but there's that little kid in me that, if I get a chance to do some flying, I'm gonna do it.
Comics are a dying art. If you ask a little kid to choose between a video game with insane graphics or comic books... you have to compete with cable, satellite TV with its thousands of channels, and with video games that are like movies, with CGI explosions where you can blow up worlds.
I remember my mother taking me as a very little kid to the roof of our home in Phnom Penh, Cambodia, to look at the bombs exploding in the distance. She didn't want us to be scared by the booms and the strange flashes of light. It was her way of helping us to understand what was happening.
Ever since I was a little kid, I got bored, so I learned to sing, and I started singing lessons. And then anytime I was bored, I would start writing and start messing around on my computer, making beats. Then I got bored and started making YouTube videos; that changed my life in a big way.
When I was trying to come up with a stage name, I thought 'Lord' was super rad, but really masculine - ever since I was a little kid, I have been really into royals and aristocracy. So to make Lord more feminine, I just put an 'e' on the end! Some people think it's religious, but it's not.
One of the things that comedy has given me over the years is a really good ability to laugh at myself and to not take things that don't matter too much too seriously. I feel that very little offends me anymore and I'm really grateful for that because I think I was a pretty uptight little kid.
I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
My mom is awesome. She's really young. My mom is 40, and she raised me listening to Nirvana and Courtney Love and Coldplay, Gin Blossoms, The Cranberries, and stuff. Like, my early, early memories are of being a little kid running around in floral skirts and Doc Martens when I was, like, three.
I was reading a magazine when I was a little kid, probably about twelve years old, and an ad said that if you sell so many jars of Noxzema skin cream, we'll sell you a ukulele. So I went out and banged on doors in the snow in Quincy, Massachusetts, where I was raised, and I sold the skin cream.
My mother always tells me that when I was a little kid, my first ambition was to be a truck driver, and after that, I went through everything from wanting to be a Prime Minister to an air hostess, but never an actor. So I became one, and it was a great journey. I learnt a lot, worked very hard.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
When I was a little kid, no matter what my parents told me, I would always argue - even if I agreed with them. And I've always been a show-off. As I've gotten older, I've found ways to be more subtle about it, but that's the way I am. I suppose that has something to do with why I write and direct.
One time I was doing a speech to a group of kids, and just before I get there, I see this little kid crying. I found out they just lost a game, and he was the losing pitcher. I went over there, put my arm around him, and said, 'What are you crying for? When major league players lose, they don't cry.'
For me, the moment the mic is on and it's rolling, it's impossible to vocally relax for some reason. But one day, I'm going to be able to sing the way I sang when I was a little kid, completely open and free. That's, I think, the one thing that's changed: Growing older, I'm not ashamed to hear my voice.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
It drove me mad not being able to know more about Pink Floyd when I was a little kid. But that's the great thing - there was this mystery behind it, and we couldn't find out enough. It made your mind work, it made you seek after it or try to interpret it. It made you envision or imagine what they were doing.
I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.
I always wanted to be an actor, even when I was a little kid. When I used to run away from home, I'd go to movies and sit all night watching Kirk Douglas. When I was 16, I tried getting into the Actors Studio, and they told me to get lost. I said 'I'll come back when I'm a man,' and I came back when I was 30.
Being on a book tour is like being on the seesaw when you're a little kid. The excitement is in having someone to play with, and in rising up in the air, but then you're at the mercy of those holding you down, and if it's your older brother, or Paul Wolfowitz, they leap up, so that you crash down and get hurt.
When I was a little kid, it was not uncommon for a cousin or an uncle, before they would even say 'Hello,' to gush, 'You know, your mother's brisket is just incredible; it's so good.' That was an inspiration for creating a love song in that well-worn terrain of the relationship between a Jewish boy and his mother.
Purple has always been my favorite color... but purple, when I was a little kid, was a color that boys weren't really allowed to wear. That's what all the kids at school told me. I filled my wardrobe with as much purple as I could possibly find, because who cares? Life's too short to dress by other people's rules.
I'm still like a little kid about it, where I'm just so happy and excited that people want to come to our shows and watch us play. I still go outside the venues and take a picture of our name on the marquees. I still feel like I'm trying hard to be in a good band, I really do. And I think that's a healthy approach.
When I was a kid, my mum had a lot of Dumas books in the house, and she's from France originally. My mother had one particular Dumas book that was a family heirloom - this old, beat-up 1938 edition of 'The Count of Monte Cristo' in French. She came to America after losing her parents in World War II as a little kid.
I'm a very visual thinker, so the characters are running through my head, doing what they're doing when I'm writing them. And there'll be moments where I'll just kind of throw a look off to the side as if I'm talking to one of the characters. It's always been something that I've had with me since I was a little kid.
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
As with any actor and any collaborator, it's about forming a trusting relationship. And that's not that you have to get him to trust you so you can get him to do what you want. Especially with a little kid, it's about making them feel really safe, and getting to know and not treating them as a puppet to be moved around.
My hand still shakes when I sign autographs. I still go and sit in the movies like everyone else and look up there and go 'God! Movie stars! Wow!' And I'm in this business. I walk out there just fascinated, and I always want to stay like that. I'm just a little kid going to these movies, and I don't ever want to change.
I think that once I started connecting dots of where my food was coming from and the reality of that, as opposed to maybe what you think it is as a little kid, and the realities of how my food was getting to my plate and what the real effects of that are. When I started connecting those dots, I couldn't disconnect them.
Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it. I loved anything that moved up there and I didn't miss anything that happened and there was no popcorn either.
They couldn't have a little kid occupying an important spot on the front row, so I sat in the back where all the models changed clothes. I remember vividly the rustling and the rush of the fabrics of the clothes and the swoosh of textures and color as they went by. I was in the back, but I had a front-row seat, in my opinion.
It was the summer of 1968 or so, and Dad and my little brother were out camping. While up in the mountains, my brother was bitten by a rattlesnake. As they raced back to the base, my dad sucked out the venom and used his hands as a tourniquet and probably save his life, for it was a serious bite, and he was just a little kid.
I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well.
I've known I wanted to do this ever since I was a little kid and I used to get in trouble at church for goofing off all the time: mocking the preacher, imitating people and the things they did. I later learned my mother used to be just as goofy as I was when she was younger. I mean, Eddie Murphy in 'Coming to America?' My hero.
My dad took me out to see a meteor shower when I was a little kid, and it was scary for me because he woke me up in the middle of the night. My heart was beating; I didn't know what he wanted to do. He wouldn't tell me, and he put me in the car and we went off, and I saw all these people lying on blankets, looking up at the sky.
In high school the very first job I got was I worked as a cashier in Burgerville, which is this fast food place in Oregon. I kind of grew up to be a spoiled little kid so my dad was like, 'You're going to get a job for the summer!' I was this clueless immigrant like, 'May I take your order? Sorry sir, I don't know what I'm doing!'